FUNS
 
The Mechanics of Control Sources
 
17-1
 
Chapter 17
FUNS
The name ÒFUNÓ is an abbreviation for ÒFunction.Ó FUNs are a series of equations that you can 
use to modulate control-source signals.
WeÕve discussed various control sources throughout this manual, from the physical controls like 
the Mod Wheel to the software control sources like LFOs and attack velocity. You can assign 
them to affect your sounds in all sorts of ways.
The FUNs take the control sources one level further. By setting up a FUN as a control source, 
you can mix the signals of two control sources, and perform one of 50 functions on the combined 
signals. The result of that function becomes the new control source value. Because they can 
radically change their combined input values, FUNs can have a profound effect on your sounds.
You may Þnd that experimenting with the various FUN equations gives you a better idea of 
their effects than reading the explanations. Although thereÕs some serious mathematics behind 
the FUNs, the most important consideration is how they affect your sounds. The more you play 
around with them, the better youÕll understand how powerful they are.
 
The Mechanics of Control Sources
WeÕll return for a minute to the notion that the K2600 is an integrated system consisting of a 
MIDI-driven sound engine and a MIDI-driven effects processor. The sound engine responds to 
MIDI messages received at the MIDI In port and from the front panel, as does the effects 
processor.
The K2600Õs control sources use their own internal signal format for interpreting control 
messages and communicating them to the sound engine. Every control source sent from your 
MIDI controller to the K2600Õs sound engine is translated to a value in the range from -1 to +1. 
This consistency enables the sound engine to process control source signals very efÞciently. 
Conversely, the K2600Õs internal control source signals are translated to MIDI values before 
being sent to the MIDI Out port.
A control signal value of 0 represents minimum effect; itÕs equivalent to the control source being 
turned off or disconnected. A control signal value of +1 represents the maximum positive effect 
of a control source, while a value of -1 represents the maximum negative effect of a control 
source.
 
Unipolar and Bipolar Control Sources
There are two kinds of control source signals:  unipolar and bipolar. A unipolar signal has a 
value between 0 and +1. A bipolar signal has a value between -1 and +1.
A switch pedal is unipolar; its control signal value will never go below 0. Since itÕs a switch 
control, it has only two possible values:  0, which corresponds to off or minimum, and +1, which 
corresponds to on or maximum. When you depress your MIDI controllerÕs sustain pedal, for 
example, it sends a control signal value of +1 to the K2600Õs sound engine.
Continuous controls can be unipolar or bipolar. Consider your MIDI controllerÕs Mod and Pitch 
Wheels as examples. Normally, the Mod Wheel affects the K2600 as a unipolar control source; it 
sends a control signal value thatÕs interpreted as 0 when itÕs fully down, and values interpreted