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General| Type | Condenser |
|---|---|
| Polar Pattern | Cardioid |
| Frequency Range | 20 Hz - 20 kHz |
| Max SPL | 142 dB SPL |
| Connector | 3-pin XLR |
| Supply Voltage | 48 V Phantom |
| Dimensions | 138 mm x 52 mm x 36 mm / 5.43 in x 2.05 in x 1.42 in |
Explains the basic principle of a condenser capsule, including its diaphragm and metal plate structure forming a capacitor.
Provides guidance on interpreting polar pattern diagrams, including understanding angles and dB sensitivity scales.
Describes the cardioid polar pattern, its sensitivity at 0 degrees, and its effectiveness in rejecting rear sound.
Defines microphone sensitivity in mV/Pa and dBV/Pa, explaining its impact on required gain for a certain output level.
Explains equivalent noise level as the sound pressure level equal to the microphone's RMS voltage output without a sound source.
Details frequency response, indicating sensitivity across the frequency spectrum and its influence on the microphone's sound.
Defines Max SPL as the maximum sound pressure level a microphone can handle before signal distortion occurs.
Discusses the impact of different room acoustics on recordings and suggests finding suitable locations for recording.
Emphasizes the importance of microphone positioning for recording quality and suggests experimenting with different placements.
Advises on identifying and mitigating unwanted background noises when using sensitive microphones.
Explains the proximity effect, the increase in low frequencies when a microphone is placed close to the sound source.
Provides tips for recording vocals, including using pop filters, defining vocal distance, and managing room sound.
Offers guidance on miking guitar cabinets, suggesting experimentation with position and angle for desired sound.
Suggests microphone placement for recording acoustic guitar, recommending positions relative to the neck/body and frets.
Describes the rubber microphone mount, its grip, noise attenuation, and compatibility with standard threads.
Details the windscreen's use for outdoor recording, wind shielding, and vocal recording moisture protection.
Recommends storing microphones in the transport bag to protect from dust and humidity when not in use.
Explains the benefit of a shock mount for reducing structure-borne noise and allowing close mic placement.
Highlights the magnetic pop filter's design integration and its function in preventing plosives and protecting the capsule.
Guides on checking phantom power, signal chain, connected equipment, and cables when no sound is heard.
Addresses muffled sound by checking microphone orientation and ensuring the wire mesh is not covered.
Provides solutions for distorted signals, including gain adjustment, pop filter use, and shock mount application.
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