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General| Lens | Elmo Zoom Lens |
|---|---|
| Zoom | 3x |
| Frame rates | 18 fps |
| Aperture | f/1.8 |
| Film Type | Super 8 |
| Power Source | Battery |
| Exposure | Automatic |
| Battery | AA batteries |
| Focus | Manual |
| Viewfinder | Optical |
Details lens, zooming, film transport, aperture, finder, and other body features.
Details Double-8, Single-8, and Super-8 magazine specifications.
Explains the camera body's features like lens, TTL, reflex construction, and drive system.
Describes how magazines are interchangeable for versatility and ease of use.
Lists and labels parts of the camera body, like buttons, dials, and lens barrel.
Identifies external components and their labels, including lens and controls.
Explains how to access the battery compartment and the power source for the camera.
Details the process for checking the state of the batteries and mercury cell.
Explains the Through-the-Lens (TTL) automatic exposure mechanism and its CdS cell.
Describes how to use the AM dial for manual aperture adjustment.
Explains the shutter button's function, locking for continuous filming, and cable release.
Mentions the camera speed dial and the protective shutter button cover.
Details film speeds (18, 24, 1 fps) for standard, talkie, and animation.
Notes reverse filming is possible at 18 and 24 fps for specific film types.
Explains how film transport speed compensates exposure via TTL coupling.
Describes using the T and W buttons for automatic zooming from 9mm to 36mm.
Explains how to manually adjust zoom using the dial for desired focal distances.
Details how to use the F.R. dial to switch between forward and reverse filming/rewinding.
States that reverse filming and overlapping are not possible with Super-8 film.
Explains the need to advance film and use lens caps before reverse filming.
Explains how to load the Single-8 film cartridge into the magazine.
Mentions the cutaway and downward arrow on the film protrusion.
Provides instructions for attaching the magazine and threading the film.
Explains that ASA sensitivity is set automatically when the cartridge is inserted.
How to check the film window for type and confirm film movement.
Explains the progression of the film counter and completion signals.
Details sending film for processing and projector compatibility.
Describes how to seat the Super-8 magazine and cartridge correctly.
Explains the film counter, automatic stop at 'F', and identifying exposed film.
Notes Super-8 film thickness difference and projector compatibility.
Explains how to insert the Super-8 cartridge, noting safety device.
Mentions safety device for cartridge insertion and limitations on rewinding/reverse shooting.
Identifies the built-in filter screw and accessory shoe on the camera.
Explains when and how to use the #85 filter for optimal color effects.
Describes shifting the filter for indoor lighting to avoid affecting light entry.
Explains the automatic magazine shutter and the film counter behavior.
Details film width (16mm) and length (25 feet/9 meters).
Describes opening the magazine, removing spool, and opening pressure plate.
Explains positioning the spool, pulling the leader, and winding onto the take-up spool.
Describes returning the pressure plate and closing/locking the magazine cover.
Explains aligning the magazine with the camera body and pushing it in.
Details the safety feature preventing operation if the magazine is misaligned or shutter not open.
Describes setting the ASA dial based on loaded film sensitivity for correct exposure.
Explains the film counter for the first half and advancing film to '0'.
Describes reversing the magazine and using the '2' row of the counter for the second half.
Mentions the ASA dial's role in TTL fully automatic aperture control.
Explains the automatic stop after the second half is exposed and removing the spool.
Discusses film waste during loading and the effective usable length of the film.
Notes the window indicating Super-8, Single-8, or 1/2 loaded film.
Discusses removing the magazine before full exposure and potential issues.
Explains the camera's safety feature preventing operation with misaligned magazines.
Highlights differences in film thickness, perforation, and frame area.
Guides on holding the camera, using straps, and supporting it for stability.
Explains how to operate the autozoom buttons and shutter button.
Details adjusting the eyepiece for comfort and holding the camera steady.
Advises using a tripod for telephoto shots or manual zooming.
Explains using the viewfinder for framing and the reticle for Double-8 film.
Details how to focus using the manual zoom dial and split image system.
Guides on checking the viewfinder needle for proper exposure levels.
Defines 'depth of field' and its relation to focus and aperture.
Lists and describes UV Filter, NDX4, and the #85 filter.
Explains when and how to use the #85 filter for optimal color effects.
Details using the close-up lens for macro photography and titles.
Explains the lens hood's purpose in blocking side light and preventing reflections.
Describes the ELMO fader for creating gradual dimming and brightening effects.
Explains how to achieve overlapping using the fader and rewind feature.
Explains the remote connector for controlling the camera from a distance and its selftimer function.
Describes the use of soft and hard carrying cases for outdoor use and storage.
Highlights the FP-A projector's optical performance, zoom lens, and lamp.
Explains the ETS device for synchronizing film and tape recorder audio.
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