viscount V3.12A – V3.12A Dlx Manuale Utente
IT - 7
ESEMPIO DI COLLEGAMENTO
Casse lato sinistro Casse lato destro
SchalmeiSchalmei
4'
8'
TrompeteTrompete
16'
Posaune
Contra
Bombarde
32'
Clarine
4'
8'
Trompete
Fagott
16'
I/P
Coupler
II/P
Coupler
III/P
CouplerCoupler
IV
MixtureMixture
4'
bassbass
Choral-Choral-
Oktav-
bass
8'
Prinzipal-Prinzipal-
16'
bass
32'
ContraContra
BourdonBourdon
8'
Gedackt
16'
Gedackt
Subbass
16'
8'
DulcianaDulciana
PrinzipalPrinzipal
16'
Coupler
III/II
TremulantTremulant
CouplerCoupler
I/III/II
V
CornetCornet
V
MixtureMixture
2
3
QuinteQuinte
Super-Super-
oktave
2'
4'
Oktave
SpitzflöteSpitzflöte
4'
Unda
Maris
8'
8'
Gedackt
Prinzipal
8'
HohlflöteHohlflöte
8'
Rohr-
gedackt
8'
4'
Rohrflöte
2
3
Nasard
2'
Blockflöte
3
5
Terz
TremulantTremulant
Mixture
IV
4'
GemshornGemshorn
Oktave
4'
Gamba
8'
PrinzipalPrinzipal
8'
Bourdon
16'
Vox
CelesteCeleste
8'
Tremulant
II
SesquialteraSesquialtera
1'
Sifflöte
1
3
Larigot
4'
Offenflöte
8'
Flöte
PrinzipalPrinzipal
8'
4'
PrestantPrestant
DoubletteDoublette
2'
Mixture
IV
III/I
Coupler
4'
Clarion
Humana
Vox
8'
Oboe
8'
TrompeteTrompete
8'
16'
Contra
TrompeteTrompete
RegalRegal
16'
8'
SpanischeSpanische
TrompeteTrompete
8'
Krumm-Krumm-
horn
Man.IIMan.II Man.IIMan.II Man. IIIMan.III Man. IIIMan. IIIPedal
Cello Harp
StringsStrings Chimes Celesta
Man.IMan.I
Piano
Man.IMan.I
Harpsich.Harpsich.
MEM.
BANK
MEM.
BANK
S
HRHR 1 2 3 4
7 8 9 10
HRHR 1 2 3 4
5 6
HR 1 2 53 4 6P
HR 1 2 53 4 6P
HR 1 2 53 4 65 6 P C
T
ENC
A.P
III
III I
M.SOLO
M.SOLO
M.SOLO
O.SOLO
On
Reed Mixtur Pedal
Man.IIMan.II Man.IIIMan. III Man. IMan.I
Console
On
Speaker
Ext.
PREV NEXT
CRESCENDO
M.BANKM.BANK
PEDAL MAN.IIMAN. II
POWER
0
1
AMPLIFICAT. CANCEL MIDI
SEQUENC.SEQUENC.
VOLUMES
FIELD
EXIT
ENTER
FIELD VALUE VALUE
ORCHESTRA
MAN.IIIMAN. III MAN.IMAN.I
UNICO 500UNICO 500
+-
viscount
CRESCENDO MAN.IMAN. I MAN. IIIMAN.III
MASTER
VOLUME
MASTER
VOLUME
THRUTHRU OUTOUT
MIDI
IN REVERB
VOLUME
REVERB
VOLUME
USB PHONESPHONES
Main
audio outL
+12V DC
out
Main
audio outR