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Adobe PHOTOSHOP 6.0 - User Manual

Adobe PHOTOSHOP 6.0
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Table of Contents

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Summary

Getting Started

Installing Adobe Photoshop and ImageReady

Install Photoshop and ImageReady from the CD. Cannot run from CD.

Learning Adobe Photoshop and ImageReady

Learn Photoshop via guides, online help, and tool tips. Access Adobe Online resources.

Using Web resources

Access additional learning resources on Adobe's website via a web browser.

Accessing Adobe Online through the Help menu

View and download information from the Adobe website using the Help menu.

Customer support

Technical support details, terms, and Adobe Online FAQs.

Adobe Photoshop Basics

Setting up the work area

Learn to navigate the work area, select tools, and arrange palettes.

Using tools and palettes

Understand the work area, toolbox, options bar, and floating palettes.

Opening images in Photoshop and ImageReady

Learn to open, import, and create various types of digital images.

Adjust the image view

Explore tools for navigating and magnifying image views, including the hand and zoom tools.

Streamlining your workflow

Discover features like Jump To, Undo, and Actions to work more smoothly.

Adjusting and retouching images

Learn to make tonal and color adjustments, and perform retouching tasks.

Editing images

Understand how to make pixel selections and perform basic edits on images.

Making pixel selections

Learn to select image areas using marquee, lasso, and magic wand tools.

Using Layers

Display the list of layers

Learn to display and manage layers using the Layers palette.

Change the visibility of a layer

Toggle layer visibility to focus on individual layers and manage complex compositions.

Select a layer

Target specific layers for editing, transformations, or filters.

Adjust opacity and blending mode

Control layer transparency and how colors blend with underlying layers.

Move a layer’s stacking order

Rearrange layers in the palette to control their visual stacking order.

Compositing images

Combine multiple images or parts of images to create creative compositions.

Mask part of a layer

Learn to selectively hide parts of a layer using layer masks without permanent alteration.

Painting and drawing

Explore tools for painting and drawing shapes, creating artwork with colors and lines.

Drawing shapes and paths

Create vector shapes and paths for precise graphics, useful for buttons and Web elements.

What’s New in Adobe Photoshop 6.0

Superb vector support

Integrated vector tools for crisp, editable shapes and text, enhancing creative range.

Enhanced vector output

Improved support for outputting vector graphics and type, including PDF.

Layer styles

Intuitive interface for layer effects, new options, and saving combinations for reuse.

Interactive image warping

Quickly distort or warp images using the Liquify command for various adjustments.

Enhanced slicing capabilities

Define and edit slices directly in Photoshop for efficient Web image incorporation.

Enhanced support for image maps and rollovers

New tools for creating image maps and rollover effects directly within images.

Weighted optimization

Use new controls for 8-bit alpha channels to vary compression smoothly across an image.

Improved Web workflow

Tighter integration with ImageReady and Adobe GoLive for enhanced Web production.

Streamlined interface

Numerous interface enhancements for easier and more efficient use of powerful features.

Enhanced layer management

More flexible layers, layer sets, and palette enhancements for better organization and efficiency.

Expanded text features

Expanded formatting for Roman and Asian text, including direct on-canvas editing.

Chapter 1: Looking at the Work Area

Using the toolbox

Overview of the toolbox, its tools, options bar, and functions for editing images.

Displaying and working with tools

Learn how to select, show/hide, and identify tools using the toolbox and tool tips.

Using the tool pointers

Understand different mouse pointer appearances and how they indicate tool functionality.

Using the tool options bar

Learn how to use the context-sensitive options bar for tool-specific settings.

Using palettes

Discover how palettes help monitor and modify images, manage their display, and docking.

Changing the palette display

Rearrange palettes for better screen use, including moving, separating, and resizing.

Docking palettes together

Combine multiple palettes for easier viewing and management as a group.

Setting the positions of palettes and dialog boxes

Save and restore the positions of palettes and dialog boxes for a preferred workspace.

Using pop-up sliders

Learn to use pop-up sliders for adjusting settings in palettes and dialog boxes.

Using pop-up palettes

Access libraries of brushes, swatches, styles, etc., and customize their display.

Using the Info palette

View color values, measurements, and image information beneath the pointer.

Using context menus

Access context-sensitive menus for commands relevant to active tools or selections.

Viewing images

Navigate and magnify images using tools like Hand, Zoom, and Navigator palette.

Changing the screen display mode

Adjust screen display modes to change the appearance of the work area.

Using the document window

Understand the document window's role and how to manage multiple image views.

Navigating the view area

Navigate different areas of an image and change magnification levels.

Magnifying and reducing the view

Learn various methods for zooming in and out of images for detailed viewing.

Correcting mistakes

Undo operations, revert to saved versions, and manage memory for undo functions.

Reverting to any state of an image

Jump to any recent state of an image within the current work session using the History palette.

About the History palette

Understand guidelines for using the History palette to track image states and edits.

Using the History Palette

Utilize the History palette to revert, delete states, and create documents from image states.

Making a snapshot of an image (Photoshop)

Create temporary copies (snapshots) of image states for easier recovery and comparison.

Duplicating images

Duplicate entire images, including layers, masks, and channels, for experimentation.

Using rulers, the measure tool, guides, and the grid

Use rulers, guides, and grids for precise positioning and alignment of elements.

Working with Extras

Control the display of nonprinting elements like guides, grids, and selections.

Displaying status information

Monitor work status using the status bar for information like magnification and tool selection.

Displaying file and image information

View file size, image dimensions, and other details in the application window.

