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General| Type | Audio Interface |
|---|---|
| Digital I/O | ADAT, S/PDIF |
| Bit Depth | 24-bit |
| Phantom Power | Yes |
| Computer Connection | FireWire 400 |
| Power Supply | External Power Supply |
| Analog Inputs | 8 |
| Analog Outputs | 8 x TRS |
| Sample Rate | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz |
| MIDI I/O | In/Out |
| Headphone Output | 1 |
| Supported Operating Systems | Windows, macOS |
| Rackmountable | Yes |
A list of essential safety and operating instructions for the MOTU 828mkII.
Instructions on handling power cords safely to prevent electrical hazards.
Outlines the software license agreement and limited warranty terms provided by MOTU.
Details the hardware warranty, including coverage, limitations, and return procedures.
Describes the Neutrik combo jacks for microphone and instrument inputs.
Explains how these knobs are used to navigate and change system settings.
Details the section for controlling the built-in no-latency monitor mixer.
Describes the headphone jack and its volume control, which also affects main outs.
Explains connecting the 828mkII to the computer via the FireWire cable.
Describes the ten balanced, +4dB quarter-inch TRS analog outputs.
Details the eight gold-plated, balanced TRS analog inputs.
Explains the ADAT optical and S/PDIF optical connections for digital audio.
Explains the two quarter-inch TRS send outputs for outboard gear.
Explains how to choose the clock source for the 828mkII.
Describes how to set the global sample rate for the system.
Allows selection of ADAT or S/PDIF format for optical connections.
Lets you choose what the headphone jack mirrors or outputs.
Explains how to map foot switch functions to computer keystrokes.
Provides a general overview of the 828mkII's features and capabilities.
Lists and describes the connectors found on the rear panel of the 828mkII.
Describes how pre-amplified signals from front-panel inputs are routed to rear-panel sends.
Details the main outputs and their function as independent outputs.
Explains the support for ADAT and S/PDIF optical audio formats.
Covers the RCA and optical S/PDIF connections and their independent operation.
Describes the MIDI IN and OUT jacks for computer connection.
Describes the headphone jack and its volume control, which also affects main outs.
Explains the on-board mixing features for stand-alone or computer-assisted operation.
Details the input and output metering displays on the front panel.
Covers the 24-bit signal path and recording capabilities.
Introduces AudioDesk, the included workstation software.
Explains how the host computer impacts performance and track counts.
Lists the items included in the 828mkII package.
Specifies the minimum system requirements for running the 828mkII on a Macintosh.
Provides an overview of the hardware installation process.
Details how to connect the 828mkII to the computer using the FireWire cable.
Explains how to make audio connections to other devices.
Guides on connecting MIDI devices to the 828mkII.
Explains how to make necessary synchronization connections between devices.
Helps determine if a synchronizer is required for the system setup.
Lists and describes the audio input and output connectors on the 828mkII.
Details how to set the reference level for analog inputs and outputs.
Explains connecting microphones, guitars, and instruments to the front panel.
Describes the rear-panel sends for routing pre-amplified signals to outboard gear.
Guides on connecting MIDI devices using the 828mkII's MIDI ports.
Instructions for connecting and using a foot switch.
Illustrates a typical studio setup without an external mixer, highlighting CueMix DSP.
Explains how to integrate the 828mkII with an external mixer for studio setups.
Explains critical synchronization connections for digital audio transfers.
Helps determine the need for synchronization based on system configuration.
Outlines scenarios requiring synchronization of the 828mkII with other devices.
Emphasizes the importance of synchronization for digital audio quality.
Guides on selecting a master device for audio clock synchronization.
Discusses when a synchronizer is necessary for the 828mkII system.
Lists conditions under which a synchronizer is not required.
Explains how to control external device transports from computer software.
Details how the 828mkII synchronizes to SMPTE time code and MTC.
Explains achieving sample-accurate synchronization with ADAT devices.
Describes sample-accurate timing for audio transfers between devices.
Helps users determine if their host software supports sample-accurate sync.
Discusses controlling external transports via computer software.
