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General| Sensor Type | Super 35mm CMOS |
|---|---|
| Lens Mount | Sony E-mount |
| Resolution | 4K (4096 x 2160) |
| Recording Format | AVCHD |
| Internal Recording | 4K up to 30p, HD up to 60p |
| Shutter Speed | 1/8 to 1/10000 sec |
| ISO Range | 320 to 32, 000 |
| Viewfinder | 0.39 inch OLED, 1.44 million dots |
| LCD Screen | 3.5" LCD Screen |
| Audio Input | 2 x XLR |
| Outputs | HDMI, 3G-SDI, USB |
| Dimensions | 172 mm |
Essential guidelines for handling the camera kit, including its value, waterproofing, and weather precautions.
Overview of the three primary recording codecs: XAVC HD, XAVC QFHD 4K, and AVCHD.
Guidelines for selecting the optimal recording format based on frame rate, codec, and bit rate.
Instructions for attaching the condenser microphone to XLR INPUT 2 with +48V setting.
Explanation of the two slow motion modes: S&Q motion and Super Slow Motion.
Detailed steps for setting manual white balance using a white card and the camera's WB SET button.
Guidance on using the histogram display to judge overall contrast and exposure levels.
How to assign and use Zebra Stripes to judge overexposure or specific features like flesh tones.
Introduction to high dynamic range SLOG gamma profiles (PP7, PP8, PP9) for high contrast scenes.
Comparison of SLOG 2 and SLOG 3 gamma settings for monitor viewing and post-production flexibility.
Guidance to keep picture information in mid and highlight areas when exposing for SLOG to avoid noise.
Instructions for setting white balance and color temperature for SLOG 2 and SLOG 3 profiles.
Methods for autoexposure in SLOG, using Auto IRIS and AE Shift to overexpose appropriately.
Using Zebra Stripes set to 70 IRE as a reference for manually exposing SLOG footage, especially for flesh tones.
Techniques for manual SLOG exposure, pushing information into mids/highlights and overexposing by 1.5-2.5 stops.
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