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Gemini CDM-1000 - Page 5

Gemini CDM-1000
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#
RF-45
(which
is
identical
to
the
crossfader
supplied
with
the
mixer)
has
a
45
mm
travel
from
side
to
side.
Part
#
RF-30
is
available
with
a
30
mm
travel
distance.
Also
available
is
the
PSF-45
with
a
special
curve
designed
for
scratch
mixing.
Just
purchase
one
of
these
crossfader
units
from
your
Gemini
dealer
and
follow
these
instructions:
1.
Unscrew
the
outside
FADER
PLATE
SCREWS
(B).
Do
not
touch
the
INSIDE
SCREWS
(C).
2.
Carefully
lift
the
fader
and
unplug
the
CABLE
(D).
3.
Plug
the
new
fader
into
the
cable
and
place
it
back
in
the
mixer.
4.
Screw
the
fader
to
the
mixer.
B
c
?
c
B
O
O
C
0
6
I
l
m
7.
O
UTPUT
CONTROL
SECTION:
The
level
of
the
AMP
OUT
(37,
49)
is
controlled
by
the
MASTER
(34)
slide
and
the
BALANCE
CONTROL.
(33).
The
BOOTH
(35)
control
adjusts
the
level
of
the
BOOTH
OUTPUT
(38).
HINT:
The
booth
OUTPUT
is
used
by
some
DJs
to
run
monitor
speakers
in
their
DJ
booth.
You
can
also
use
it
as
a
second
ZONE
or
AMP
output.
Activating
the
MONO
(32)
button
(the
mono
LED
will
light)
makes
the
master
output
mono.
8.
TALKOVER
SECTION:
The
purpose
of
the
talkover
section
is
to
allow
the
program
playing
to
be
muted
so
that
the
mic
can
be
heard
above
the
music.
The
MIC/TALKOVER
SWITCH
(9)
controls
MIC
1
and
MIC
2
and
has
three
settings.
When
the
MIC/TALKOVER
SWITCH
(9)
is
in
the
left
position,
MIC
1
and
MIC
2
and
talkover
are
off.
When
the
MIC/TALKOVER
SWITCH
(9)
is
in
the
center
position
MIC
1
and
MIC
2
are
on,
the
MIC
INDICATOR
(8)
will
glow,
but
talkover
is
off.
When
the
MIC/TALKOVER
SWITCH
(9)
is
in
the
right
position,
MIC
1
and
MIC
2
and
talkover
will
be
on
and
the
volume
of
all
sources
except
the
Mic
inputs
are
lowered
by
16
dB.
The
TREBLE
(4)
and
BASS
(5)
controls
allow
you
to
fully
adjust
the
tone
of
MIC
1
and
MIC
2.
MIC
1
LEVEL
(7)
controls
the
level
of
MIC
1.
The
MIC
2
LEVEL
(6)
controls
the
level
of
MIC
2.
9.
CUE
SECTION:
By
connecting
a
set
of
headphones
to
the
HEADPHONE
(13)
jack,
you
can
monitor
any
or
all
of
the
channels.
Press
the
CUE
ASSIGN
(20)
buttons
for
channels
1
-
4
to
select
the
channel
or
channels
to
be
monitored
and
their
respective
LED
indicators
will
glow.
Use
the
CUE
LEVEL
(10)
control
to
adjust
the
cue
volume
without
effecting
the
overall
mix.
By
rotating
the
CUE
PGM
PAN
(12)
control
to
the
left
you
will
be
able
to
monitor
the
assigned
cue
signal.
Rotating
to
the
right
will
monitor
the
PGM
(program)
output.
Use
the
CUE
SPLIT
(11)
button
to
split
the
signals
from
cue
and
program
so
that
cue
will
be
heard
in
one
earphone
and
program
will
be
heard
in
the
other
earphone.
10
DISPLAYS:
The
PEAK
HOLD
LED
METER
(30)
indicates
the
MASTER
OUTPUT
(37,
49)
left
and
right
channel
levels.
The
individual
channels
each
have
their
own
PREFADER
INPUT
LEVEL
PEAK
HOLD
LED
METERS
(31)
which
reflect
the
GAIN
(14),
HIGH
(15),
MID
(16),
and
LOW
(17)
rotary
control
adjustments.
The
CHANNNEL
SLIDES
(19,
22,
24,
26)
will
not
effect
the
PREFADER
INPUT
LEVEL
PEAK
HOLD
LED
METERS
(31).
Specifications
INPUTS:
Phono.
Line.
Aux.
OUTPUTS:
Amp/Booth.
.3mV
47Kohm
.150
mV
27Kohm
.150
mV
27Kohm
.0
dB
IV
400ohm
Max.
.20V
Peak
to
Peak
Rec.
.225mV
5Kohm
MIC
1
&
MIC
2:
DJ
Mic.
.1.5mV
2Kohm
balanced
Bass.
.±
12dB
High.
.±
12dB
MIC
3:
DJ
Mic.
.1.5mV
2Kohm
balanced
Controls.
.Channel
4
.+
12dB/-
26
dB
.+
12dB/-
26
dB
.+
12dB/-
26
dB
.0
to
-20dB
..20Hz
-
20KHz
+/-
2dB
.
0.
02
%
.better
than
80dB
.-16dB
.16ohm
11.5/230V
50/60HZ
10W
..12.5”w
x
3”h
x
14"d
.10
lbs
GENERAL:
Bass
(Chnls
1-4).
Mid
(Chnls
1-4).
Treble
(Chnls
1-4).
Gain
(Chnls
1-4).
Frequency
Response....
Distortion.
S/N
Ratio.
Talkover
Attenuation.
Headphone
Impedance.
Power
Source.
Dimensions.
Weight.
Page
4

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