Details how to achieve sample-accurate sync with ADAT devices and software.
Step-by-step guide to setting the hardware clock source for sync.
Instructions for sample-accurate sync within specific software.
Explains achieving sample-accurate sync without a dedicated ADAT synchronizer.
Steps for sample-accurate sync in specific software without a synchronizer.
How to configure the hardware clock source for sync without a synchronizer.
Details how the 828mkII synchronizes directly to SMPTE time code.
Instructions for setting SMPTE as the clock source in various applications.
Steps for syncing to SMPTE time code within specific software.
Explains syncing to video/SMPTE time code using a universal synchronizer.
How to set Word Clock In as the clock source for synchronization.
Guides on setting up audio software to slave to MIDI Time Code.
Details synchronization methods for optical devices like digital mixers.
Explains the basic requirement for syncing optical devices.
Lists the three methods for syncing optical devices.
Explains how to sync S/PDIF devices via S/PDIF connection or word clock.
How to sync S/PDIF devices without word clock connectors.
How to sync S/PDIF devices using a word clock connection.
Details how to synchronize the 828mkII with other word clock-equipped devices.
Explains the need for an audio clock master for standard word clock sync.
Advises against chaining word clock connections in multi-device setups.
Describes slaving to word clock signals at double or half the current rate.
Recommends a Digital Timepiece for synchronizing large systems.
Explains how to daisy-chain multiple MOTU FireWire interfaces.
Describes managing multiple interfaces within the MOTU FireWire Audio Console.
Details clocking and synchronization for multiple interfaces in Mac OS 9.
Explains synchronization requirements for multiple interfaces in Mac OS X.
Discusses limitations on the number of interfaces at high sample rates.
Provides an overview of the software installation process for Mac OS X and 9.
Step-by-step guide to installing the 828mkII software on Mac OS X.
Explains the actions performed by the Mac OS X installer.
Defines CoreAudio and its role in Mac OS X audio driver models.
Explains CoreMIDI and how to use Audio MIDI Setup for configuring MIDI devices.
Step-by-step instructions for launching the Audio MIDI Setup utility.
Guides on adding and connecting MIDI devices within Audio MIDI Setup.
Instructions for installing the 828mkII software on Mac OS 9.
Lists the software components installed by the Mac OS 9 installer.
Explains the function of the MOTU FireWire Audio Control Panel for hardware settings.
Describes the Control Strip module for accessing 828mkII settings.
Explains the ASIO driver for multi-channel audio with ASIO-compatible software.
Introduces the CueMix Console for controlling no-latency DSP features.
Describes the MOTU SMPTE Console for time code synchronization.
Introduces AudioDesk as an advanced workstation software package.
Provides an overview of the MOTU FireWire Audio Console for Mac OS X.
Explains various methods to access the 828mkII settings via the console.
Details the various settings available for the 828mkII within the console.
How to choose the sample rate for recording and playback.
Determines the digital audio clock source for the 828mkII.
Explains when to use the Internal clock source setting.
Describes the S/PDIF clock source setting for slaving to S/PDIF devices.
Explains using the Word Clock In BNC connector as a clock source.
Details the ADAT 9-pin connector for ADAT sync and sample-location info.
Explains the ADAT optical clock source setting for syncing with optical devices.
Describes the TOSLink clock source for S/PDIF optical devices.
Setting to resolve the 828mkII directly to SMPTE time code.
Allows choosing between ADAT optical and S/PDIF optical formats.
Lets you choose what is heard from the headphone jack.
Sets the word clock output rate at high sample rates.
Option to enable a foot switch for triggering software functions.
Option to launch the console automatically when hardware is detected.
Provides an overview of the MOTU FireWire Control Panel for Mac OS 9.
Explains various ways to access the 828mkII settings using the control panel.
Details the settings for the 828mkII within the control panel.
How to choose the sample rate for recording and playback.
Determines the digital audio clock source for the 828mkII.
Explains when to use the Internal clock source setting.
Describes the S/PDIF clock source setting for slaving to S/PDIF devices.
