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General| Microphone Type | Condenser |
|---|---|
| Powering | 48V Phantom Power |
| Connector | 3-pin XLR |
| Polar Patterns | Wide Cardioid, Cardioid, Hyper Cardioid, Figure-8 |
| Frequency Response | 20Hz - 20kHz |
| Max SPL | 158 dB SPL (with pad) |
| Self Noise | 6 dBA |
| Signal-to-Noise Ratio | 88 dB |
| Preattenuation Pad | -6 dB, -12 dB, -18 dB |
| Bass Cut Filter | 40 Hz, 80 Hz, 160 Hz |
| Dimensions | 50 mm diameter |
Offers nine pickup patterns for optimal sound in any scenario, minimizing interference and maximizing gain.
Disables controls to prevent accidental changes, ideal for live sound or permanent installations.
Visually indicates even the shortest overload peaks by changing the polar pattern LED to red.
Highlights AKG's history, innovation, and reputation with over 1,400 patents in electro-acoustics.
Details the historical evolution of the C 414 microphone, from the C 12 to modern models.
Features gold-sputtered diaphragms for maximum reliability and ultrahigh precision.
Eliminates structurally-transmitted vibrations for interference-free sound capture.
Offers adjustable bass cut filters and pre-attenuation pads for signal control and noise reduction.
Displays overload indication for short peaks, ensuring no signal clipping goes unnoticed.
Maintains the B-ULS sonic character, known for neutrality, versatility, and accurate acoustic instrument pickup.
Features the signature sound of the AKG C 12, offering an upfront sound for vocals and instruments.
Combines advanced components and metal housing for accurate pickup and electrical interference immunity.
The twin-diaphragm system provides a choice of nine different polar patterns for flexible application.
Pairs of microphones with high correlation and identical sensitivity for precise stereo recordings.
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