Chapter 2: Getting Images into Photoshop and ImageReady

About bitmap images and vector graphics

Understand the differences between bitmap and vector graphics for effective image creation and import.

About image size and resolution

Grasp concepts of pixel dimensions, image resolution, and their impact on quality.

Image resolution

Learn how pixels per inch (ppi) affect image detail when printed or displayed.

Printer resolution

Understand dots per inch (dpi) produced by printers and its relation to image resolution.

Screen frequency

Learn about screen ruling (lpi) for printing grayscale and color separations.

File size

Understand how file size is measured and its relation to pixel dimensions and storage.

Changing image size and resolution

Adjust pixel dimensions, print dimensions, and resolution of images for various outputs.

About resampling

Learn about changing pixel dimensions and the impact of interpolation methods.

Choosing an interpolation method

Select methods like Nearest Neighbor, Bilinear, or Bicubic for resampling quality.

Changing the pixel dimensions of an image

Specify image size in pixels for online distribution or printed dimensions.

Changing the print dimensions and resolution of an image (Photoshop)

Set printed dimensions and resolution for print media output.

Determining a recommended resolution for an image (Photoshop)

Determine optimal image resolution based on screen frequency for quality printing.

Scanning images

Prepare for scanning by ensuring software installation and determining resolution needs.

Importing scanned images

Import scanned images using TWAIN interface or compatible scanner plug-ins.

Importing an image using the TWAIN interface

Utilize TWAIN interface for acquiring images from scanners and digital cameras.

Creating new images

Create blank images, specifying dimensions, resolution, and color mode.

Opening and importing images

Open and import images in various file formats using dialog boxes and submenus.

Opening files

Use the Open dialog box to locate, preview, and open files, managing format issues.

Opening PostScript artwork

Open EPS files, which contain vector or bitmap data, and understand rasterization.

Placing files

Place artwork from PDF, Illustrator, or EPS files into new layers for composition.

Managing files with WebDAV

Manage files using Web Distributed Authoring and Versioning (WebDAV) server technology.

Chapter 3: Working with Color

About color modes and models (Photoshop)

Understand how color modes define display and print values, affecting channels and file size.

HSB model

Explore the HSB model's characteristics: Hue, Saturation, and Brightness for color definition.

RGB model

Learn about the RGB model using red, green, and blue light for display and monitors.

CMYK model

Understand the CMYK model based on ink absorption for print production and color separation.

L*a*b model

Explore the device-independent CIE L*a*b model for consistent color regardless of output device.

Lab mode

Use Lab mode for Photo CD images, editing luminance, and moving images between systems.

Bitmap mode

Understand Bitmap mode using only black and white values (1-bit images).

Grayscale mode

Work with images using up to 256 shades of gray for brightness values.

Indexed Color mode

Optimize images with a limited palette (max 256 colors) for reduced file size.

Multichannel mode

Use for specialized printing, combining channels into spot color channels.

Color gamuts (Photoshop)

Understand color gamuts as the range of colors a system can display or print.

Adjusting the monitor display

Adjust color display settings to compensate for monitor limitations and system variations.

Making previews display more quickly (Photoshop)

Speed up tool previews by temporarily doubling pixel size, affecting preview only.

Adjusting color display for cross-platform variations

Compensate for differences in RGB color display between operating systems.

Channels and bit depth (Photoshop)

Understand color channels and bit depth for storing and displaying image color information.

About color channels

Learn how channels store color information, spot colors, and alpha channels.

About bit depth

Understand pixel depth's role in available colors and color representation accuracy.

Converting between bit depths

Convert between 8-bit and 16-bit per channel images, understanding file size and tool availability.

Converting between color modes (Photoshop)

Permanently change image color values by converting between modes like RGB and CMYK.

Converting to indexed color (Photoshop)

Reduce colors to max 256 for smaller file size, suitable for GIF and PNG-8.

Applying colors

Specify foreground and background colors for painting, filling, and stroking selections.

Making color and tonal adjustments

Correct color quality and tonal range issues in images using various adjustment tools.

Chapter 4: Producing Consistent Color (Photoshop)

Why colors sometimes don’t match

Understand how device color spaces and gamuts cause color shifts between different devices.

About color management

Learn how CMS reconciles color differences between devices for accurate output.

Color management engine

Understand the role of the CMM in reading and translating colors between different color spaces.

Color numbers

Learn how pixel color numbers describe appearance, which can vary by device.

Color profiles

Understand how color profiles define actual color appearances and map numbers to color spaces.

Do you need color management?

Guidelines to determine if color management is necessary based on production process and output needs.

Creating a viewing environment for color management

Control ambient light and color in the workspace for accurate color perception.

Setting up color management

Configure color management workflow using a single Color Settings dialog box.

Using predefined color management settings

Utilize predefined settings for common publishing workflows as starting points.

Color Management Off

Emulates applications without color management support; does not tag documents.

Emulate Photoshop 4

Emulates the color workflow of earlier Mac OS versions of Photoshop.

U.S. Prepress Defaults

Manages color for content output under common U.S. press conditions.

Europe Prepress Defaults

Manages color for content output under common European press conditions.

Japan Prepress Defaults

Manages color for content output under common Japanese press conditions.

Web Graphics Defaults

Manages color for content published on the World Wide Web.

ColorSync Workflow (Mac OS only)

Manages color using ColorSync CMS with profiles chosen in the control panel.

About working spaces

Understand how working spaces define color profiles for RGB, CMYK, and Grayscale modes.

About color management policies

Learn how policies handle color data mismatches and provide default management decisions.

Customizing color management settings

Customize configurations manually or create your own settings for specific workflows.