Explains using the Word Clock In BNC connector as a clock source.
Details the ADAT 9-pin connector for ADAT sync and sample-location info.
Explains the ADAT optical clock source setting for syncing with optical devices.
Describes the TOSLink clock source for S/PDIF optical devices.
Setting to resolve the 828mkII directly to SMPTE time code.
Adjusts buffer size to reduce monitoring latency.
Discusses the trade-off between buffer size, latency, and CPU load.
Allows choosing between ADAT optical and S/PDIF optical formats.
Lets you choose what is heard from the headphone jack.
Sets the word clock output rate at high sample rates.
Option to enable a foot switch for triggering software functions.
Explains why settings might be grayed out and how to resolve it.
Provides an overview of the 828mkII's front panel controls and programming.
Describes the function of the push-button rotary encoders on the front panel.
Explains the multi-function LCD display for settings and feedback.
Describes the LCD display in setup mode for basic settings.
Describes the LCD display in mixer mode for mix settings.
Controls the volume of the headphone jack and main outs.
Toggles between mixer and setup modes, and changes settings.
Sets the global clock source for the 828mkII.
Determines the format for the optical input and output.
Selects the output pair for each CueMix DSP mix bus.
Mutes and unmutes the bus output.
Chooses what is heard on the headphone output.
Copies settings from one mix to another.
Pastes copied mix settings to another mix.
Names and saves presets for CueMix DSP mix settings.
Recalls saved presets for CueMix DSP mix settings.
Describes the four stereo mix busses (Mix1-Mix4) for routing inputs.
Cycles through mix parameters like Gain, Pan, Solo, Mute, 4/10, +6db, and Pair.
Explains settings like reference level and stereo pairing that affect all mixes.
Details how to group inputs into stereo pairs and their linked settings.
Navigates through inputs and changes parameter values.
Explains operating the 828mkII as a stand-alone mixer without a computer.
Provides an overview of Digital Performer's operation with the 828mkII.
Guides on setting up Digital Performer with the 828mkII and synchronization devices.
Details how to access and configure 828mkII settings within Digital Performer.
Explains accessing 828mkII settings in Digital Performer for Mac OS 9.
Explains accessing 828mkII settings in Digital Performer for Mac OS X.
How to set the sample rate for Digital Performer and the 828mkII.
Determines the audio clock source for Digital Performer and the 828mkII.
Adjusts buffer size to reduce monitoring latency in Digital Performer.
How to make optical inputs/outputs available in Digital Performer.
Configures the headphone output for Digital Performer.
Ensures sufficient audio voices are configured for Digital Performer.
Explains how 828mkII inputs/outputs appear in Digital Performer's menus.
How the headphone output appears as an independent output in DP.
Describes the Mix1 input in DP for routing CueMix DSP output.
Covers Digital Performer's 24-bit recording and playback capabilities.
How to fine-tune I/O timing for sample-accurate transfers in DP.
Explains how Digital Performer synchronizes with external sources.
How DP operates with its own transport control, without external sync.
How to resolve DP and 828mkII to SMPTE time code.
Steps for resolving DP/828mkII to SMPTE time code without a synchronizer.
How to resolve DP/828mkII using a dedicated synchronizer.
Achieving sample-accurate sync with ADAT and Tascam devices using DP.
Controlling MMC-compatible devices from Digital Performer.
How to exchange projects between Digital Performer and AudioDesk.
Using Sound Manager audio with Digital Performer in OS 9.
Provides an overview of AudioDesk's I/O and synchronization operation with the 828mkII.
Guides on setting up AudioDesk with the 828mkII and sync features.
Details accessing and configuring 828mkII settings within AudioDesk.
Explains accessing 828mkII settings in AudioDesk for Mac OS 9.
Explains accessing 828mkII settings in AudioDesk for Mac OS X.
How to set the sample rate for AudioDesk and the 828mkII.
Determines the audio clock source for AudioDesk and the 828mkII.
Adjusts buffer size to reduce monitoring latency in AudioDesk.
How to make optical inputs/outputs available in AudioDesk.
