Yamaha DSP-1 - Page 34

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O.1ms _ | 20.0ms
600.0ms Time until the front L-channel delay sound production.
0.1ms 28.0ms 600.0ms Time until the front R-channel delay sound production.
0.1ms 24.0ms 600.0ms Time until the rear L-channel delay sound production.
13 PRESENCE
RR DLY O.1ms 36.0ms 600.0ms Time until the rear R-channel delay sound production.
HPF — THRU 32Hz~1.0kHz Low range cut-off frequency. -6 dB/oct
LPF 1.0kHz~ 8.0kHz ~16kHz, THRU | High range cut-off frequency. -6 dB/oct
LIVE CONCERT HALL TYPE A/HALL TYPE B/LIVE CONCERT/ON STAGE | See page 23.
ROOM SIZE 0.1 1.0 8.0 Simulates the room size. Larger value for larger space.
LIVENESS 0 5 10 Attenuation characteristic of the early reflection. Larger value for more live.
14 SURROUND 1
INIT DLY 5ms 30ms 150ms Time until the delay sound production.
HPF — l THRU l 32Hz~1.0kHz Low range cut-off frequency. -6 dB/oct
LPF 1.0kHz~ 5.0kHz ©} ~16kHz, THRU | High range cut-off frequency. -6 dB/oct
LIVE LIVE/DYNAMITE!/REVERSE/SPACIOUS | See page 23.
ROOM SIZE 0.1 | 1.0 8.0 louie the room size. Larger value for larger space.
. LIVENESS | 0 15 10 Attenuation characteristic of the early reflection. Larger value for more live.
15 SURROUND 2
INIT DLY sms 20ms 150ms | Time until the delay sound production.
HPF — THRU 32Hz~1.0kHz Low range Cut-off frequency. -6 dB/oct
LPF 1.0kHz~ 7.OkKHz~ ~16kHz, THRU | High range cut-off frequency. -6 dB/oct
16 DOLBY SURROUND DELAY 15.0ms 20.0ms 30.0ms Time unti! the rear delay sound is produced.
® Parameter values from the left to the right in the above list show the lower limit value, preset vaiue and the upper limit value respectively.
® Other than listed above, all programs have the different fixed parameters. Therefore, even when the parameter type and the variable range are the same, or even when the same values are set,
the feeling of the produced sound differs for each program.
@ Improvements may result in parameter value change without notice.
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