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Mackie 16-8 BUS User Manual

Mackie 16-8 BUS
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1
8•BUS OWNER'S MANUAL
10
MUTE
11
MUTE
12
MUTE
13
MUTE
14
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15
MUTE
16
MUTE
17
MUTE
18
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19
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20
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21
MUTE
22
MUTE
23
MUTE
24
MUTE
24x8x2 8-BUS MIXING CONSOLE
9
MUTE
2
MUTE
3
MUTE
4
MUTE
5
MUTE
6
MUTE
7
MUTE
8
MUTE
1
MUTE
CHANNEL
23
CHANNEL
24
CHANNEL
21
CHANNEL
22
CHANNEL
19
CHANNEL
20
CHANNEL
17
CHANNEL
18
CHANNEL
15
CHANNEL
16
CHANNEL
13
CHANNEL
14
CHANNEL
11
CHANNEL
12
CHANNEL
9
CHANNEL
10
PHANTOM
POWER
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE MIC/LINE
MIC/LINE
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
CHANNEL
17
CHANNEL
18
CHANNEL
19
CHANNEL
20
CHANNEL
21
CHANNEL
22
CHANNEL
23
CHANNEL
24
CHANNEL
10
CHANNEL
11
CHANNEL
12
CHANNEL
13
CHANNEL
14
CHANNEL
15
CHANNEL
16
CHANNEL
9
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
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E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
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E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
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G
A
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TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
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E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
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E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
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/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
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E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
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/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
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/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
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/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
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Y
M
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/
L
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G
A
I
N
FLIP
GAIN
TRIM
FLIP FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
TRIM
FLIP
TRIM
FLIP FLIP
GAIN
FLIP
GAIN
TRIM
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
9
10
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
11
12
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
OO
U
+15
OO
U
+15
OO
U
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
13 14
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
OO
U
+15
OO
AUX
15
16
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
18
19
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
AUX
20
21
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
17
22
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
23
24
+15
AUX
4
+15
U
PRE
U
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVESOCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
OCTAVES
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
+15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
80
12k
80
12k
80
12k
LO
12k
80
12k
80
12k
80
12k
80
350
3k
–15
FREQ
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
CHANNEL CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW FLIP SW
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
FLIP SW FLIP SW
CHANNEL CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
OL
L
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
HI/LO EQ
TO MON
O
HI/LO EQ
TO MON
-20
R
