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Rodgers Trilogy - Great Division

Rodgers Trilogy
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Pedal
Division
(
Cont'd)
When
Pedal
upper
voices
are
needed
in
the
above
suggestions,
the
Pedal
couplers
are
used.
Most
generally
used
is
the
Great
to
Pedal
coupler,
since
the
stops
set
on
the
Great
usually
determine
the
basic
dynamic
strength
of
the
organ.
In
some
of
the
more
complex
forms
of
contrapuntal
music,
the
Pedal
is
often
called
upon
to
furnish
a
distinctive
third
VOice,
such
as
in
Trio
Sonatas
and
Chorale
Pre-
ludes.
The
Pedal
couplers
make
available
all
of
the
Great
and
Swell
upper
work
and
Reeds
required
by
this
style
of
music.
GREAT DIVISION
The
Great
is
used
in
general
church
music
for
hymns
and
major
anthem
and
solo
ac-
companiments.
Primarily
intended
for
ensemble
or
homophonic
texture,
the
Great
is
played
"both
hands"
in
these
functions.
PUBLISHED SUGGESTION
32-B
TRILOGY
1.
Flutes
8'
8'
Bourdon
8'
Bourdon
2.
Light
Foundation
8'
8'
Open
Diapason
8'
Open
Diapason
4'
Flute
4'
Flute
3.
Broad
Foundation
8'
8'
Open
Diapason,
8'
Open
Diapason,
Bourdon
Bourdon
4.
Light
Foundation
8'
&
4'
8'
Bourdon
8'
Bourdon
4'
Octave
4'
Octave
5.
Light
Foundation
8',
4',
8'
Bourdon
8'
Bourdon
&
2'
4'
Octave
4'
Octave
2'
Piccolo
4'
Flute
6.
Foundation
8',
with
8'
Open
Diapason
8'
Open
Diapason
Flutes
4'
&
2'
4'
Flute
4'
Flute
2'
Piccolo
7.
Basic
Diapason
Chorus
8'
Open
Diapason,
8'
Open
Diapason,
8',4',
&2'
Bourdon
Bourdon
4'
Octave
4'
Octave
2'
Super
Octave,
2'
Super
Octave
Piccolo
14
8.
Full
Foundation
Chorus
8'
Open
Diapason,
"Bourdon
4'
Octave,
Flute
2-2/3'
Twelfth
2'
Super
Octave,
Piccolo
8'
Open
Diapason
Bourdon
4'
Octave,
Flute
2'
Super
Octave

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