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Torso Electronics T-1
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27
The T-1 Notebook : Reference & Guide
26
The T-1 Notebook : Reference & Guide
NOTES
NOTES
Step 6. Control Change Messages
T-1 Can also perform control changes to external parameters on
compatible devices. These CC messages are set on a T-1 CC Track as
opposed to a normal note track. This example controls the lter cutoff for
the bass sound in the Digitakt.
CONTROLLING AN EXTERNAL SYNTH PARAMETER
1. Select a new CC track, Press [CTRL] + [VB9] for Track 9. This will be lit
CYAN .
2. Set the channel for the Bass sound by holding and turning (CHANNEL).
This should be channel 4, i.e. value button 4 lit.
3. Digitakt lter cutoff is CC#74. Check the actual device you use for the
MIDI Mappings to determine the representation for the specic device.
4. By default, the (VELOCITY) knob represents CC#74. When on Track 9
this parameter can be changed which will transmit the value change to
the destination device.
5. When playing the song arrangement the (VELOCITY) knob will change
the bass lter cutoff value. This example is based on a manual control
action to change the parameter.
Step 7. Mutes for Ad Libs
Muting and unmuting tracks is a technique often used in ad-lib live
performances for improvisation and for developing arrangements on-the-y.
MUTING TO BUILD AN ARRANGEMENT
1. Press [MUTE] + [VBx] where ‘x’ is the selected track. This will mute or
unmute the track.
2. Muting or Unmuting is applied to the track ONLY when the [MUTE]
button is released.
3. Try muting all tracks with the exception of the Kick and Snare tracks 1
and 2. Muted tracks will be lit solid BLUE GREY , while unmuted
playing tracks will ash in the colour of the track type if selected or white
if not selected.
4. Increase the bass cut off as the song develops and unmute the synth
tracks in order at the end of each bar. Unmute the hi hat track to add
some momentum.
5. Muting and unmuting across a xed length passage can create a live
improvisation, Ideal for live sessions or ad lib jamming.
Getting Started
1
Getting Started
1

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