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Sonance 16-50 - Page 7

Sonance 16-50
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7
There are three options when connecting audio inputs
to the amplier:
 Zone Line In Connectors: Use the local inputs to
dedicate one audio source to its corresponding zone

 Bus A Input: Use the Bus A input to pass an
additional audio source, such as paging to any of the

 Bus B Input: Use Bus B input to pass an additional
audio source, such as door chimes to any of the

BUS THRU Outputs
Each of the Bus Inputs provide non-buffered loop



connected in series will depend on the output capability

and RIGHT IN connections passes through to the LEFT


BUS A SUB Out
BUS A has subwoofer output connection, which sums

Setting the X-OVER switch to 80Hz or 120Hz will apply a




The 80Hz setting is the proper setting for most
subwoofer applications when used with large and

used with smaller main speakers or when more bass is

 Connect a stereo line-level source with an RCA cable

 Connect a single RCA cable from the SUB OUT jack
to the line-level input on a powered subwoofer, such

Figure 4: Using the Subwoofer Line-Level Output with the
Bus A Inputs (not applicable with the Bus B or local inputs)
SUB OUT



is being used in bridged mode (8 ohms minimum), use
the Zone IN connection labelled “BRIDGE” as described

Input DIP Switch Assignments
The DIP switches enable one or more audio sources to be
played through one or more speaker outputs

to the local (direct) source, Bus A signal input and/or Bus
DIP switch to ‘ON

Two zone example, the home could be subdivided into

into Bus A and a second source into Bus B (not into the
DIP switches

Control system example, the input connections can all be
local for a discrete four zone system with Bus A switched


sources connected to the various inoputs and the DIP

3
1
ZONE 1 ZONE 2 ZONE 4ZONE 3
Figure 5: Input DIP Switches
3
1
ZONE 1 ZONE 2 ZONE 4ZONE 3
Zone Trim Controls


is a TRIM control, not a volume knob, so the minimum
gain setting (fully counter-clockwise) will not turn off


Figure 6:
Volume Control

speakers distort, thereby preventing

controls also allow balancing of
the sound levels of different zones
or the outputs of the right and left
channels to compensate for various
room characteristics or seating

3
1
ZONE 1 ZONE 2 ZONE 4ZONE 3
IMPORTANT: DO NOT COMBINE NEGATIVE TERMINALS. THE
AMP IS NOT COMMON GROUND TYPE ARCHITECTURE.

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