Page 12 Creme User Manual
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RELEASE
ATTACK
THRESHOLD
trol that. By cutting the problematic frequencies before they
reach the compressor, you ensure that the compressor responds
more to the overall performance rather than just the problematic
frequencies.
Compression before EQ: This method is beneficial when you want
to control the dynamics of a signal first, then color or shape the
tone afterwards. This is a more traditional approach and can be
more forgiving. By compressing first, you ensure a consistent sig-
nal level to then EQ. However, the compressor might slightly
change the tonal balance of the material and you can then fix this
with EQ.
The decision on which to use is dependent on the specific needs
of the track or mix. Both orders have their pros and cons, so it's
best to use your ears and see what works best for your material.
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The Threshold sets the signal level at which the compressor kicks
in.
A lower threshold will apply the gain reduction of the compressor
to a larger portion of the signal.
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This controls how quickly the compressor starts reducing the
volume after the input signal exceeds the threshold.
A fast attack clamps down quickly, affecting transients, while a
slow attack lets more of the transient through before compres-
sion starts.
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This controls how quickly the compressor stops reducing the
volume once the input signal drops below the threshold.
A fast release stops compressing quickly, making the sound more
natural but possibly causing 'pumping', while a slow release
smooths out the volume changes but might reduce the perceived
loudness.
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