Configures the headphone output for AudioDesk.
Ensures sufficient audio voices are configured for AudioDesk.
Explains how 828mkII inputs/outputs appear in AudioDesk's menus.
How the headphone output appears as an independent output in AD.
Describes the Mix1 input in AD for routing CueMix DSP output.
Covers AudioDesk's 24-bit recording and playback capabilities.
How to fine-tune I/O timing for sample-accurate transfers in AD.
Explains how AudioDesk synchronizes with external sources.
How AD operates with its own transport control, without external sync.
How to resolve AD and 828mkII to SMPTE time code.
Steps for resolving AD/828mkII to SMPTE time code without a synchronizer.
Achieving sample-accurate sync with ADAT and Tascam devices using AD.
Controlling MMC-compatible devices from AudioDesk.
Explains MIDI I/O usage with the 828mkII MIDI ports in AD.
Managing latency when processing live inputs with plug-ins in AD.
Using a foot switch with AudioDesk for triggering functions.
How to exchange projects between AudioDesk and Digital Performer.
Introduces third-party audio applications for Mac OS X with the 828mkII.
Steps to install the 828mkII Mac OS X drivers.
Guides on preparing MIDI ports for use with Mac OS X applications.
Instructions to launch and configure the 828mkII via the console.
How to set the sample rate for host audio software and the 828mkII.
Determines the audio clock source for the 828mkII and host software.
How to make optical inputs/outputs available in host software.
Configures the headphone output for host audio software.
Guides on enabling the MOTU FireWire CoreAudio driver in audio applications.
How to enable the 828mkII CoreAudio driver in Logic Audio.
Explains how the 828mkII inputs/outputs are labeled in applications.
Describes the Mix1 input pair for routing CueMix DSP output.
How to specify the number of audio channels needed for the 828mkII.
Managing latency when processing live inputs with plug-ins.
Using a foot switch with host audio software.
Discusses Mac OS X limitations on sync features and points to hardware setup.
Introduces using the 828mkII with Cubase, Nuendo, and OS 9 ASIO software.
Explains ASIO's role and requirement for multi-channel operation in OS 9.
Discusses sample-accurate sync via ADAT sync feature.
Steps to prepare for using Cubase with the 828mkII.
Instructions to launch and configure the 828mkII for Cubase.
How to set the sample rate for Cubase and the 828mkII.
Determines the audio clock source for Cubase and the 828mkII.
Adjusts buffer size to reduce monitoring latency in Cubase.
How to make optical inputs/outputs available in Cubase.
Configures the headphone output for Cubase.
Guides on enabling the MOTU FireWire ASIO driver in Cubase VST or Nuendo.
Explains how to access the MOTU FireWire Audio Console from Cubase VST.
How to specify the number of audio channels needed for Cubase.
Enables direct monitoring via 828mkII's CueMix DSP in Cubase.
How to activate 828mkII inputs in Cubase VST or Nuendo.
Describes the Mix1 input in Cubase for routing CueMix DSP output.
How to assign 828mkII inputs to Cubase or Nuendo audio channels.
How to assign 828mkII outputs to busses in Cubase or Nuendo.
How the headphone output appears as an independent output in Cubase/Nuendo.
How to change 828mkII settings via the MOTU FireWire Audio Console.
Managing latency when processing live inputs with plug-ins in Cubase.
Discusses Cubase/Nuendo sync with external sources and 828mkII.
How Cubase/Nuendo operate with their own transport control.
How to resolve Cubase/Nuendo and 828mkII to SMPTE time code.
Steps for resolving 828mkII to SMPTE time code without a synchronizer.
Achieving sample-accurate sync with ADAT/Tascam using Cubase/Nuendo.
Setting up MMC sync with compatible synchronizers in Cubase/Nuendo.
Sync setup without an MMC-compatible synchronizer in Cubase/Nuendo.
Introduces monitoring latency and ways to reduce it.
Discusses monitoring live audio inputs through host software.
Explains how buffer size affects audio latency.
How to adjust buffer settings in Mac OS X host applications.