Specifying working spaces

Associate color profiles with modes and specify custom working spaces.

Specifying color management policies

Set default policies for handling color data and configure profile mismatch warnings.

Saving and loading color management settings

Save custom configurations for reuse and share them across applications.

Synchronizing color management between applications

Ensure consistent color reproduction across Adobe applications by synchronizing settings.

Soft-proofing colors

Simulate output device colors on-screen to preview how documents will look when printed.

Changing the color profile of a document

Convert document colors to a different profile or assign/remove profiles.

Embedding profiles in saved documents

Specify whether to embed profile information upon saving files.

Obtaining, installing, and updating color profiles

Acquire and manage accurate ICC profiles for reliable color management.

Adding device profiles to the color management system

Add color profiles to your system for use in Color Settings dialogs.

Updating profiles

Recalibrate devices periodically and generate updated profiles to maintain accuracy.

Creating an ICC monitor profile

Calibrate and characterize your monitor using Adobe Gamma for reliable color display.

Chapter 5: Selecting

About selections

Understand bitmap vs. vector data and tools for creating pixel and path selections.

Making pixel selections

Select pixels using marquee, lasso, magic wand tools, and Color Range command.

Using the Select menu

Use Select menu commands to select all pixels, deselect, or reselect areas.

Using the marquee tools

Learn to select rectangles, ellipses, and rows/columns with marquee tools.

Using the lasso, polygonal lasso, and magnetic lasso tools

Draw straight-edged, freehand, or snapping selection borders with lasso tools.

Setting options for the lasso, polygonal lasso, and magnetic lasso tools

Customize lasso tool detection width, edge contrast, and frequency.

Using the magic wand tool

Select consistently colored areas by specifying tolerance values.

Using the Color Range command (Photoshop)

Select specified color ranges or subsets within an image or existing selection.

Creating selections from slices (ImageReady)

Convert slices into selections for applying modifications and creating borders.

Adjusting pixel selections

Refine pixel selections using tools and commands, including geometric transformations.

Moving, hiding, or inverting a selection

Move, hide, or invert selection borders and control their movement precisely.

Softening the edges of a selection

Smooth selection edges using anti-aliasing and feathering for better composite results.

Anti-aliasing

Smooth jagged edges by partially filling edge pixels for better transitions.

Feathering

Blur selection edges by building a transition boundary, useful for moving or copying.

Chapter 6: Drawing and Editing

About drawing and painting

Understand the distinction between painting pixels and drawing vector objects.

Drawing shapes and paths

Create vector shapes and paths using pen and shape tools for precise graphics.

About the drawing tools in Photoshop and ImageReady

Learn differences in drawing tools between Photoshop and ImageReady for optimal usage.

Creating shape layers

Create shape layers with vector clipping paths for editable shapes and styles.

Creating rasterized shapes

Create rasterized shapes by filling selections, which cannot be edited as vector objects.

Using the shape tools

Draw lines, rectangles, ellipses, polygons, and custom shapes for graphics.

Setting shape tool options

Configure specific options for shape tools like dimensions, arrowheads, and corners.

Extracting objects from their background (Photoshop)

Isolate foreground objects from backgrounds using the Extract command for clean selections.

Drawing with the pen tool

Create precise straight lines and smooth curves with the pen tool for accurate drawing.

Drawing straight segments with the pen tool

Learn to create straight line segments by clicking to define anchor points.

Drawing curves with the pen tool

Master drawing smooth and sharp curves using direction points and handles.

Drawing with the freeform pen tool

Draw paths intuitively like using a pencil, with automatic anchor point placement.

Drawing overlapping shapes (Photoshop)

Specify how overlapping shapes interact using shape area options like Add, Subtract, Intersect.

Using the Paths palette (Photoshop)

Manage paths, work paths, and layer clipping paths for selections and masks.

Editing paths (Photoshop)

Edit paths by modifying anchor points, direction lines, and segments for precise shapes.

About anchor points, direction lines, direction points, and components

Understand the elements that define path segments and how they shape curves.

Selecting paths (Photoshop)

Select path segments and components using selection tools for editing.

Moving, reshaping, and deleting path segments

Modify paths by moving, reshaping, copying, deleting segments, and adding/deleting anchor points.

Adding color to paths (Photoshop)

Add color to paths by filling or stroking them, similar to creating rasterized shapes.

Transforming and retouching

Transform images using various methods like scaling, rotating, and applying filters.

Chapter 7: Using Channels and Masks

About channels

Understand how channels store image color, spot color, and mask information.

Viewing channels

View combinations of individual channels and understand their display options.

Changing the display of the palette

Adjust channel display, including color, thumbnail size, and preview options.

Selecting and editing channels

Select, edit, and manage channels, including rearranging and duplicating them.

Managing channels (Photoshop)

Rearrange, duplicate, split, merge, and delete channels to organize image data.

Changing the order of channels

Rearrange spot and alpha channels to suit workflow, noting default channel order.

Duplicating channels

Duplicate channels for backups, creating selection libraries, or transferring between images.

Splitting channels into separate images

Split image channels into separate grayscale images for specific file formats.

Merging channels

Combine multiple grayscale images or channels into a single color image.

Deleting channels

Remove unused spot or alpha channels to reduce file size and manage disk space.

Mixing color channels (Photoshop)

Modify color channels using mixes, adjustments, and conversions for creative effects.

Adding spot colors (Photoshop)

Create spot channels to store custom colors for special ink printing plates.

About spot colors

Understand spot colors for printing, their use in page-layout applications, and printing considerations.

Creating spot channels

Create new spot channels or convert alpha channels to spot channels for custom printing inks.

