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Sony FM - Page 20

Sony FM
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20
*1 When the unit is turned off.
*2 Does not appear in App Remote.
*3 When FM is received.
*4 When the tuner is selected.
*5 When the CD or USB is selected.
SOUND:
AUX-A*
1
*
2
(AUX Audio)
Activates the AUX source display: “ON,”
“OFF” (page 22).
CT (Clock Time)
Activates the CT function: “ON,” “OFF”
(page 8).
REGIONAL*
3
Restricts reception to a specific region:
“ON,” “OFF” (page 8).
BTM*
4
(page 6)
ZAPPIN*
5
ZAP TIME (Zappin Time)
Selects the playback time for the
ZAPPIN function.
“Z.TIME-1 (about 6 seconds),”
“Z.TIME-2 (about 15 seconds),”
“Z.TIME-3 (about 30 seconds).”
ZAP BEEP (Zappin Beep)
Applies a beep sound between track
passages: “ON,” “OFF.”
EQ7 PRESET (page 17)
EQ7 SETTING (page 17)
POSITION
SET F/R POS (Set Front/Rear Position)
(page 18)
ADJ POSITION*
1
(Adjust Position)
(page 18)
SET SW POS*
1
(Set Subwoofer Position)
(page 18)
BALANCE
Adjusts the sound balance: “RIGHT-15”
– “CENTER” – “LEFT-15.”
FADER
Adjusts the relative level: “FRONT-15” –
“CENTER” – “REAR-15.”
DM+*
2
(page 18)
LOUDNESS (Dynamic Loudness)
Reinforces bass and treble for clear
sound at low volume levels: “ON,
“OFF.”
ALO (Automatic Level Optimizer)
Adjust the playback volume level of all
playback sources to the optimum level:
“ON,” “OFF.
RB ENH*
3
(Rear Bass Enhancer)
RBE MODE (Rear Bass Enhancer
Mode)
Selects the rear bass enhancer mode: “1,”
“2,” “3,” “OFF.”
LPF FREQ (Low Pass Filter Frequency)
Selects the subwoofer cut-off frequency:
“50Hz,” “60Hz,” “80Hz,” “100Hz,”
“120Hz.”
LPF SLOP (Low Pass Filter Slope)
Selects the LPF slope: “1,” “2,” “3.”
SW DIREC*
4
(Subwoofer Direct
Connection)
SW MODE (Subwoofer Mode)
Selects the subwoofer mode: “1,” “2,” “3,”
“OFF.”
SW PHASE (Subwoofer Phase)
Selects the subwoofer phase: “NORM,”
“REV.”
SW POS*
1
(Subwoofer Position)
(page 18)
Selects the subwoofer position: “NEAR,”
“NORMAL,” “FAR.”
LPF FREQ (Low Pass Filter Frequency)
Selects the subwoofer cut-off frequency:
“50Hz,” “60Hz,” “80Hz,” “100Hz,”
“120Hz.”
LPF SLOP (Low Pass Filter Slope)
Selects the LPF slope: “1,” “2,” “3.”

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