Marshall Amplification 1959SLP - Treble and Volume Controls; Input Jack Connections

SPEED INTENSITY PRESENCE BASS
MIDDLE TREBLE
MAINS
ON ON
STANDBY
INPUTS
1
1
2
2
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
0
28
6
4
10 0
28
6
4
10
VOLUME IVOLUME II
0
28
6
4
10 0
28
6
4
10
JTM
8 9
10
11 12
middle frequencies giving a smoother,
more ‘scooped’ tone.
9. TREBLE
Controls the high frequency content
of your sound. Turning clockwise will
increase the highs giving a brighter tone.
Tonal Note: The preamp EQ network
is dynamic and highly interacve, and
because of this altering the seng of one
EQ control can change the way that the
other controls behave – experiment to nd
your sound.
10. VOLUME I
Controls the overall output level of
Channel 1.
Tonal Note: This channel is voiced for a
higher treble response than Channel 2.
11. VOLUME II
Controls the overall output level of
Channel 2.
Tonal Note: This channel is voiced for a
normal response.
12. INPUTS
1 (Top)
Connects the guitar to Channel 1.
1 (Boom)
Connects the guitar to the lower
sensivity input on Channel 1.
2 (Top)
Connects the guitar to Channel 2.
2 (Boom)
Connects the guitar to the lower
sensivity input on Channel 2.
Tonal Note: Although the top input of
channel 1 is the input that most guitarists
use, don’t be afraid to experiment. Some
guitar players prefer to mix the two
channels together by connecng a short,
screened patch lead between the boom
input of Channel 1 and the top input of
Channel 2. If you then plug your guitar into
the top input of Channel 1, you can mix
the dierent tonal characteriscs of each
channel for greater exibility (See diagram).
INPUTS
1
1
2
2
ENGLISH