and a thick bottom end. With DAMP enabled, baffles and carpeting
help tighten up the bottom end and make for a quicker response time.
Ribbon Stereo These ribbon mics are placed in the drum area of the tracking room. In
"live" mode (DAMP off), this pair has a warm treble response with an
overall vintage '50s and '60s session vibe. With DAMP enabled,
baffles and carpeting remove midrange and make for a quicker
response time.
Condenser Mono This tube condenser mic is placed in the left side of the tracking room
(when viewed from control room). In "live" mode (DAMP off), this mic
has a punchy midrange and thick bottom end. With DAMP enabled,
baffles and carpeting help tighten up the bottom end and tame the
midrange.
Condenser 67 Mono This tube condenser mic is placed in the right side of the tracking
room by the drum overheads (when viewed from control room). In
"live" mode (DAMP off), this mic has a smooth midrange and
aggressive low end. With DAMP enabled, baffles and carpeting
remove subsonic low end.
Ribbon 84 Mono This ribbon mic has an old school recording studio vibe. In "live" mode
(DAMP off), it has a dark treble response and overall midrange-based
sound. With DAMP enabled, baffles and carpeting remove midrange,
add some treble, and make for a quicker response time.
Ribbon 121 Mono This modern ribbon mic adds depth and punch without getting in the
way of the close mics' high end. In "live" mode (DAMP off), it has a
smooth treble response and extended bass response. With DAMP
enabled, baffles and carpeting tighten up the bottom end and there is
a quicker response time.
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