12
• Synching & MIDI 231
• MPC as Slave With MIDI Clock 232
• Mono & Stereo Instruments 233
046 Recording Your Beats Part 3 235
• Using Effects While Tracking 235
• Dry Recording 235
• Wet Recording 235
• Using the MPC Outputs 236
• Multitracking to a Standard Mixer 236
• Recording Via A Mixer 236
• Assigning Outputs 236
047 Compression Part 1 239
• What is a Compressor? 239
• Types of Compressor 239
• Compressor Controls 239
• Graphical Representation 240
• What Can Compression Do For My Music? 241
048 Compression Part 2 242
• Hooking it up 242
• Limiting a Signal 242
• Compressing a Vocal 243
• Smoothing Out a Bass Line 243
• Adding Punch to Guitars 243
• Increasing Guitar Sustain 243
• Compressing Snares 244
• Cymbals 244
• Compression as an Aux Effect 244
• Suggested Settings 244
Section F – MPC1000 Studio Environments 246
049 Looping Multisamples in Soundforge 247
• Background 247
• Getting Started 247
• Setting the Loop 249
• Adding Loop Markers 250
• Crossfade Looping 252
• Limitations 253
050 Using Recycle with your MPC1000 Part 1 254
• Overview 254
• Getting Started 254
• Slicing Your Beat 255
• Previewing Your Slices 256
• Adding a Slice Point 256
• Envelope Settings 258
• Exporting Your Slices 259
051 Using Recycle with your MPC1000 Part 2 269
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