Modifying spot channels

Edit spot channels to adjust color, solidity, or merge with color channels.

Using channel calculations to blend layers and channels (Photoshop)

Combine channels using Apply Image and Calculations commands for new image combinations.

Using the Apply Image command

Blend an image's layer and channel (source) with the active image's layer and channel (destination).

Using the Calculations command

Blend two individual channels from sources into a new image or channel.

About masks (Photoshop)

Isolate and protect image areas using masks and alpha channels for complex editing.

Creating temporary masks in Quick Mask mode (Photoshop)

Edit selections as temporary masks without Channels palette, using painting tools.

Storing masks in alpha channels

Create permanent masks by storing selections in alpha channels for reuse.

Creating alpha channels (Photoshop)

Create new alpha channels and add masks using painting or editing tools.

Saving a mask selection

Save any selection as a mask in a new or existing alpha channel.

To edit an alpha channel

Use painting or editing tools to add or remove color in an alpha channel.

To change an alpha channel’s options

Specify alpha channel name, display options, mask color, and opacity.

Loading a selection into an image

Reuse saved selections by loading them into an image or modifying an alpha channel.

Chapter 8: Using Layers

About layers

Understand layers as distinct levels for organizing image work, allowing non-destructive edits.

About layer sets

Organize and manage contiguous layers using layer sets for grouping and applying attributes.

Using the Layers palette

Create, hide, display, duplicate, merge, link, lock, and delete layers using the palette.

Viewing the Layers palette

Display the Layers palette, navigate through layers, and expand/collapse layer sets.

Viewing and selecting layers

Control layer visibility, previews, transparency, and color code layers for location.

To select a layer

Make a layer active in the Layers palette or select it via context menu for editing.

To change the display of layer thumbnails

Select thumbnail size or turn off thumbnails to optimize palette space and performance.

To change the transparency display

Specify how transparent areas of a document are displayed using grid patterns.

Grouping layers into sets

Group layers into sets to move, mask, or collapse them easily, and set group blending options.

Adding layers

Add new layers or layer sets using default options or by creating new layers and converting selections.

Creating a layered image

Create layered images with up to 8000 combined layers, sets, and effects per image.

Duplicating layers

Duplicate any layer or layer set within the same image or between different images.

To copy a layer or layer set between images

Copy layers between source and destination images, maintaining resolution and position.

To copy a layer’s contents and paste them into another image

Copy layer contents and paste them into another image, centered or as a new layer.

To copy multiple layers or layer sets into another image

Copy multiple linked layers or layer sets between images using the move tool.

To duplicate a layer into another image or a new image

Duplicate a layer or layer set into another image or create a new image for the layer.

Grouping layers into sets

Group layers into sets to move, mask, or collapse them easily, and set group blending options.

Moving and aligning the contents of layers

Reposition layer contents individually or align/distribute linked layers using the move tool.

Moving the contents of layers

Reposition contents of individual layers, layer sets, or linked layers within image boundaries.

Aligning and distributing the contents of linked layers

Align and distribute linked layer contents to active layer or selection border using commands.

Locking layers

Prevent layer properties from being changed by locking layers, layer sets, or transparency.

Creating clipping groups

Group layers where bottom layer acts as mask for entire group, controlling appearance.

Editing a layer clipping path (Photoshop)

Edit layer clipping paths to create buttons or panels with clean, defined edges.

Using the Layer Style dialog box (Photoshop)

Set blending options and apply layer effects to create custom styles for type and banners.

Setting layer blending options

Change layer opacity and blending modes to create various special effects.

Restricting blending to channels (Photoshop)

Limit blending to specific channels for precise control over color adjustments.

Using layer styles

Apply layer styles to interact with other layers, controlling blending and opacity.

Displaying layer styles

Show or hide all layer styles in the image or in the Layers palette for a clear view.

Using the Styles palette

Load libraries of layer styles, create custom styles, and manage them via the palette.

Managing layer styles

Select, reset, delete, or change the preview of layer styles using the Styles palette.

Editing layer styles

Edit layer effects that compose a layer style, allowing customization of appearance.

Customizing layer styles

Customize layer styles by modifying options, setting blend mode, and saving new styles.

Defining a new layer style

Create new styles by applying layer effects and saving them as presets.

Specifying options for layer styles

Customize effects within layer styles by specifying options like Angle, Anti-alias, and Blend Mode.

Specifying fill opacity

Specify fill opacity for layers to affect only pixel fills, not layer effects.

Specifying knockout options

Control which layers punch through to reveal content from other layers for specific effects.

Specifying a range for blending layers (Photoshop)

Control which pixels blend using This Layer and Underlying sliders for smooth transitions.

Creating and editing contours (Photoshop)

Use contours to shape effect appearance over a range, creating custom layer styles.

Editing contours

Edit contours using the Contour Editor dialog box and save them as presets.

Hiding portions of a layer

Create layer masks or clipping paths to control which areas of a layer are hidden or revealed.

Using a mask to hide or show a layer

Obscure layers or parts of layers using masks or clipping paths for selective effects.

Editing a layer mask

Edit layer masks by adding or subtracting from the masked region using painting tools.

Editing a layer clipping path (Photoshop)

Edit layer clipping paths to create buttons or panels with clean, defined edges.

Unlinking layers, layer masks, and layer clipping paths

Break links between layers and masks for independent movement and boundary adjustments.

Viewing layer masks

View and edit layer mask contents, or temporarily turn off their effects.

Using adjustment layers or fill layers (Photoshop)

Experiment with color/tonal adjustments or fills non-destructively within adjustment/fill layers.

