32
MULTI-EXPOSURE
SHOOTING
Multi
-Expos
ur
e mo de will disenga ge th e f
ilm
adv
an
ce, leu ing you
super
i
mp
ose im ages on a
sin gle fra me for f
ant
ast ic illusions .
Y
our
im
agin
ation
can
pr
odu
ee striking c
rea
tive
cfle ct s,
l
ifJ
~
Procedure
1. D epr css th e
Dr
ive
Butten
until
the syrnbo l
(
~
)
a
ppea
rs on th e L
CD
panel.
2. D ep ress the sh utter rclcase bu rton
1O sho ot an
initi
al exposure. T
he
film
will
not a dva
nce
,
th e f
ram
e COU mer
indi
c
ation
and
(
~)
hli nks
on
th
e LC D
pa
nel to in
dic
ate rhat you are in
the M ult i-ex
posu
re m od e.
S. R ec
ompos
e th e fr
am
e, and
de
press the s
hutt
cr
release b
urt
on ta
shoo
t th e
seco
nd e
xpos
ure
.
After the sec ond shot , ih e film will
ad
va
nec
and th e Single-F ra me shoo ring
mod
e will be
res to red .
Notes:
• Ta expos e or
ma
rc, d
epr
css th c
dr
ive h ut te n
unt
ill th e
(
~
)
rernains lit afre r th e srcp 2
ab
ove, and the n dcp ress th e shu trer rc lea se
buu on,
•
Th
e dat e will be ex
pose
d in step 3 above on
th e D at e
mod
el.
• R
ep
cat ed mul t
iple
exposures lend ta over ex-
pose a fra m e, sa
it is rccornrn
cnd
ed th ar
you
expos e a fra me
ju
st tw ice or 3
tim
es al most .
•
Wh
en using M
ult
i-Exposur e mod e, you usual-
ly get th e best resuhs
with
di mly-lit ba ck -
ground
, such as ni
ght
scenes.
INFINITY-LANDSCAPE SHOOTING
I~
~~
~
( O ·
.
~
jl
'
~
;&
1- 1 ',_,
1---
11-,
-..:
~
When
you wish ta rak e a sh
arp
pi
ctur
e
of
a
dist
ant
l
and
sc
ap
c or a dist
ant
subj
ect
rhr ough a
window
, th e infini ty-l
and
sc
ap
e
mo
de allows
you
ta
captur
e dist
an
t sccnc ry w
ith
cla rity.
Depr
ess th e
Land
s
cap
c
/E
asy
PIC
. Mod e
Burton
until th e
(
~)
syrnbo l ap
pea
rs on th e L
CD
p
an
el.
• Aft er th e pict ure is taken by fully d
epr
essing
t he
shutt
er rclcasc but
ton
,
thi
s mod e is eance-
led .
•
Th
e nash will
not
disch
ar
ge in i he
Au
to
expo-
sure mod e.
33
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