ix
Waveforms Combined with Non-linear Functions ..................................................... 14-48
Mixers with Non-linear Inputs .................................................................................... 14-50
Hard Sync Functions ................................................................................................... 14-51
Sampling and Sample Editing ...........................................................................................................15-1
Setting Up For Sampling ..............................................................................................15-1
Cables and Input Jacks ...................................................................................... 15-1
Entering The Sampler - Two Different Ways ............................................................... 15-2
Sampling Analog Signals ..............................................................................................15-2
Recording Samples ........................................................................................... 15-6
Sampling the K2500’s Output ......................................................................................15-8
Using the Sampler to Create Overdubs .........................................................................15-8
Sampling Digital Signals ............................................................................................15-10
Using the Digital Outputs ...........................................................................................15-11
Editing Samples .......................................................................................................... 15-12
Crossfade and Volume Adjust Curves ............................................................ 15-33
Reading Samples .........................................................................................................15-34
The Keymap Editor ..................................................................................................... 15-36
Building a Keymap ..................................................................................................... 15-41
Using the Analog Inputs to Trigger Samples ..............................................................15-42
FUNS ....................................................................................................................................................16-1
The Mechanics of Control Sources ............................................................................... 16-1
Programming the FUNs ................................................................................................ 16-2
The FUN Equations ......................................................................................................16-3
The List of Equations ........................................................................................ 16-4
Warp Equations ...............................................................................................16-10
Sawtooth LFOs ...............................................................................................16-13
Chaotic LFOs ..................................................................................................16-13
Diode Equations .............................................................................................. 16-14
The Order of Evaluation for FUNs ............................................................................. 16-16
Other Editors .......................................................................................................................................17-1
The Intonation Table Editor .......................................................................................... 17-1
The Velocity Map Editor .............................................................................................. 17-3
Using the Velocity Map Editor ..................................................................................... 17-3
The Pressure Map Editor .............................................................................................. 17-6
Audio Outputs .....................................................................................................................................18-1
Audio Configurations .................................................................................................... 18-1
Using the MIX Outputs .................................................................................................18-1
Using the Separate Outputs ...........................................................................................18-2
Output Groups and MIDI Channels .............................................................................. 18-4
Programming Examples .....................................................................................................................19-1
Example 1 - Trumpet with Delayed Vibrato and Velocity-triggered Fall-offs ............19-1
Example 2 - Lowpass Filter, Envelopes ....................................................................... 19-4
Example 3 - Sample and Hold; Using a FUN ............................................................... 19-6
Example 4 - SHAPER and PANNER ........................................................................... 19-7
Example 5 - Building a Drum Program; Using the Keymap Editor ............................. 19-9