Fisher X-100 - Page 19

a
t6
4[-Remove
the four
plastic
leet
from
the X'100 at
through
the
lront of the
panel
cutout.
Slide
the
cl
until
the back
of the
control
panel
fits
tightly a
the cabinet.
The Mqn Behind the
Product
AVERY FISIIEB
f oundet and,
President;
Fisher Radio Cotpordtion
-flwENTy-FouR
YEARs AGo, Avery
Fisher introduced America's
first high
I
fidelity
radio-phonograph.
That instrument attained
instant recognition, for
it
opened
a new era
in the faithful reproduction
of records and
broadcasts. Some of its
features
were so basic
that they are
used in all high fidelity equipment
to this
day.
One
of
these
models is now in
the
permanent
collection of
the
Smithsonian
Institution as an
example of the earliest
high fidelity
instruments commercially available
in
this country.
The
engineering
achievements of
Avery Fisher and the
world-wide reputation of his
products
have
been the subject of descriptive and
biographical articles in
Fortune, Time,
Pageant, The New
York Times, Lif e, Coronet,
High Fidelity, Esquire,
The
Atlantic, and
other
publications.
Benefit concerts
for the National Symphony Orchestra in Washing-
ton and the
Philadelphia
Orchestra,
demonstrating recording
techniques,
and
the
great
advances
in the art of
music
reproduction,
used FISHER high fidelity instruments both
for
recording and
playback,
to the enthralled audiences.
FISHER
equipment
formed
the key
part
of
the high fidelity demonstration at the American National Exposition
in
Moscow, July 1959.
FISHER FM and FM-AM tuners are the most widely used by
broadcast
stations for monitoring and relay work, and by research organizations-
under
conditions
where
absolute reliability
and maximum sensitivity are a'must.'
The FISHER instrument
you
have
just
purchased
was
designed to
give you
many
years
of
pride
and enjoyment.
If
you
should desire information
or
assistance
on
the installa-
tion or
performance
of
your
FISHER,
please
write
directly to Avery
Fisher, President,
Fisher Radio Corporation, Long Island City. 1, New York.
MUSIC
POWER OUTPUT:
HARNAONIC
DISTORTION:
FREQUENCY
RESPONSE:
HUM AND NOlSEr
CHANNET SEPARATION:
SENSITIVIIY:
TI
40 watts
both
channel
(
0.57o
at
17 watts
(RMS
O.BVa
at
20
(Music
Por
-r
ldb
from 20
to 20,00
Witlt,
aolume
control
than 90
db below
rateC
High Leuel
Inputs:
maximum)
more
than
output
(0.5
volt
referer
Low
Leuel
Inputs:
(I
control
at maximum)
r
low
rated output
(6
level.)
Better
than 50 db.
Low Leael:
PHONO
millivolts
TAPE: 2.
output.
PHONO
I
NTAr -1 03CX
O1e51
FTSHER RAoro coRPoRAl