Condenser
414
The condenser "414" is the perfect mic for capturing high end clarity and low
end punch. This solid-state condenser mic can instantly deliver a modern-
sounding "smile" EQ curve. Depending on the speaker, you may want to use
LOW CUT on the mic channels.
Condenser 67 The condenser "67" can be heard on the biggest pop and rock records of the
'60s, '70s, and '80s. This tube condenser mic has a wide frequency range
without sounding harsh or bottom heavy. It has a gentle upper midrange that's
great for distorted rhythm guitars.
Ribbon 160 The ribbon "160" was used by England-based recording engineers to capture
loud guitar amps and drums on some of the greatest rock records of the late
'60s. Our model is based on a vintage silver unit from the '60s. It has a smooth
midrange and warm treble response.
Ribbon 121 The ribbon "121" is a modern classic for electric guitar. With its silky high end
and extended bass frequency range, many engineers pair the "121" with the
"57" to even out the sound. The "121" is also great on its own, but depending
on the speaker, you may want to use LOW CUT on the mic channels.
Direct Box In direct mode you get the raw sound of your amp, without a guitar speaker,
while still responding as if the amp is driving a proper reactive speaker load.
Ox Stomp Room Mics
The five room mics capture the ambience of a high quality recording studio room for OX
Stomp's Dynamic Room Modeling. Matched stereo pairs are available for stereo ambience.
The room mics can be individually accessed for every Rig within the UAFX Control app.
Mic(s) Description
Condenser Stereo These tube condenser mics are placed in the drum area of the
tracking room. In "live" mode (DAMP off), this pair has high-end clarity
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