How to adjust buffer settings in Mac OS 9 applications.
Discusses the trade-off between latency and CPU load.
How reducing latency helps with effects processing and mixing.
Explains CueMix DSP for no-latency hardware monitoring and its benefits.
Outlines the two primary methods for controlling CueMix DSP.
How to use the CueMix Console application for monitoring.
How to control CueMix DSP directly from host audio applications like DP or AD.
Discusses monitoring live audio inputs through the computer or CueMix DSP.
Explains the function of audio buffers and their impact on latency.
How to adjust buffer settings in Mac OS X host applications.
How to adjust buffer settings in Mac OS 9 using Samples Per Buffer.
Discusses the trade-off between buffer size, latency, and CPU load.
Explains CueMix DSP for no-latency hardware monitoring and its benefits.
Outlines the two primary methods for controlling CueMix DSP.
How to use the CueMix Console application for monitoring.
How to control CueMix DSP directly from host audio applications like DP or AD.
Steps to enable CueMix DSP monitoring in AudioDesk or Digital Performer.
How to enable CueMix DSP with Sound Manager driver in Mac OS 9.
Steps to enable ASIO Direct Monitor in Cubase/Nuendo.
Provides an overview of the CueMix Console's flexible on-board mixing features.
Lists the key advantages of using CueMix for monitoring.
Information on how CueMix Console is installed.
Explains the fundamental concepts for operating CueMix Console.
Details the components and operation of a single mix within CueMix Console.
Lists the key advantages of using CueMix for monitoring live inputs.
Explains the basic concepts for operating the CueMix Console.
Describes the four separate mixes (Mix1-Mix4) available in CueMix.
Explains how multiple inputs can be mixed to a stereo output pair.
How to select and view individual mixes in the console.
Notes that each mix has independent settings affecting volume, pan, etc.
Explains global settings like reference level and boost affecting all mixes.
Details the components of a mix within CueMix Console.
How to click a tab to view a specific mix.
Temporarily disables (silences) the entire mix.
Controls the overall stereo output level of the mix.
Represents each input channel within the mix.
Buttons to mute or solo individual inputs within a mix.
Adjusts the level and pan for each input within the mix.
How to copy and paste mix settings between mixes.
Global settings affecting input reference level and gain boost.
Toggles between standard reference levels for inputs.
Option to include or exclude computer audio in the Mix1 return bus.
Configures headphone output options, including mirroring the active mix.
How the 828mkII stores and recalls up to 16 CueMix DSP presets.
Allows saving and loading unlimited presets to and from disk.
Shows examples of how to use CueMix DSP in various system setups.
Introduces the MOTU SMPTE Console for time code synchronization and generation.
Explains the Clock/Address menu for setting the system's time base and address.
How to resolve the 828mkII to SMPTE time code using the console.
Setting the SMPTE time code frame rate for the system.
Settings for synchronizing the 828mkII to SMPTE time code.
Explains the meaning of the Tach, Clock, Address, and Freewheel status lights.
Illuminates when the 828mkII is freewheeling address or clock.
Setting the amount of time the 828mkII freewheels past drop-outs.
Freewheels indefinitely until readable time code is received.
Handles glitches or drop-outs in SMPTE time code.
Settings for generating SMPTE time code.
Starts or stops time code generation.
Generates time code when receiving SMPTE or ADAT Sync.
Generates time code when AudioDesk or Digital Performer is running.
Addresses issues with Pro Tools and Sound Manager input limitations.
Troubleshooting sample-accurate sync setup in AD/DP.
How to troubleshoot invisible Cubase inputs/outputs.
Resolving grayed-out settings in the console or control strip.
Troubleshooting issues with ADAT tape deck digital input.
Addresses clicks and pops caused by incorrect word clock synchronization.
Troubleshooting clicks and pops related to ADAT Sync connections.
Diagnosing clicks and pops caused by hard drive issues.
Troubleshooting missing optical I/O in audio applications.
Guidance on monitoring inputs, referring to latency chapter.
Refers to the chapter on reducing monitoring latency.
Contact information and advice for technical support.
