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E-Mu SP-12 User Manual

E-Mu SP-12
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SP-12
SAMPLING
PERCUSSION SYSTEM
OWNERS MANUAL
By Craig Anderton
Version 2.3
© 1985 E-mu Systems, Inc. Scotts Valley, CA. All Rights Reserved

Table of Contents

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E-Mu SP-12 Specifications

General IconGeneral
TypeDrum Machine
Polyphony8 voices
MIDIYes
Pads12 velocity-sensitive pads
StorageFloppy disk
SequencerYes
Year Released1985
Synthesis TypeSample-based
EffectsNone built-in
Outputs8 individual outputs, stereo master output
Sampling Time2 seconds standard, up to 10 seconds with expansion

Summary

Introduction to the SP-12

SP-12 Ground Rules

Fundamental terms and concepts necessary for understanding the SP-12 manual.

Part 1: Getting Ready

1A Setup

Step-by-step guide to physically connecting and powering on the SP-12.

1D Selecting Drum Sounds

How to choose between different banks of drum sounds using the SELECT button.

1E Adjusting the Mix

Instructions on varying individual drum levels using sliders and the MIX LED.

1F Tuning the Drums/Changing Decay

How to adjust pitch or decay time for individual drum sounds using sliders.

1H Accessing/Exiting Multilevel

Guide to applying and removing multilevel effects to drum sounds.

1I Accessing/Exiting Multipitch

Guide to applying and removing multipitch effects to drum sounds.

Part 2: Recording Segments

2C "Dimensioning" a Segment

Setting the time signature and bar length for a new segment.

2E Setting Auto Correct

How to select the desired resolution for Auto Correct timing.

2F Recording a Segment in Realtime

Step-by-step guide to recording drum patterns in real-time performance.

2G Recording a Segment in Step Time

Method for recording drum patterns note-by-note for precise control.

Part 3: Creating a Song

3C Chaining Segments Together

Step-by-step process for arranging segments sequentially to form a song.

3E Editing Songs (Stepping, Inserting, Deleting)

Methods for modifying song steps: stepping, inserting new steps, and deleting existing ones.

3I Programming Tempo Changes Within a Song

Creating accelerandos and ritardandos by changing tempo over song steps.

Part 4: Sampling Your Own Sounds

4B Setting Levels Prior to Sampling

Procedure for setting input gain and monitoring levels for optimal sampling.

4C Assigning the Sample to a User Number and Output Channel

How to assign a sampled sound to a user slot and output channel.

4D Setting the Sampling Threshold

Configuring the signal level trigger to start sampling automatically.

4E Setting the Sample Length

Programming the fixed duration for a recorded sample.

4F Initiating and Stopping Sampling

Starting and stopping the sampling process, including threshold and forced modes.

4H Modifying a Sample via Truncation and Looping

Editing samples by trimming start/end points and creating loops.

Part 5: Saving Your Data

5C Hooking Up the 1541 Disk Drive or Cassette

Instructions for connecting external storage devices to the SP-12.

5D Formatting Disks

Procedure for preparing new or used disks for use with the SP-12.

5E Disk and Cassette Operations

Detailed steps for saving, loading, verifying, and cataloging data on disks/cassettes.

Part 6: MIDI, Sync, & SMPTE

6A MIDI Channel and Mode Select

Setting up MIDI communication parameters for controlling the SP-12.

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