Korg PS-3300 - Page 23

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Figures 27 through 30 show several ways
of using the GEG. In figure 27 the pitch
will go from below normal (—SV), up to
normal (OV), and then back down below
normal (—5V) again when you play a single
key.
If you use output jack 1 instead of 2, you
will get the opposite effect.
In figure 28, whenever you play five or
more keys together, the pitch will rise. For
the opposite effect, you can reverse the
position of the FM reverse switch (to the
upper left of the MG-1 INT knob).
In figure 29, the multiple trigger is used to
briefly raise the pitch and return to normal
when you play a key. In figure 29, the
AUTO switch is off. If you turn it on, the
GEG will operate as if it was being supplied
with a voltage trigger signal instead of the
instantaneous multiple trigger (switch-
type) that it is actually getting in this case.
In other words, the GEG operation will
follow the delay, attack, and release set-
tings automatically, even through the mul-
tiple trigger signal cuts off at the beginning
of the envelope.
When you use the GEG envelope to modu-
late the cut-off frequency of the DLPF,
you will get an expand-type of effect
(Since the DLPF is a low-pass filter, you
have to turn the Fe knob down below
normal in this case.)
In figure 30, the momentary switch is used
to trigger the GEG to get a vibrato effect
while the button is pressed. If you use the
signal trigger output instead, you will get a
delayed vibrato effect (vibrato will begin a
little
after
you
hit
a
key).
If you use the same trigger as in figure 28,
you will only get the vibrato effect when
you play together the number of keys (or
more) indicated on the KBD TRIG SE-
LECT knob setting.
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25
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PS-3010