Rodgers Trilogy - Page 19

CHOIR DIVISION
.Two sets of suggestions are given below for the Choir Division. The first is for
the Choir in an accompanimental function; the second for using the Choir as a
Positiv.
Choir Accompaniment
PUBLISHED SUGGESTION
1. Choir Flutes 8'
2. Choir Strings 8'
3. Unda Maris 8'
4. Choir Strings and Flutes
8' & 4'
5. Choir Accompanimental
Chorus
Choir Positiv
32-B
TRILOGY
8' Gedeckt
8'
Gedeckt
8'
Viola or Dulciana
8'
Dulciana
8'
Gedeckt, Dulciana 8'
Gedeckt, Dulciana
Full Chorus
Full Chorus
8'
Gedeckt, Viola
8'
Gedec kt, Dulc iana
4' Flute
4' Flute
Full Chorus
Full Chorus
8'
Gedeckt, Viola 8'
Gedeckt, Viola
4'
Flute
4'
Flute
2'
Piccolo 2'
Piccolo
Full Chorus
Full Chorus
The following suggestions are for Baroque registrations, usually employing the
Chill accent. These combinations are best used in contrapuntal, as opposed to
chordal music.
PUBLISHED SUGGESTION
32-B
TRILOGY
1.
Positiv Flutes 8'
8'
Quintade (w /chiff) 8'
Quintade (w/chiff)
2.
Combinations of Flutes
8'
Quintade (w /chiff)
8' Quintade (w/chiff)
without mutation stops 4' Flute
4'
Flute
8'
Quintade (w /chiff)
8' Quintade (w/chiff)
2'
Piccolo 2'
Piccolo
8'
Quintade (w /chiff)
l' Fife
8'
Quintade (w /chiff)
2'
Piccolo
l' Fife
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