Creating adjustment layers or fill layers

Create adjustment or fill layers with the same options as image layers, but with independent control.

Specifying fill layer options

Create color, pattern, or gradient fill layers with options for opacity and blending.

Merging adjustment layers or fill layers

Merge adjustment or fill layers with others, rasterizing effects and possibly affecting file size.

Simplifying layers

Convert layers into flat raster images for editing with painting tools.

Managing layered images

Reduce file size by deleting layers, merging, or flattening images.

Tracking file size

Monitor file size based on pixel dimensions and layers to ensure efficient storage.

Deleting a layer

Remove layers or layer sets to reduce image file size and manage the project.

Merging layers

Combine layers, layer sets, clipping paths, groups, or adjustment layers into one.

Chapter 9: Using Type

About type

Understand type as mathematically defined shapes describing characters, numbers, and symbols.

Creating type

Create and edit type directly on-screen, changing font, style, size, and color.

About using the type tool (Photoshop)

Learn how to use the type tool in edit mode, committing changes before other operations.

Entering point type

Enter point type where each line is independent, growing or shrinking with edits.

Entering paragraph type

Enter paragraph type with text wrapping to bounding box dimensions and paragraph justification.

To resize or transform a type bounding box

Display and manipulate bounding box handles to resize, rotate, or skew type.

Creating a type selection border (Photoshop)

Create selections in the shape of type using the Masked Type option for editing.

Working with type layers

Edit type layers and apply layer commands like transformations, styles, and fills.

Editing text in type layers

Insert, change, and delete text within type layers directly on the image.

Rasterizing type layers

Convert type layers to normal layers to apply commands unavailable to type, making contents uneditable.

Changing type layer orientation

Determine type line direction (horizontal or vertical) relative to the document window.

Specifying anti-aliasing

Produce smooth-edged type by partially filling edge pixels for better background blending.

Formatting characters

Control character appearance with precise options for font, size, color, leading, kerning, tracking.

Selecting characters

Select single characters, ranges, or all characters in a type layer for formatting.

Using the Character palette

Access character formatting options like font, size, color, leading, and alignment.

Choosing a font

Select font family and type style independently, understanding font variations.

To choose a font family and style

Choose font family from pop-up menu and simulate styles like faux bold or italic.

Choosing a type size

Determine type size in points or pixels, adjusting for display and print needs.

Changing the type color

Change type color before or after entry, and edit individual characters or entire layers.

Specifying leading

Measure and set the space between lines of type, from baseline to baseline.

Specifying kerning and tracking

Control space between letter pairs (kerning) and across ranges of letters (tracking).

Adjusting horizontal or vertical scale

Specify proportion between type height and width, adjusting scale to compress or expand.

Specifying baseline shift

Control type distance from baseline for superscripts or subscripts.

Changing case

Format type as uppercase or small caps, with Photoshop generating faux caps if needed.

Making characters superscript or subscript

Enter or format type as superscript (above) or subscript (below) the baseline.

Applying underline and strikethrough

Apply lines under or through horizontal or vertical type for emphasis.

Using ligatures and old style numerals

Use ligatures (character pairs) and old style numerals if provided by the OpenType font.

Using fractional character widths

Control type spacing with fractional or whole-pixel increments for appearance and readability.

Rotating vertical type

Rotate characters in vertical type by 90° for upright or sideways appearance.

Formatting paragraphs

Set paragraph options like alignment, indentation, and space between lines.

Selecting paragraphs and showing the Paragraph palette

Select paragraphs in a type layer to apply formatting options using the Paragraph palette.

Aligning and justifying type

Align type to edges of a paragraph or justify it, available for point and paragraph types.

Indenting paragraphs

Specify space between type and bounding box or line using Left, Right, and First Line Indents.

Changing space above or below paragraphs

Control paragraph spacing using options for Space Before and Space After.

Specifying hanging punctuation

Control punctuation marks falling inside or outside margins for Roman fonts.

Controlling hyphenation and justification

Affect horizontal spacing and aesthetic appeal by setting hyphenation and justification options.

Working with composition

Evaluate line breaks and choose optimal composition based on specified parameters.

Setting options for Chinese, Japanese, and Korean type (Photoshop)

Utilize options for working with CJK type, including double-byte character handling.

Chapter 10: Designing Web Pages

About designing Web pages with Photoshop and ImageReady

Keep in mind available tools and features for designing Web pages in each application.

Using the Web design palettes (ImageReady)

Utilize palettes like Rollover, Slice, and Image Map for advanced Web design features.

Other factors to consider

Consider HTML file generation, browser compatibility, and Adobe GoLive integration.

Creating and viewing slices

Divide images into slices for links, rollovers, and animations, optimizing for Web viewing.

About slices

Understand slices as independent files containing settings for functional areas of a Web page.

Types of slices

Differentiate between user-slices, layer-based slices, and auto-slices for image division.

Creating user-slices

Create user-slices using the slice tool, or from selections or guides in ImageReady.

Creating layer-based slices

Create slices from layers, automatically adjusting to layer content changes for rollovers.

Converting auto-slices to user-slices

Convert auto-slices to user-slices to prevent changes during regeneration and allow individual settings.

Converting layer-based slices to user-slices

Convert layer-based slices to user-slices to unlink them from the layer for independent editing.

Viewing slices

Identify slices by lines, colors, numbers, and symbols, and show/hide them.

Selecting and modifying slices

Move, duplicate, combine, divide, resize, delete, align, and distribute slices.

Dividing user-slices and auto-slices (ImageReady)

Divide slices horizontally, vertically, or by pixel count for finer control.

