always press the LOWER or UPPER buttons to select the part to be edited, or click on the encoder.
The PART EDIT includes the following parameters:
Rotating the encoder, after having moved the focus on the parameter by clicking on it, you can
control the selected part Volume, in a range from 0 to 127.
Once you have selected the SPLIT point for the current PROGRAM (ref: PROGRAM EDIT) you can
decide where the selected LOWER or UPPER section (either for the SOUND and MIDI zones)
should play, in a totally independent way as it follows:
TO LEFT: the part will play to the left section of the keyboard (from A0 to the SPLIT note);
TO RIGHT: the part will play to the right section of the keyboard (from the SPLIT note to C8); TO
ALL: the part will play with no split all over the keyboard.
This function will allow many musical combinations, such as the few following examples and their
PIANO on the right + BASS on the left, of the split point; PIANO and STRINGS on the right +
MIDI ZONES on the left (controlling external devices); ORGAN on the entire keyboard (TO ALL)
and CHOIR on the right part only.
Even with one SPLIT point (programmable for each PROGRAM) the possible settings are almost
one hundred, considering the status and combinations of LOWER+UPPER+ZONEA+ZONEB and
the SPLIT settings made possible by this function.
This function allows to transpose a part; differently from the GLOBAL TRANSPOSER, that will
effects the entire instrument, this function can be set independently for each SOUND section or
MIDI zone and stored in each PROGRAM, with different values. Interesting combinations are
obtained by transposing a sound with musical intervals, like a lower quint = minus 5 semitones, to
get what is commonly known as a “cluster” with fixed intervals. Try to select a TRUMPET on
UPPER and a SAX on LOWER, setting the SAX 5 semitones lower, in a typical JAZZ setting.
You can set the octave (intervals of 12 semitones each) separately for each part; normally you will
need to move a LOWER part one or two octave up, if you want to play chords in a better range. On
the other way, sometimes you can get a better sound, when the SPLIT is activated, if you move the
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