Yamaha DM1000 - Owner's Manual

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Owner’s Manual

Owner’s Manual

Keep This Manual For Future Reference.

Keep This Manual For Future Reference.

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Table of Contents

Default Chapter3
- Important Safety Instructions3
- Important Information4
- Operating Notes5
- Package Contents6
- Yamaha Web Site6
  - Conventions Used in this Manual7
  - Table of Contents8
1 Welcome11
- Scene Memory12
- Surround Sound12
2 Control Surface & Rear Panel13
- Control Surface13
  - Ad Input Section14
  - Channel Strip Section15
- Stereo Section15
- Solo Indicator22
- Stereo Button22
- Rear Panel23
  - Remote Connector24
  - Power Section25
- Word Clock in Connector25
- Installing an Optional Card26
3 Operating Basics27
- About the Display27
- Selecting Display Pages28
- Surround Mode Indicator28
- Timecode Counter28
- Display Interface29
- Title Edit Window30
- Selecting Layers31
- Selecting Channels32
- Selecting Fader Modes33
- Selecting Encoder Modes34
- Assigning Parameters to the ENCODER MODE [ASSIGN] Button35
- Metering37
4 Connections and Setup41
- Connections41
- Wordclock Connections and Settings44
- About Wordclock44
- Daisy Chain Distribution44
- Input and Output Patching47
5 Analog I/O & Digital I/O51
- Analog Inputs & Outputs51
- Digital Inputs & Outputs52
- Converting Sampling Rates of Signals Received at 2TR Digital Inputs53
- Monitoring Digital Input Channel Status55
- Dithering Digital Outputs56
- Setting the Transfer Format for Higher Sampling Rates57
6 Input Channels59
- About Input Channels59
- Setting the Input Channels from the Display60
- Setting the Input Channels from the Control Surface71
- Pairing Input Channels73
- Naming Input Channels76
- Using MS Stereo Microphone77
7 Bus Outs79
- About Stereo out79
- Bus out 1-880
- Setting the Stereo out and Bus out 1-8 from the Display81
- Setting the Stereo out and Bus out 1-8 from the Control Surface86
- Setting the Levels86
- Pairing Buses or Aux Sends87
- Attenuating Output Signals88
- Naming the Stereo out and Bus Outs89
8 Aux Sends91
- Aux out 1-891
- Setting Aux out 1-8 from the Control Surface92
- Setting Aux out 1-8 from the Display92
- Viewing Aux out Settings94
- Setting Aux Send Levels96
- Viewing Aux Send Settings for Multiple Channels100
- Panning Aux Sends102
- Excluding Certain Channels from Aux Sends (MIX Minus)103
- Copying Channel Fader Positions to Aux Sends104
9 Input & Output Patching105
- Input Patching105
- Output Patching108
- Patching Direct Outs111
- Insert Patching112
10 Control Room Monitoring115
- Control Room Monitor115
- Control Room Monitor and solo Setup116
- Solo Trim117
- Solo Interruption117
- Using the Control Room Monitor118
- Using the solo Function118
- Using the Talkback Function119
11 Surround Functions121
- Using Surround Pan121
- Setting up and Selecting Surround Pan Modes123
- Trajectory Patterns126
- Surround Monitoring131
- Surr. Mode133
- Monitor Matrix133
- Bass Management134
- Monitor Alignment136
12 Grouping Channels & Linking Parameters141
- Grouping & Linking141
- Using Fader Groups and Mute Groups142
- Linking EQ and Compressor Parameters144
13 Internal Effects147
- About the Internal Effects147
- Using Effects Processors Via Aux Sends148
- Inserting the Internal Effects into Channels150
- Editing Effects151
- About Surround Effects153
- About Plug-Ins153
14 Scene Memories155
- About Scene Memories155
- About Scene Numbers156
- Storing and Recalling Scenes157
- Auto Scene Memory Update159
- Fading Scenes160
- Recalling Scenes Safely162
- Sorting Scenes163
15 Libraries165
- About the Libraries165
- General Library Operation165
- Using Libraries167
- Surround Monitor Library179
16 Automix181
- About Automix181
- Setting up for Automix Recording182
- Creating a Time Signature Map183
- Recording an Automix184
- Parameter Recording187
- Punching in & out188
- [SEL] Button Functions While the [AUTO] Button Indicator Is on190
- Playing Back an Automix190
- Automix Main Page191
- Automix Memory Page195
- Fader1 &2 Pages196
- Editing Events Offline198
17 Remote Control205
- About Remote Function205
- Pro Tools Remote Layer206
- Nuendo Remote Layer224
- Other DAW Remote Layers224
- MIDI Remote Layer225
- Machine Control Function231
18 MIDI235
- MIDI & the DM1000235
- MIDI Port Setup236
- Usb Port236
- Assigning Scenes to Program Changes for Remote Recall239
- Assigning Parameters to Control Changes for Real-Time Control240
- Controlling Parameters by Using Parameter Changes246
- Transmitting Parameter Settings Via MIDI (Bulk Dump)246
19 Other Functions249
- Changing the Input and Output Connector Names249
- Setting Preferences250
- Timecode Display Relative254
- Creating a Custom Layer by Combining Channels (User Assignable Layer)255
- Using the Oscillator256
- Using the User Defined Keys257
- Using GPI (General Purpose Interface)259
- Using Operation Lock263
- Cascading Consoles265
- Using the AD824270
- Checking the Battery and the System Version272
- Initializing the DM1000273
- Calibrating the Faders274
Appendix A: Parameter Lists275
- User Defined Keys275
- USER DEFINED KEYS Initial Assignments277
- Input Patch Parameters278
- Initial Input Patch Settings280
- Output Patch Parameters282
- Initial Output Patch Settings284
- GPI Trigger Source List286
- User Defined Remote Layer Initial Bank Settings287
- User Defined Remote Layer Initial Bank Settings289
- Effects Parameters291
- Preset EQ Parameters316
- Preset Gate Parameters (Fs = 44.1 Khz)320
- Preset Compressor Parameters (Fs = 44.1 Khz)320
Appendix B: Specifications325
- General Spec325
- Libraries330
- Analog Input Spec330
- Analog Output Spec330
- Digital Input Spec331
- Digital Output Spec331
- I/O Slot Spec (1-2)332
- Control I/O Spec332
- REMOTE Port333
- CONTROL Port333
- Dimensions334
Appendix C: MIDI336
- Scene Memory to Program Change Table336
- Initial Parameter to Control Change Table337
- MIDI Data Format353
- Program Change354
Appendix D: about Optional Product368
- MB1000 Peak Meter Bridge368
- Installing the SP1000 Side Panels371
- Rack Mounting the DM1000 Using the RK1 Rack Mount Kit371
Index372
- MIDI Implementation Chart378

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