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Analog Inputs| LINE IN impedance | 47 kΩ |
|---|---|
| MIC IN impedance | 10 kΩ |
| RETURN impedance | 4 kΩ |
Analog Outputs| SEND impedance | 200 Ω |
|---|---|
| SEND max output level | + 12 dB |
| SEND output type | electronically balanced & floating |
Digital Outputs| S/P-DIF impedance | 75 Ω |
|---|---|
| AES/EBU impedance | 110 Ω |
| OPTICAL resolution | 24-bit |
Synchronization| SYNC INPUTS sampling rates | 32 kHz; 44.1 kHz; 48 kHz; 88.2 kHz; 96 kHz |
|---|---|
| SYNC OUTPUTS sampling rates | 32 kHz; 44.1 kHz; 48 kHz; 88.2 kHz; 96 kHz |
| SYNCHRONIZATION mode | internal/external, switch-selectable |
Power| max power consumption at 230 volts | 95 mA |
|---|---|
| max power consumption | 23 VA |
| voltage options | 230 volts, 117 volts, 100 volts |
Weight and Dimensions| weight | 3.4 kg |
|---|---|
| width | 482 mm |
| height | 44 mm |
Details the studio-level line and microphone inputs, including phantom power, -20 dB pad, and separate gain controls for each.
Explains the 12-segment LED meter for visual level reference, helping users set ideal signal levels and avoid clipping.
Covers the signal conversion to digital, detailing available outputs (AES/EBU, S/PDIF) and sampling rate options.
Describes the Send and Return jacks, enabling the integration of external analog processors into the signal chain.
Explains the necessity of clock synchronization for digital audio devices and how the AN/DI PRO handles internal and external sync.
Details the XLR mic input, 48V phantom power, -20 dB pad, and Mic Gain control for optimal microphone signal input.
Describes the 1/4" line input for line-level signals, the Line Gain control, and its relation to the LED meter.
Explains sampling frequency selection buttons, status LEDs, and the AC mains power switch for device operation.
Refers to Section 2 for a detailed description of the front panel microphone and line inputs and their functionality.
Details the balanced 1/4" Send and Return jacks used for connecting external audio processing equipment.
Explains the AES/EBU, S/PDIF coaxial, and optical digital outputs, noting their function as a distributor.
Describes synchronization options via Word Clock, AES/EBU, and S/PDIF inputs, emphasizing Word Clock priority.
Details connecting the device to AC power and the function of the Ground Lift switch for noise reduction.
Explains the AN/DI PRO's significant benefits for achieving high-quality audio conversion in both digital and analog recording studios.
Details using the AN/DI PRO to convert stereo master signals from an analog mixing console for recording or CD burning.
Describes using the AN/DI PRO as a high-quality input converter within a digital mixer or hard-disk recording system.
Outlines deploying the AN/DI PRO as a digital front-end for professional live recording, particularly with a two-microphone setup.
Explains the option of using the AN/DI PRO's high-quality preamplifier with an analog mixing console via its Send jacks.
Discusses the advantages of 24-bit resolution for audio accuracy, reduced quantization noise, and improved dynamic range.
Explains the benefits of 96 kHz sampling rate for audio quality, post-processing flexibility, and future-proofing digital audio.
Provides detailed technical specifications for Line and Mic inputs, including impedance, sensitivity, and gain ranges.
Lists technical specifications for the Send/Return analog outputs, detailing impedance and maximum output levels.
Outlines technical specifications for S/PDIF and AES/EBU digital outputs, including impedance and output levels.
Lists general electrical specifications such as power consumption, voltage options, and fuse ratings.
Provides general mechanical specifications including dimensions, weight, and rack mounting information.
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