Duplicating slices

Create duplicate slices with same dimensions and settings, or copy/paste between documents.

Combining slices (ImageReady)

Combine two or more slices into a single slice, taking dimensions from the outer edges.

Arranging user-slices and layer-based slices

Change the stacking order of slices to access underlying ones and manage overlap.

Aligning user-slices (ImageReady)

Align user-slices by top, bottom, left, right, or middle to eliminate auto-slices and improve HTML.

Distributing user-slices (ImageReady)

Distribute user-slices evenly vertically or horizontally to eliminate auto-slices.

Deleting user-slices and layer-based slices

Delete slices; auto-slices regenerate. Deleting layer-based slices does not affect associated layers.

Specifying slice options

Specify how slice data appears in a browser, varying by application and slice type.

Viewing slice options

Specify slice options in the Slice Options dialog box or Slice palette.

Creating and viewing image maps (ImageReady)

Enable linking image areas to URLs using image map areas or layers.

Creating image maps

Create image map areas using an image map tool or a layer for defining link areas.

Tool-based image map areas

Create image map areas by dragging with a tool, viewing and setting options in the Image Map palette.

Layer-based image map areas

Create image map areas from layers, automatically adjusting to layer content edits.

Converting layer-based image maps to tool-based image maps

Convert layer-based image maps to tool-based maps to unlink them from layers for editing.

Viewing image maps

Show or hide image map areas, and set preferences for lines, color, and adjustments.

Selecting and modifying image maps (ImageReady)

Move, arrange, align, and duplicate tool-based image map areas using the Image Map palette.

To change the shape of a layer-based image map area

Change the shape of layer-based image map areas to Rectangle, Circle, or Polygon.

Duplicating tool-based image maps

Create duplicate image map areas with same dimensions and settings as original.

Arranging image maps

Change the stacking order of image map areas to manage overlap and access underlying maps.

Aligning tool-based image maps

Align tool-based image map areas by top, bottom, left, right, or middle.

Working with rollovers (ImageReady)

Use Rollover palette and Layers palette to add rollover effects to Web pages.

About rollovers

Understand rollovers as Web effects where image states change on mouse actions.

Using the Rollover palette

Create and set options for rollover states, displaying thumbnails for each state.

Creating rollover states

Select mouse actions to activate rollover states (Normal, Over, Down, Click, Out, Up, Custom).

Adding animation to rollover states

Add animations to rollover states using the Animation palette for dynamic effects.

Applying and creating rollover styles

Simplify rollover creation by turning layers into effects with a single click.

Matching layers across rollover states

Apply layer changes to all states in a rollover or across all rollovers associated with an image.

Copying and pasting rollover states

Copy rollover states and paste them into other states or animations for reuse.

Deleting rollover states

Delete individual states or all states within a rollover to manage animation effects.

Creating Web photo galleries (Photoshop)

Automatically generate Web photo galleries with thumbnails and navigable links using a command.

Chapter 11: Creating Animations (ImageReady)

About animation

Understand animation as a sequence of frames displayed over time to create movement.

Creating animations

Use Animation and Layers palettes to create, edit, and rearrange frames for animation.

Using the Animation palette

Create, view, and set options for animation frames, changing thumbnail views for efficiency.

Adding frames

Add frames to animations; each new frame duplicates the preceding one for editing.

Selecting frames

Select current frames or multiple frames (contiguous/discontiguous) for editing.

Rearranging and deleting frames

Change frame positions, reverse frame order, delete selected frames or entire animations.

Copying and pasting frames

Copy and paste layers between frames or animations, applying layer configurations.

Tweening frames

Automatically add/modify frames by varying layer attributes for movement and fading effects.

Specifying looping

Specify how many times an animation sequence repeats (Once, Forever, Other).

Specifying delay for frames

Set display time for frames in seconds, with fractions specified as decimal values.

Working with layers in animations

Utilize layers for animation creation, editing frame elements, and applying layer changes.

Using layers to edit frames

Edit frames by adjusting layers: copy selections, adjust color, opacity, effects, and position.

Matching layers across frames

Apply layer changes to all frames in an animation using the Match Layer Across Frames command.

Adding layers to frames

Add new layers to frames; control layer visibility per frame or automatically add layers.

Showing and hiding layers in frames

Control layer visibility for specific frames without affecting other frames.

Setting the frame disposal method

Specify how current frames are discarded before displaying next frames, managing transparency.

Optimizing animations

Apply optimization settings to animated images, primarily using GIF format for Web display.

Viewing animated images in Photoshop

Open animated files in Photoshop; only the saved frame is displayed; editing is limited.

Saving animations

Save animations as GIF files or QuickTime movies for Web or multimedia use.

Saving animations as animated GIFs

Save optimized documents containing animations as animated GIFs with optional HTML code.

Saving animations as QuickTime movies

Save animations as QuickTime movies viewable in the QuickTime player and other applications.

Opening and importing files as animations

Edit animated GIFs, multilayered Photoshop files, and QuickTime movies in ImageReady.

Opening animated GIFs

Open existing animated GIFs in ImageReady, treating each layer as a frame.

Opening Photoshop files as animations

Create animations from multilayer Photoshop files or single-layer images.

To open a multilayer Photoshop file as frames

Open multilayer Photoshop files and select Make Frames From Layers for animation.

To import a folder of files as frames

Import a folder of files into ImageReady, placing each file as a frame in alphabetical order.

Opening QuickTime movies as animations

Open MOV, AVI, and FLIC format movies for viewing and editing in ImageReady.

Chapter 12: Optimizing Images for the Web

About optimization

Fine-tune image display quality and file size for Web use using compression controls.

