3
TOP PANEL
The Trademark 60 is designed with active controls, which cut and boost, rather than
traditional passive controls which can only cut. This effectively doubles many of the
control’s capabilities, giving you a much larger range of adjustability and, ultimately,
more variety. It should be noted that you need not necessarily set everything at max
to achieve maximum results.
As you experiment and become familiar with the controls’ interrelationships, you’ll
easily be able to customize your own sounds.
Input Jack
Faithful to the original designs of traditional tube amplifiers, this 1/4" Input is high
impedance 1MOhm. The typically additional low sensitivity input, however, is not need-
ed due to the trimmable Drive control in Channel 1.
Channel Selector Switch
Manually switches between channels when there’s no cable plugged into the rear
panel Footswitch jack. To remotely change channels, refer to section
“Triple-Function
Footswitch”
on page 8.
CHANNEL 1
Channel 1 offers a range of Fender
®
styles, from sparkling clean to semi-dirty to
saturated Tweed
®
-style.
Bite™
Changes the sound from jazzy and mellow to a more “biting,” overdriven style. Going
beyond a normal bright switch, it also tightens the low end to give more definition to
the low strings.
Drive
Like the volume control on a non-master-volume tube amp, Drive adjusts the amount
of “power amp” distortion. However, unlike such a control, you can
cut or boost from
12 o’clock. In regular use, we recommend you start by setting Drive at unity gain. If
you have an extremely hot pickup and want a clean sound, trim towards the left.
Punch
The Punch control sets the amount of mid-range break-up and overdrive. Cut or boost
from 12 o’clock. Decreasing from the center point produces a softer break-up.
Increasing its setting creates a harder, heavier, more nasal distortion, similar to a
wah pedal at mid position placed before a tube amp.
Level
Adjusts the volume level of Channel 1.
4
TECH 21, THE COMPANY
Tech 21 was formed by a guitarist possessing the unusual combination of a
trained ear and electronics expertise. In 1989, B. Andrew Barta made his
invention commercially available to players and studios around the world.
His highly-acclaimed SansAmp™ pioneered Tube Amplifier Emulation in
professional applications for recording direct and performing live, and creat-
ed an entirely new category of signal processing. While there have since
been many entries into this niche, SansAmp continues to maintain its reputa-
tion as the industry standard.
After developing a full line of SansAmp models, Tech 21 expanded its offer-
ings to include effect pedals; a compact, battery operable MIDI footcon-
troller, the
MIDI Mouse;
as well as “traditional” style amplifiers for guitar
and bass. Each product is thoughtfully and respectfully designed by
B. Andrew Barta himself with the player in mind. Our goal is to provide you
with flexible, versatile tools to cultivate, control, refine and redefine your own
individual sound. Tech 21 takes great pride in delivering consistent
professional quality sound, studio to studio, club to club, arena to arena.
TRADEMARK 60, AN OVERVIEW
The Trademark 60 offers a wide range of the most desirable tube amp
sounds, from Fender
®
to Marshall
®
, Mesa/Boogie
®
and Vox AC30
®
styles.
The interactive controls give you access to specific tone shaping characteris-
tics to create your own trademark sounds as well. The remotely activated
Boost function increases each channel’s volume level up to 9dB, giving you
4 footswitchable sound options.
For studio and live applications, our exclusive SansAmp Tube Amplifier
Emulation technology enables you to go straight into the mixer of a recorder
or PA system via the XLR Direct Output.
With the Trademark 60, you get a truckload of big amp sounds in three
affordable, cost effective formats: 1x12, 2x12 and 4x10.
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