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General| Brand | Tascam |
|---|---|
| Model | M-200 Series |
| Category | Music Mixer |
| Language | English |
Explains the mixer as a system of inputs, processes, and outputs.
Details requirements for connecting the mixer to AC power, including outlet considerations.
Lists required cable types like RCA, phone, and XLR for connecting various audio equipment.
Emphasizes using high-quality microphones and discusses instrument connections.
Specifies the need for stereo headphones and advises against monophonic types.
Describes a typical sound reinforcement setup using the M-208 with various instruments.
Explains the conceptual difference between recording and sound reinforcement.
Details the process of adding new tracks while listening to previously recorded ones.
Describes merging multiple tracks onto one to free up tracks for new recordings.
Explains how to mix down multi-track recordings to a stereo master tape.
Discusses the mixer's compatibility with various VCR brands for post-production.
Emphasizes the necessity of planning sources, monitor mixes, and track assignments.
Explains using testers to check outlet wiring and grounding for safety and noise.
Covers managing cables, using snakes, and preventing ground loops for cleaner audio.
Discusses using rack-mount cabinets for grounding amps and effects to reduce noise.
Explains the importance of reading line drawings, pictograms, and block diagrams for mixer operation.
Explains the difference between ear perception (apparent) and meter readings (absolute).
Details the function of 10 kHz, 100 Hz, and midrange controls for tone adjustment.
Advises on using EQ judiciously and considering interactive effects of controls.
Provides guidance on using the mixer's EQ and sweeping frequency ranges.
Illustrates correct and incorrect fader level settings to avoid overload and noise.
Outlines the step-by-step process for calibrating the mixer using a tone source and recorder.
Explains the location and function of the mixer's power switch and proper power-up sequence.
Describes the MIC, LINE, and TAPE inputs, including impedance and connection types.
Details the function of the TAPE select switches for routing tape signals into the mix.
Describes the PAD button and TRIM control for managing input signal levels.
Explains the EQ controls and the Over Load light for monitoring signal status.
Details INSERT jacks, Input Channel Faders, PAN, and Buss Assignment switches for signal routing.
Describes the PGM Master Faders for signal level and PGM Meters for visual representation.
Explains the PGM outputs for feeding recorders and Master PAN for stereo balance.
Describes Sub Buss Inputs for cascading mixers and Stereo Master Faders for overall level.
Explains STEREO and R/L Outputs for amplifiers/speakers and the MONO button for mono mixes.
Details the METER switch and Monitor Select switches for routing signals to meters and headphones.
Explains the rotary FLB controls in each input channel for creating the foldback mix.
Describes the MASTER FLB control for the overall foldback mix level and output.
Explains EFF controls in channels and MASTER EFF control for overall effect mix balance.
Describes EFF OUTPUT, RTN connectors, RTN Level, and RTN PAN for connecting and managing effects.
Explains PFL buttons, SOLO LED, and SOLO Control for listening to individual channels.
Details the headphone jack and the importance of using stereo headphones to prevent damage.
Describes the RM-208 rack mount kit for EIA standard mounting.
Explains the PW-2Y/PW-4Y insertion cables for connecting signal processors.
Details the features and benefits of TASCAM professional audio cables for optimal performance.
Describes the TO-122A test tone oscillator and PB-32/PB-64 patch bays for system management.
Details the GE-20B graphic EQ and PE-40 parametric EQ for tonal adjustments.
Describes the M-1B as an 8-in, 2-out line mixer for cue or monitor mixes.
Details the MH-40B headphone amplifier for distributing audio to multiple headphones.
Describes the MX-80 as an 8-in, 2-out mic/line mixer for submixing.
Explains how to locate and adjust the voltage selector for different regional power requirements.
Provides instructions for UK customers on installing the correct AC plug and wiring.
Lists impedance, nominal, and minimum input levels for Mic, Line, Tape, and Effect Return.
Details output impedance, load impedance, nominal, and maximum output levels for various outputs.
Specifies equalizer type, frequency ranges, boost/cut, and power requirements for different regions.
Details equivalent input noise and signal-to-noise ratios for various inputs and outputs.
Lists Total Harmonic Distortion (THD) and Intermodulation Distortion (IMD) figures.
Provides frequency response range and cross-talk attenuation specifications.
Lists impedance, nominal, and minimum input levels for Mic, Line, Tape, and Effect Return.
Details output impedance, load impedance, nominal, and maximum output levels for various outputs.
Specifies equalizer type, frequency ranges, boost/cut, and power requirements for different regions.
Details equivalent input noise and signal-to-noise ratios for various inputs and outputs.
Lists Total Harmonic Distortion (THD) and Intermodulation Distortion (IMD) figures.
Provides frequency response range and cross-talk attenuation specifications.
Illustrates signal flow from inputs through EQ, faders, and PAN controls.
Shows signal routing from PGM busses to master faders, effects, and outputs.
Details the internal signal flow and components of input channels 1 through 8.
Details the internal signal flow and components of input channels 9 through 16 (M-216 only).
Illustrates signal levels from inputs through EQ and faders in dBV.
Shows signal levels at various stages including effects returns and sub inputs.
Provides detailed measurements for the TASCAM M-208 mixer.
Provides detailed measurements for the TASCAM M-216 mixer.
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