Viewing images during optimization

View and work with optimized images, switching between original and optimized versions.

Choosing a display option

Select display options (Original, Optimized, 2-Up, 4-Up) to view images during optimization.

Working in 2-Up and 4-Up view

Determine image layout based on aspect ratio, and apply new optimization settings.

Navigating in a view

Navigate image areas and use Fit on Screen command for optimal viewing.

Choosing a file format for optimization

Select file formats (GIF, JPEG, PNG) based on image characteristics for Web optimization.

About JPEG format

Understand JPEG format for continuous-tone images, its lossy compression, and transparency limitations.

About GIF format

Learn about GIF format for flat colors, line art, logos, and animated images.

About PNG-8 format

Explore PNG-8 format for solid colors and sharp details, noting browser support limitations.

About PNG-24 format

Understand PNG-24 format for continuous-tone images with multilevel transparency.

Optimizing images

Select file format and options in Optimize panel/palette for Web image compression and quality.

Viewing optimization options

Access optimization options in Optimize panel (Photoshop) or palette (ImageReady).

Using named optimization settings

Save optimization settings as named sets and apply them to individual images or batches.

Setting optimization options for JPEG format

Configure JPEG settings like Quality, Optimized, Progressive, Blur, and Matte color.

To optimize an image in JPEG format

Specify JPEG settings like Quality, Optimized, Progressive, Blur, and Matte color.

Setting optimization options for GIF and PNG-8 formats

Set GIF/PNG-8 options like Lossy, Color Reduction, Dither, Transparency, and Interlaced.

To optimize an image in GIF or PNG-8 format

Optimize GIF/PNG-8 images by setting Lossy, Color Reduction, Dither, and Transparency options.

Setting optimization options for PNG-24 format

Set PNG-24 options like Interlaced, Transparency, and Matte color for continuous-tone images.

To optimize an image in PNG-24 format

Optimize PNG-24 images by setting Interlaced, Transparency, and Matte color options.

Optimizing by file size

Optimize images to a specified approximate file size using the Optimize to File Size feature.

Controlling optimization (ImageReady)

Control automatic regeneration of optimized images and manually reoptimize or cancel.

Using weighted optimization

Vary optimization settings across an image using an alpha channel for higher quality results.

About alpha channels and weighted optimization

Understand alpha channels (masks) and their use in applying optimization settings.

Using channels to modify JPEG quality

Optimize JPEG quality in specific image areas using alpha channels and the Modify Quality Setting dialog.

Using channels to modify GIF lossiness

Optimize GIF lossiness in specific image areas using alpha channels and the Modify Lossiness Setting dialog.

Using channels to modify dithering

Optimize dithering amounts in GIF/PNG-8 images using alpha channels for better results.

Using channels to modify color reduction

Optimize color reduction in GIF/PNG-8 images using alpha channels to indicate important pixels.

Optimizing colors in GIF and PNG-8 images

Decrease colors in GIF/PNG-8 images for smaller files, controlling color table and dithering.

Viewing a color table

View the color table for slices in Save for Web dialog or Color Table palette.

Generating a color table

Change the color table by selecting color reduction options like Dynamic, Fixed, or Custom.

To select a color reduction algorithm

Choose algorithms like Perceptual, Selective, Adaptive, Web, Mac OS, Windows, or Custom.

Sorting the color table

Sort colors by hue, luminance, or popularity to easily locate particular colors.

Adding new colors to the color table

Add missing colors to a dynamic or fixed color table to enhance the image's color range.

Selecting colors

Select colors directly in the image or color table, or from another application.

Editing colors

Change selected colors in the color table to other RGB values for optimized image regeneration.

Shifting to Web-safe colors

Shift colors to closest Web palette equivalents to prevent dithering in browsers.

Locking colors in the color table

Prevent selected colors from being dropped during reduction or dithering.

Deleting colors from the color table

Delete selected colors to decrease image file size, rerendering areas with closest palette colors.

Loading and saving color tables

Save and load color tables for reuse across images and applications.

Using master palettes (ImageReady)

Create a master palette for groups of images for consistent color display on storage media.

Working with hexadecimal values for color

View and copy colors as hexadecimal values in the Info palette or HTML documents.

Viewing hexadecimal values for colors in the Info palette

Display hexadecimal color values in the Info palette when Web Color Mode is selected.

Copying colors as hexadecimal values

Copy colors as hexadecimal values using eyedropper tool or menu commands.

Making transparent and matted images

Create nonrectangular graphics for Web pages by preserving transparency or using matte colors.

Preserving transparency in GIF and PNG images

Support one level of transparency in GIF/PNG-8 and multilevel in PNG-24.

Creating background matting in GIF and PNG images

Fill transparent pixels with a matte color to match Web page background for seamless blending.

Creating hard-edged transparency in GIF and PNG-8 images

Create hard-edged transparency where pixels over 50% transparent/opaque are fully transparent/opaque.

Creating background matting in JPEG images

Matte JPEG images against a matte color to simulate background transparency.

Previewing and controlling dithering

Preview and control dithering in GIF/PNG-8 images to simulate unavailable colors.

Previewing and controlling application dither

Preview application dither and choose dithering methods like Pattern, Diffusion, or Noise.

Minimizing browser dither

Use Web palette colors and shift existing colors to prevent browser dithering.

Setting optimization preferences (ImageReady)

Set default optimization settings and panel configurations for 2-Up/4-Up views.

Chapter 13: Saving and Exporting Images

Saving images

Save images in various formats, keeping in mind ImageReady's focus on Web output.

Saving files

Save files with current filename, location, format, or with different options.

