Yamaha DSP-1 - Page 32

31
5
6
7
8
Munster
CHURCH
JAZZ CLUB
ROCK CONCERT
LISPI
REV TIME
HIGH
INIT DLY
HPF
LPF
REV LVL
REV TIME
HIGH
INIT DLY
HPF
LPF
REV LVL
LIVE
ROOM SIZE
LIVENESS
INIT OLY
HPF
LPF
DYNAMITE!
ROOM SIZE
LIVENESS
INIT DLY
HPF
LPF
ap a
0.1
5ms
1.0kHz~
0%~95%
0.3s
0.1
5ms
1.0kHz~
0%~95%
100%
99.05
1.0
150ms
32Hz~1.0kHz
- =16kHz, THRU
99.0s
1.0
150ms
32Hz~1 KHz
~16kHz, THRU
LIVE/DYNAMITE!/REVERSE/SPACIOUS
0.1
0
5ms
1.0~16kHz
1.0
5
20ms
THRU
THRU
8.0
10
150ms
32Hz~1 .OKHz
LIVE/DYNAMITE!/REVERSE/SPACIOUS
0.1
5ms
1.0~16kHz
4.0
9
15ms
THRU
THRU
8.0
10
150ms
32Hz~1.0kHz
Length of reverberation time.
High
frequency
attenuation
time
ratio.
Smaller
value
for
shorter
time.
Time
until
the
delay
sound
production.
Low range cut-off frequency. -6 dB/oct
High range cut-off frequency. -6 dB/oct
Level of the reverberation signal.
Length of reverberation time.
High
frequency
attenuation
time
ratio.
Smaller
value
for
shorter
time.
Time
until
the
delay
sound
production:
Low range cut-off frequency. -6 dB/oct
High range cut-off frequency. -6 dB/oct
Level of the reverberation signal.
See page 23. |
Simulates the room size. Larger value for larger space.
Attenuation characteristic of the early reflection.
Time until the delay sound production.
Low range cut-off frequency. -6 dB/oct
High range cut-off frequency, -6 dB/oct
See page 23.
Simulates the room size. Larger value for larger space.
Attenuation
characteristic
of
the
early
reflection.
Larger
value
for
more
live.
Time
until
the
delay
sound
production.
Low range cut-off frequency. -6 dB/oct
High range cut-off frequency. -6 dB/oct