Yamaha D-85 - Auto Bass;Chord Accompaniment; Chord Types and Memory; Accompaniment with Struck Chords

(5
er, this can be changed to seventh chord, minor
chord or minor seventh.
€ No pedal keyboard keys are depressed:
Major chord
° White pedal keyboard key is depressed:
Seventh chord
€ Black pedal keyboard key is depressed:
Minor chord
@ White and black pedal keyboard keys are
depressed simultaneously:
Minor seventh chord
When the MEMORY button is set to ON, auto-
matic accompaniment continues even when the
lower keyboard keys are released.
Depress both the LOWER and PEDAL memory
buttons. Automatic accompaniment will
continue even when you release the lower key-
board keys.
—
LOWER
f
i
I
GUSTE PEDAL
€ MEMORY
To change the accompaniment chords, depress
another lower keyboard key again. This opera-
tion brings a change to automatic accompani-
ment with the new chords, with the sound from
the newly depressed key as the basic sound. If
only the LOWER or PEDAL memory button is
set to ON, the sound of the keyboard whose
corresponding memory button is not depressed
(LOWER: tone color of lower keyboard,
rhythmic chords; PEDAL: tone color of pedal
keyboard) is no longer heard when that button is
released, and the automatic accompaniment of
the rhythm and tone colors of the keyboard
whose corresponding memory button is set to
ON continues.
@When the SINGLE FINGER CHORD button
is depressed, the musical intervals of the
detected chords do not vary no matter which
musical interval basic note keys on the lower
keyboard are depressed.
Accompaniment with the chords struck when
the lower keyboard keys are depressed
(1) Select the desired rhythm with the auto rhythm
controls.
(2) Depress the FINGER CHORD button.
EN \
5 ` `
FINGERED CUSTOM PEDAL
CHORD — ABC MEMORY
(3) Depress the keys on the lower keyboard so that
chords are struck. The chords now created by
depressing the keys are superimposed onto the
rhythm for automatic accompaniment.
@Try making your own major, minor and
seventh chords.
* The tone colors of the lower keyboard's tone
levers form chord play with the sustaining
sound of the flute and cello, etc.
However, in the case of the ‘wah guitar’,
chords are superimposed by a rhythm pattern
which is separate from the rhythmic chords.
(4) When the tone levers of the pedal keyboard are
operated, automatic accompaniment is available
with the pedal sound in accordance with the
rhythm and chords on the lower keyboard which
have been depressed, without the pedal keys
having to be depressed. (Auto bass function)
(5) When the MEMORY button is set to ON,
automatic accompaniment continues even when
the lower keyboard keys are released.
Depress both the LOWER and PEDAL memory
buttons. Automatic accompaniment will
continue even when you release the lower key-
board keys with the chords struck by the lower
keyboard keys.
To change the accompaniment chords, depress
another lower keyboard key again. Automatic
accompaniment will continue with the new
chord.
If only the LOWER or PEDAL memory button is
set to ON, the sound of the keyboard whose
corresponding memory button is not depressed is
no longer heard when that button is released, and
the automatic accompaniment of the rhythm and
tone colors of the keyboard whose corresponding
memory button is set to ON continues.
eWhen the FINGERED CHORD button is
depressed, the musical intervals of the
automatic chords change in accordance with
the position of the keys on the lower key-
board which have been depressed.