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Korg PS-3300 - DYNAMIC LOW-PASS FILTERS (DLPF); CUT-OFF FREQUENCY (Fc); PEAK ADJUSTMENT; KEYBOARD FILTER BAL- ANCE

Korg PS-3300
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1-2
DYNAMIC
LOW-PASS
FILTERS
(DLPF)
fig.
DLPF
Onytt7
mame
©
CUT-OFF
FREQUENCY
(Fc)
Fok,
MME
OHRID
ust
@xHanyy
Fee,
EMTRES
NET
YAO—7iRHE
SoTMS
tara
emer
ss
EMME
MTL
IOWA
747
adjustment
for
each
key's
indepen:
Dy
b
A
7H
EBL
ET
jent
low-pass
filter.
2
@v—omm
*
PEAK
ADJUSTMENT
is
a
7a
yb
ERIN
SRS
EMS
Emphasizes
resonance
at
cut-off
point,
¢
KEYBOARD
FILTER
BAL-
ANCE
Adjusts
the
Fe
of
each
of
the
key’s
independent
low-pass
filters
over
a
rising
or
falling
slope
corresponding
to
the
scale
of
the
keyboard.
*
EXPAND
Adjusts
the
degr
envelope
signal
to
which
the
EM
jects
the
Fe.
*
MODULATION
SWITCH
ABEBIOS
STMORS
MSL
ET
RMAL
YF
On/oft
switch
for
cutoff
frequency
Dy
kA
7M
ON-OFF
EL
ET
modulation.
©
INTERNAL
MODULATION
SENSITIVITY
eonmxmes
Adjusts
depth
of
modulation
from
MG—1
(2
SRIORS
MBL
IT
MG-1
*
EXTERNAL
|
MODULATION
Oneruse
pongalh
Adjusts
depth
of
modulation
from
external
signal,
Ory
tt
7MARRBAD
Ay
bATRRATROAMANTS
©
CUT-OFF
INPUT
JACK
For
FeM
from
external
signal
MODULATION
LOMAS
eI
-OVCR
(tlt
waz
42)
Wt
oe
SG
SRS
OTK
OFAME
HE)
£.
366
mrt
stheecet,
AIAD+
DPV
Y—
(Fe)
OY
Zik,
WHE
S
BIKA
WF
fed
enna
a
Ae
WN)
AN
&
(ROEEAC
TS)
RREMEL,
E-7OY
THFetisoTM
OMG
NSM
Co
ba
PoRAY
bh)
DAG
MIS
MBIT
4
Me
Oe
MITEL
at.
XH
K-74
wv
R—-89>2(KBD
F
BA
L)
i
>
OD
SME
(A
—)
DL
tA
eS
TOS
74
WV
R—
(VCF)
OF
e
&,
MRO
WH
WS
LPL
MLS
LOU
SL
OOYS
ITT,
+
BX
ACY
FIREMO@
YE
(A+D>
S*RtLot7Fe7sen3ntryr<a—-7hj
Se
CHMOD
EMER)
Che
&
ILS
2
Nee
aT
Itt
LPT
SMR,
haNN-
UTS—
BIDDA
ThA
TINUE
B,
JBM
RIF
A
YT
ORMBY
RY
HED
WA
HALT
BME,
Feo
“OTTSE
bLDOMMBMIAL
EOTYS
WOM
ae.
SEMEN
YS
TOT
CBO.
1-2.
Dynamic
Low-pass
Filters
(DLPF)
This
section
corresponds
to
the
VCF
of
a
monophonic
synthesizer.
It
processes
the
waveform
(which
is
the
primary
determi-
nant
of
tone
color)
coming
from
the
SG.
The
FC
knob
controls
the
cut-off
frequen-
cy.
Since
these
are
low-pass
filters,
the
harmonic
elements
of
the
waveform
which
are
higher
than
the
cutoff
frequency
will
be
shaved
off,
thereby
producing
a
more
rounded
sound.
The
PEAK
knob
controls
the
amount
of
emphasis
given
to
the
frequencies
right
below
the
cutoff
frequency.
In
other
words,
it
varies
the
slope
steepness
(Q)
of
a
resonance
at
the
cut-off
point.
Use
the
keyboard
filter
balance
(KBD
F
BAL)
knob
if
you
want
the
cut-off
fre
quency
to
be
different
for
different
parts
of
the
keyboard.
Each
key
has
its
own
filter
(VCF),
the
cutoff
frequency
of
which
can
be
varied
independently;
this
knob
raises
or
lowers
the
Fe
of
each
key
to
conform
to
a
rising
or
falling
slope
corresponding
to
the
scale
of
the
keyboard.
With
the
EXPAND
knob
you
can
make
the
cut-off
frequency
vary
along
with
the
“envelope”
(the
volume
contour)
determined
by
the
controls
in
the
EM
section
(Attack,
Decay,
Sustain,
Release).
Cutoff
frequency
modulation
(FeM)
for
such
effects
as
wow
and
growl
is
controlled
in
the
same
way
as
frequency
modulation
in
the
SG
section.
Starting
from
the
normal
setting,
check
out
what
happens
when
you
use
the
controls
in
the
DLPF
section;
note
that
if
yow
turn
the
Fc
knob
all
the
way
to
“0”,
the
sound
may
become
so
rounded
that
it
is
inaudible.

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