A INTRODUCTION ...................................................................................................................................................... 5
B. CONTROLS, CONNECTIONS, OPERATION .............................................................................................................. 6
Expander Gate Section (Operation) ................................................................................................................... 6
Compressor/Limiter Section (operation) ............................................................................................................. 7
Dynamic Enhancer Section (Operation) .............................................................................................................. 9
C. APPLICATIONS ....................................................................................................................................................... 10
1. MAIN APPLICATIONS AND INITIAL SETTINGS ............................................................................................. 10
1.1 Compression/Leveling/Limiting/Clipping ........................................................................................... 11
2. EXPANDER/GATE SECTION ......................................................................................................................... 12
2.1 Controlling Leakage in the Studio ...................................................................................................... 12
2.2 Initial Settings for the Expander/Gate Section ..................................................................................... 12
2.3 Reducing Leakage in Stage Mics ....................................................................................................... 12
2.4 Reducing Ambient Sound Pickup and Feedback in Stage Mics .............................................................. 13
2.5 Noise Reduction on Effects Paths ....................................................................................................... 13
3. THE COMPRESSOR FUNCTION .................................................................................................................... 13
3.1 Initial Settings for the Compressor Function ........................................................................................ 13
3.2 The CL-5000 as a Sound Effects Unit ................................................................................................. 14
4. THE LIMITER FUNCTION .............................................................................................................................. 14
4.1 Initial Settings for the Limiter Function ................................................................................................. 14
D. SPECIAL APPLICATIONS ......................................................................................................................................... 14
1. USING THE CL-5000 FOR RECORDING AND CASETTE DUPLICATION .......................................................... 14
1.1 The CL-5000 in Digital Recording and Sampling ................................................................................. 15
1.2 The CL-5000 in Mastering ................................................................................................................. 15
2. THE CL-5000 AS A PROTECTIVE DEVICE ..................................................................................................... 15
2.1 Protection of a System with a Passive Crossover .................................................................................. 16
2.2 Protection of a System with an Active Crossover .................................................................................. 16
2.3 Improving the Sound of a “Processed” System ..................................................................................... 17
3. USING THE CL-5000 WITH TAPE RECORDERS ............................................................................................. 17
4. THE CL-5000 IN BROADCAST ..................................................................................................................... 17
5. USING THE CL-5000 TO CHANGE SOUND ................................................................................................ 17
5.1 Reshaping Sampled Sounds ............................................................................................................... 17
5.2 Altering the Texture of Musical Instruments .......................................................................................... 18
E. EXTERNAL SIDECHAIN APPLICATIONS .................................................................................................................... 18
1. THE DETECTOR LOOP CONNECTOR ........................................................................................................... 18
2. USING AN EQUALIZER IN THE SIDECHAIN PATH ......................................................................................... 18
2.1 The CL-5000 as a “De-Esser” ............................................................................................................ 18
2.2 Frequency Selective Filtering of Unwanted Signals .............................................................................. 19
2.3 Suppressing Instruments During Recording .......................................................................................... 20
2.4 Emphasizing Musical Instruments During Recordin .............................................................................. 20
2.5 Reducing Feedback in PA Systems ..................................................................................................... 20
3. ANTICIPATED COMPRESSION ...................................................................................................................... 21
4. “VOICE-OVER” COMPRESSION (“DUCKING”) ............................................................................................. 21
F. SPECIFICATIONS .................................................................................................................................................... 22
CONTENTS
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