Akai GX-266D Operator's Manual

DUBBING 4.
This is the method by which a copy of the recorded tape is
made.
The mother tape may be copied just as it is, or the musical
numbers may be recorded in a difference sequence. In the
latter case too, adoption of the following Dubbing opera-
tions will offer great convenience in editing the tape.
DUBBING FROM OPEN REEL TAPE TO
CASSETTE TAPE
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Make necessary connections by following the drawing
below, 3
© Switch on the power supply for each equipment.
1. Set the pre-recorded tape and empty reel on the 6.
respective Reei Tables of this tape deck.
2. Load a cassette tape (with an unbroken break-out tab) : Te
on the Cassette Deck.
3. Set this machine in a PLAYBACK mode and the
Cassette Deck to a RECORDING STANDBY mode.
If a 3-Head Cassette Deck (e.g, AKAI GXC-570D, 8
GXC-760C, GXC-740D, GXC-325D) is being employed,
set the Monitor Switch to SOURCE, instead of setting
the Cassette Deck into a RECORDING STANDBY
mode.
With the Line-Out Controls of this machine at Max-
imum, set the recording input level by means of the
Line-In Controls of the Cassette Deck.
* This is to be carried out while observing the VU Meters of the
Cassette Deck and seeing to it that the meters’ indicators do
not exceed “OVU”, which implies overtevel input.
* If the Meter indicates more than “OVU" even when the
Line-In Controls of the Cassette Deck are turned to an angle
equivalent to about “9 o'clock", the line output should be
lowered by turning the Line-Out Controls of this machine
counterclockwise.
If the Line-In Controls of the Cassette Deck can be tuned to
an angle range equivalent to about “9 o'clock” to “2
o’clock”, the tuning can be viewed as ideal.
Bring the tape loaded on this machine to its original
position. =
Change the mode of the Cassette Deck from RECORD-
ING STANDBY to RECORDING.
Set this machine to a PLAYBACK mode and play the
tape.
* When a 3-Head Cassette Deck is being employed, SIMULTA-
NEOUS MONITORING should be carried out. (For further
details, refer to the Operator’s Manual for Cassette Decks.)
. Regarding the temporary suspension (Pause) of tape,
reference should be made to “STEREO PLAYBACK”
{Page 12) for this machine, and to the Operator’s Manual
for Cassette Decks for cassette machines.
GX-266D: Plays the recorded mother tape.
i ae ee
LEFT LINE OUT
* Direct connection between decks is possible.
LEFT LINE IN
Cassette deck: To be put in
RECORDING mode.
RIGHT LINE OUT
RIGHT LINE IN
Pre/Main Amplifier
When using Pre/Main Amplifier, refer to
Pre/Main Amplifier.
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Operator's Manual for
DUBBING FROM OPEN REEL TAPE TO OPEN
REEL TAPE
© Refer to drawing at below and to that on Page 6 for
connection.
© Switch on power supply for each equipment.
®@ Do not move the recording levers from on position to
off position during recording. If recording levers must be
switched to off position, depress stop button first and
confirm stop mode before switching it off. The use of
this machine for Tape Editing is recommended.
1. Set a pre-recorded tape and empty reel on the Playback
Deck and a recording tape and empty reel on the
Recording Deck. <
te
. For Recording and Playback operations, refer to the
respective Operator’s Manual.
* When this machine is to be used as a Playback Deck.
Line-Out Control should be set to Maximum. If the output of
the Deck is too big in this condition, tune down the Output
Control of this machine in a way to make the Line-In Control
to be positioned somewhere in an angle range between the
Position of “9 o'clock” and “2 o'clock”,
@ Adjust the recording input level so that it will be at the
same level as that indicated on the VU Meter of the
Playback Deck.
* Direct connection between decks is possible,
‘i Playback Tape Deck: Plays recorded mother tape.
When Pre/Main Amplifier is used, please refer to the Operator's
Manual for Pre/Main Amplifier.
252
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Recording Tape Deck: To be put in RECORDING mode.
GX-266D ‘
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LEFT LINE IN
RIGHT LINE IN
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3 indicates the case when Pre/Main Amplifier is used.

Akai GX-266D Specifications

General

Brand	Akai
Model	GX-266D
Category	Tape Deck
Language	English