PAN
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
OO
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
5-6
3-4
1-2
7- 8
L/R
MIX
OO
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
UUUU UUUU
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
UUUU
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
UU
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
OO
UU
dB
30
20
5
10
OO
5
10
40
50
80
dB
30
20
5
10
OO
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
OO
5
10
40
50
80
1234
UUUU
dB
30
20
5
10
OO
5
10
40
50
80
dB
30
20
5
10
OO
5
10
40
50
80
dB
30
20
5
10
OO
5
10
40
50
80
dB
30
20
5
10
OO
5
10
40
50
80
5678
UUUU
MIX
dB
30
20
5
10
OO
5
10
40
50
80
U
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
TALKBACK
MIC
LEFT/RIGHT
MONO
L+R
RLRLRLR
MONO
L+R
MONO
L+R
MONO
L+R
MONO
L+R
ASSIGN
MONO
L+R
MONO
L+R
L
MONO
L+R
ASSIGN ASSIGN ASSIGN ASSIGN ASSIGNASSIGNASSIGN
MIX
MIX MIX MIX
LRLRLRL R
MAIN
OR SOLO LEVEL
1
9
17
2
10
18
3
11
19
4
12
20
5
13
21
6
14
22
7
15
23
8
16
24
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
7
4
2
0
2
10
7
10
20
30
40
–
22
+
MIX-B TO
L/R MIX
SOLO
AUX SEND 3/4
MIX-B
CNTRL RM
AUX SEND 5/6
EXTERNAL
SOURCE
MIX B
MONITOR
PHONES 1
PHONES
LEVEL
SOLO
AUX SEND 3/4
MIX-B
CNTRL RM
AUX SEND 5/6
EXTERNAL
SOURCE
PHONES 2
PHONES
LEVEL
ASSIGN
MIX-B
LEVEL
+15
OO
U
OOOO
MONO
TAPE SUB
MASTERS
AUX SEND 1
2-TK
MIX-B
L/R MIX
EXTERNAL
SOURCE
MONITOR
CNTRL RM
STUDIO
SOLO TALKBACK
LEVEL LEVEL
RUDE
SOLO LITE
AUX SEND 2
PHONES
&
STUDIO
+15
OO
U
+15
OO
U
+15
OO
U
SOLO
SOLO
SOLO
SOLO
AUX SENDS
STEREO AUX RETURNS
4
3
5
6
PHONES
2
L/R MIX
PHONES
1
PHONES
2
L/R MIX
3
4
LEVEL
ASSIGN
ASSIGN
LEVELLEVEL
PHONES
1
6
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+20
OO
U
+20
OO
U
5
+20
OO
U
+20
OO
U
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
LEVEL
L/R MIX
1-2
3-4
5-6
7-8
L/R MIX
SOLO
1-2
3-4 5-6 7-8
1
2
ASSIGN
ASSIGN
+20
OO
U
+20
OO
U
LR
LR
SOLO
LEVEL BALANCE
SOLO
SOLO
2
1
+15
OO
U
+15
OO
U
LEVEL
POWER
EXTERNAL
INPUT
MIX-B
OUTPUT
AUX SEND
3
3
R
L
4
4
R
R
5
5
R
L
6
6
R
R
L
7
L
L
L
R
8
R
R
R
SUBMASTER INSERT
AUX RETURN
CNTRL
RM OUTPUT
STUDIO
OUTPUT
MAIN MIX
MAIN
INSERTS
3456
PHONES
12
MONO
L
MONO
L
MONO
L
MONO
L
MONO
1
1
R
L
2
2
R
R
2-TRACK
INPUT
12
MONO
L
MONO
L
MONO
TIP=OUT RING=IN
PHANTOM
POWER
TRIM
GAIN
TRIM TRIM TRIM TRIM TRIM TRIM
GAIN GAIN
TRIM TRIM TRIM TRIM
TRIM
CHANNEL
7
CHANNEL
8
CHANNEL
5
CHANNEL
6
CHANNEL
3
CHANNEL
4
CHANNEL
1
CHANNEL
2
MIC/LINE
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
CHANNEL
2
CHANNEL
3
CHANNEL
4
CHANNEL
5
CHANNEL
6
CHANNEL
7
CHANNEL
8
CHANNEL
1
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
FLIP
GAIN
TRIM
FLIP FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
1
2
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
3
4
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
OO
U
+15
OO
U
+15
OO
U
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
56
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
AUX
AUX
PRE
1
2
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
OO
U
+15
OO
U
OO
U
+15
OO
AUX
7
8
+15
AUX
4
+15
U
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVESOCTAVES
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500 18k
3k
FREQ
–15 +15
U
1k 5k
3
2
12
NORMAL
OCTAVES
OCTAVES
1
1
1
1
1
1
1
1
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45 3k
–15 +15
80
U
LO
–15 +15
U
–15 +15
U
250
220 350
350
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
OL
L
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
HI/LO EQ
TO MON
O
HI/LO EQ
TO MON
-20
R
PAN
FLIP SW
CHANNEL
+15
OO
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
5-6
3-4
1-2
7- 8
L/R
MIX
OO
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
OO
MUTE
5
10
40
50
80
5-6
3-4
1-2
7- 8
5-6
3-4
1-2
7- 8
UUUU UUUU
OO
PHANTOM
POWER
TRIM
GAIN
TRIM TRIM TRIM TRIM TRIM
TRIM
OO

