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General| Number of Channels | 8 |
|---|---|
| Number of Buses | 4 |
| Phantom Power | Yes |
| Built-in Effects | No |
| MIDI Interface | Yes |
| Aux Sends | 2 |
| Recording Tracks | 4 |
| Tracks | 4 |
| MIDI In/Out/Thru | In/Out/Thru |
| Sync | MIDI Clock |
| Equalization | 3-band EQ |
| Inputs | 8 |
| Display | LED |
| Power Supply | AC |
Outlines the manual's structure and purpose, guiding the user through its sections.
Covers basic multitrack recording procedures, including effects and bouncing.
Explains MIDI synchronization and automation features for advanced control.
Details the unit's physical components, controls, and indicators.
Describes the dual section's capabilities and uses as a monitor or additional input.
Explains signal routing, input selection, and the assignment display.
Details the fundamental processes of tracking, overdubbing, and mixdown.
Discusses tape types, speeds, and track formats for optimal performance.
Advises on cassette length and preventing accidental erase.
Instructions for replacing the memory backup battery to preserve scene data.
Explains the mixer's function as the central control unit for the system.
Step-by-step guide for loading and listening to prerecorded cassettes.
Initial steps for setting up and recording the first audio track.
Adjusting levels for monitoring existing tracks and live input during overdubbing.
Steps for mixing down recorded tracks to a stereo master.
Overwriting specific sections of a track without re-recording the entire part.
Automated setup for precise punch-in and punch-out recording.
Explains the function of various switches for scene configuration.
How to navigate and modify scene settings using the display.
Choosing signal inputs for main and dual channels.
Routing channel signals to output groups for recording or mixing.
Backing up custom scene configurations to cassette tape.
Methods for connecting external effects units directly or via insert points.
Benefits and concepts of synchronizing MIDI devices with the 644.
Preparing the sequencer and MIDI connections for synchronization.
Explains the roles of sequencer, controller, and MIDI instruments in sync.
Setup steps for the sequencer and the 644 for sync.
Capturing the FSK sync signal onto tape track 4.
Using the recorded sync tone to control the sequencer.
Sending MIDI Program Change messages from the 644 to instruments.
Using MIDI note messages to mute individual input channels.
Preamplifier gain control for microphone inputs.
Adjusting tone with the three-band equalizer.
Adjusting group and AUX monitor levels for listening.
Choosing signal inputs for main and dual channels.
Routing channel signals to output groups for recording or mixing.
Storing custom scene configurations to memory locations.
Explains the function of RECORD FUNCTION buttons and LEDs.
Adjusting tape speed and pitch for recording and playback.
Details on operating PLAY, RECORD, and PAUSE controls.
Variable speed tape control for searching and cueing.
Setting and using MEMO points for autolocation.
Creating loop playback between two memory points.
Outputs for group mixes, used for mastering.
Descriptions of MIC, LINE, and INSERT input jacks.
Instructions for cleaning heads and tape guides for optimal performance.
Cleaning transport components like the pinch roller and capstan.
Physical dimensions, weight, and build specifications.
Electrical properties of mixer inputs, outputs, and controls.
Measured performance data for the mixer section.
Measured performance data for the recorder section.
Diagram illustrating the signal flow within the mixer section.
Diagrams showing signal flow through mixer and recorder sections.
Description of factory presets 01-04 for tracking and overdubbing.
Description of factory presets 05-08 for stereo recording.
Description of factory presets 09-12 for mixdown and channel assignments.
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