Behringer Digital Pro Mixer DDM4000 - Effect Parameters

19 DIGITAL PRO MIXER DDM4000 User Manual
PITCHER, BITCRUSHER:
PITCHER changes the pitch of the music without changing the tempo.
Shift adjusts the pitch.
BITCRUSHER simulates a decrease in the digital resolution.
From soft lo- settings to toy sounds, everything is possible.
1/1
PITCH
Shift: -100 ... +100%
—
BITCRUSHER
Depth: 0 ... +100%
Dry/Wet Mix
Tab. 4.3: Eect parameters for Pitch and Bitcrusher
REVERB:
REVERB is a reverberation eect. Eight dierent reverb room simulations are
available. When Fade is activated, the reverberation decays and is not truncated
in case the eect is turned o.
Ambient is a very short reverb which lets you virtually hear the walls of the room.
Box delivers a spatial impression without long reections.
Cathedral: The long and dense reverb of a big cathedral, ideal for slow tracks.
Cavern: An intensive, high-frequency-dominant reverb based on a cave with
rocky walls.
Chamber produces the short reverb of a small room.
Chorus: A thick, warm reverberation which is shorter than that of Cathedral.
Concert simulates the well-dened reverb of a big concert hall.
Echo: A thick, short reverb with a longer pre-delay.
2/4
FADE
Ambient, Box, Cathedral,
Cavern, Chamber, Chorus,
Concert, Echo
Dry/Wet MixOn/O
1/4
MODE
Tab. 4.4: Eect parameters for Reverb
FILTER:
FILTER is an eect which is typically associated with synthesizer music.
Three types of lters are available: Band Pass, Low Pass and High Pass.
Resonance is used to increase the level of the lter frequency which makes
the eect sound more intensive. In LFO Mode, the lter frequency is controlled
by an LFO. Manual Mode lets you control the lter frequency with the
DEPTH knob (44).
1/1
FILTER
2/4
RESO
3/4
MODE
4/4
LFO
FILTER
Lowpass
Bandpass
Highpass
0 ... 100%
LFO
Manual
Frequency
LFO Speed
Tab. 4.5: Eect parameters for Filter
Editing eects4.1.5
As already mentioned in the previous chapter, each eect has up to ve
parameters (depending on the eect type) with which you can adjust the
eect. In each case it is possible to adjust one parameter by using the BEAT
push buttons. In most cases, this is the BPM-synchronized parameter.
Eect parameters:
Press the PARAMETER push button 1) (47) to select a parameter. This only
works when the eect is deactivated (the FX ON push button does not ash).
Alternatively, press the PARAMETER knob 2) (45) to select a parameter.
Change the parameter value by turning the PARAMETER knob 3) (45).
To switch to the next parameter, press PARAMETER 4) (45) or (47) again.
Dry/Wet mix:
Turn the MIX knob • (44) slowly to the right to mix the eect (Wet) to the
original signal (Dry).
BPM-synchronized eect parameters4.1.6
Some of the eect sound especially interesting when time-related parameters
respond to the rhythm of the music. The DDM4000 supports editable,
BPM-synchronized parameters.
Editing BPM-synchronized parameters:
Make sure that the BPM Counter calculates the correct value 1)
(if applicable, enter manually with TAP, see Chapter 4.2).
Change the parameter step-by-step with the BEAT push buttons 2) (49).
The selected value appears on the display.