Table of Contents

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Mackie 16-8 BUS Specifications

General IconGeneral
BrandMackie
Model16-8 BUS
CategoryMixer
LanguageEnglish

Summary

Section 1: Introduction

Panel Layout and Function

Overview of the console's physical layout, including input channels, output section, and panel controls.

General Information

Basic concepts and procedures for recording, mixing, and sound reinforcement.

Recording

Guidance on using the console for recording and multitrack sessions.

PA and Sound Reinforcement

Applications of the console for live sound and public address systems.

Appendices

Supplementary information including connections, options, and specifications.

Service

Information on troubleshooting, obtaining service, and warranty details.

Master Track Sheets for Duplication

Includes master sheets for session logging and duplication.

Block Diagram

A visual representation of the console's internal signal flow.

Section 2: Panel Layout and Function

Input Channels (Channel Strips)

Detailed description of controls and functions on each input channel strip.

EQ Section

Explanation of the parametric and shelving EQ controls for each channel.

Output Section

Description of master faders, metering, and output controls.

Metering

Details on bus meters and main/solo level meters.

Main or Solo Level Meters

Explanation of how the main and solo meters display signal levels.

Stereo Aux Returns

Description of stereo auxiliary return inputs and their controls.

Phones

Controls for headphone outputs, including source selection and level.

Monitor

Controls for monitoring signals to control room and studio speakers.

Talkback

Functionality of the talkback system for communication.

Jack Panels (Input Strip & Master Output)

Overview of input and output jack locations and their functions.

Submaster Inserts

Details on using insert points for submaster bus processing.

Main Inserts

Explanation of insert points for the main L/R mix bus.

Main Mix

Description of the main L/R mix outputs and their connections.

Rear Panel Connections

Information on rear panel connections for tape I/O and submaster outputs.

Main Balanced Outputs

Details on balanced XLR main mix outputs.

Section 3: General Information

Levels

Understanding signal levels, gain staging, and proper signal management.

Noise

Discussion on noise sources and how to minimize them in audio signals.

Headroom

Explanation of headroom and its importance for preventing distortion.

Unity Gain

Concept of unity gain and its role in signal flow.

Metering

How to interpret console meters for signal level monitoring.

EQ

Fundamentals of equalization and its application in audio.

A Bit More on Mix-B/Flip

Clarification on the Mix-B routing and Flip switch functionality.

Section 4: Recording with the Mackie 8-Bus Console

Recording Overview

General approach to recording sessions with a large mixing console.

Setup

Steps for preparing the studio and console for a recording session.

Recording and Overdubbing

Techniques and considerations for multitrack recording and overdubbing.

Using Buses

Strategies for using subgroups and buses for signal routing.

Monitoring

Methods for monitoring audio during recording and overdubbing sessions.

Cue Mix

Setting up custom cue mixes for musicians during recording.

Mixing Overview

Key aspects and considerations for the mixing process.

Mixing Setup

Steps for configuring the console for the mixing process.

Overdub, Anyone?

Tips and techniques for managing overdub sessions effectively.

Using External Processing

How to integrate external effects and processors into the mix.

Finding More Inputs: MIX-B to L & R Buses

Methods to expand input capacity using MIX-B buses.

Monitoring and Levels

Best practices for speaker setup, polarity, and level monitoring.

A Word About Automation

Tips for achieving good mixes without automated console features.

Section 5: PA and Sound Reinforcement Applications with the Mackie 8-Bus Console

Setup

Configuration steps for PA and sound reinforcement applications.

House and Monitor Mix Together

Managing house and stage monitor mixes simultaneously.

Headphones

Setting up headphone monitoring and cue mixes.

Making a Simultaneous Recording

Techniques for creating a simultaneous recording mix.

House Mix Only or Monitor Mix Only

Methods for setting up separate house or monitor mixes.

Extra Inputs!

Ways to find and utilize additional line inputs on the console.

Mic Splitters

Using mic splitters for distributing signals to multiple consoles.

Finding More Inputs

Strategies for expanding the number of available inputs.

Appendix A: Connections

XLR Connectors

Details on XLR connector types, wiring, and usage.

1/4" TRS Phone Plugs and Jacks

Explanation of TRS connectors for stereo and balanced mono signals.

Switched 1/4" Phone Jacks

Information on 1/4" jacks with internal switches for routing.

RCA Plugs and Jacks

Description of RCA connectors and their applications.

Special Mackie Connections

Mackie-specific connection types and configurations.

Appendix B: Options, Add-Ons and Extra Stuff

Meter Bridge

Details on the optional meter bridge accessory for visual metering.

The Mackie Sidecar

Information about the Sidecar rack for accessories and power supply.

Appendix C: Specifications

Service

Troubleshooting

Steps for diagnosing and resolving common console issues.

How to get Mackie service

Instructions for obtaining factory or authorized service for the console.

Track Sheets

8-Bus Limited Warranty

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