To save changes to the current file

Save changes made to the current file in its existing format or PSD format (ImageReady).

To save a file with a different name and location

Save an image with a new filename, location, format, and options.

To save a file in a different file format

Save files in various formats like Photoshop EPS, DCS, TIFF, JPEG, PNG, or PDF.

Setting file saving options (Photoshop)

Set file saving options like image previews, file extensions, and compatibility.

Saving files in Photoshop EPS or DCS format (Photoshop)

Share Photoshop files using EPS or DCS format for graphic and page-layout applications.

Saving files in GIF format (Photoshop)

Save RGB, indexed-color, grayscale, or Bitmap-mode images directly in GIF format.

Saving files in JPEG format (Photoshop)

Save CMYK, RGB, and grayscale images in JPEG format, compressing file size by discarding data.

Saving files in Photoshop PDF format (Photoshop)

Save RGB, CMYK, grayscale, and other images in Photoshop PDF format.

Saving files in PNG format (Photoshop)

Save RGB, indexed-color, grayscale, and Bitmap-mode images in PNG format.

About file compression

Understand compression techniques like lossless (RLE, LZW, ZIP) and lossy (JPEG).

Adding file information (Photoshop)

Support IPTC standard for adding entries like captions, keywords, and credits to files.

Adding digital copyright information

Add copyright info and notify users via digital watermark using Digimarc technology.

Setting preferences for saving files (Photoshop)

Set preferences for image previews, file extensions, and maximizing file compatibility.

Creating multiple-image layouts (Photoshop)

Export multiple images as contact sheets and picture packages using Automate commands.

Chapter 14: Printing (Photoshop)

About printing

Understand printing basics for smooth job execution and ensuring intended finished image appearance.

Types of printing

Learn about sending images to output devices directly or converting to film for plates.

Types of images

Differentiate between line art (one color) and continuous-tone images (photographs).

Halftoning

Create illusion of continuous tones by breaking images into dots, varying size for gray/color variations.

Color separation

Print single-color artwork on master plates for commercial reproduction, adjusting plate generation.

Quality of detail

Understand how resolution and screen frequency combine to determine printed detail.

Printing images

Select general printing options and specific settings for image types, previewing output.

To select print options

Choose Page Setup and Print Options to adjust position, scale, and output settings.

Positioning and scaling images

Adjust image position and scale in Print Options dialog, previewing output on selected paper.

Setting output options

Select page marks and output options like Background, Border, Bleed, Screen, and Transfer.

Background

Select a background color to print on the page outside the image area.

Border

Print a black border around an image, specifying its width.

Bleed

Print crop marks inside the image to trim it within the graphic, specifying bleed width.

Screen

Set screen frequency and dot shape for printing process, specifying angles for color separations.

Transfer

Adjust transfer functions to compensate for dot gain or loss during film transfer.

Selecting halftone screen attributes

Specify screen frequency, dot shape, and angles for each screen used in printing.

Printing part of an image

Print a specific part of an image by selecting it with the marquee tool.

Choosing a print encoding method

Select JPEG or ASCII encoding for transferring image data to printers.

Printing vector graphics

Send vector data to PostScript printers for crisp output, preserving resolution-independent edges.

Using color management when printing

Change image color space during printing for accurate color output matching monitor or proof.

Printing with Adobe PressReady

Simplify color management for inkjet printers by automatically converting colors to printer space.

Creating color traps

Adjust color traps to compensate for misalignment by spreading overlapping colors outward.

Printing duotones

Create duotones, tritones, and quadtones to increase tonal range using single or multiple inks.

Chapter 15: Automating Tasks

About actions

Understand actions as recorded command sequences for single files or batches.

Using the Actions palette

Record, play, edit, and delete actions, organizing them into sets.

Recording actions

Record commands and tool operations, including modal controls and stops.

Creating a new action

Create new actions by recording commands, setting shortcuts, and assigning colors.

Recording paths (Photoshop)

Insert complex paths into actions to set the work path when the action is played back.

Inserting stops

Include stops in actions to perform tasks not recordable, with optional messages.

Setting modal controls

Pause actions to specify dialog box values or use modal tools, ensuring control over recorded values.

Excluding commands

Exclude specific commands from playback in recorded actions to customize execution.

Inserting nonrecordable commands (Photoshop)

Insert commands unavailable for recording, like painting tools, using Insert Menu Item.

Specifying an output folder (ImageReady)

Specify the folder where images are placed after actions are performed.

Recording image size options (ImageReady)

Automate image resizing tasks by creating actions that include the Image Size command.

Inserting optimization settings for selected slices (ImageReady)

Insert optimization settings for individual slices into Save Optimized action steps.

Playing actions

Execute recorded commands on active documents, excluding specific commands or playing single commands.

Setting playback options (Photoshop)

Specify action playback speed (Accelerated, Step by Step, Pause For) and audio annotation handling.

Editing actions

Rearrange, record, duplicate, delete commands and actions, and change action options.

Rearranging actions and commands

Reorder actions and commands within the Actions palette for desired execution sequence.

Recording additional commands

Add commands to an action using the Record button or Start Recording command.

Rerecording and duplicating actions and commands

Rerecord actions/commands to set new values or duplicate them to make changes without losing originals.

Deleting actions and commands

Remove unused actions or commands from the Actions palette to clean up the workspace.

Saving and loading actions (Photoshop)

Save actions to separate files for recovery and load shipped or custom action sets.

Saving actions (ImageReady)

Save actions in ImageReady Actions file; add actions by dragging them into the folder.

Organizing sets of actions (Photoshop)

Create sets of actions to organize work types and transfer them to other computers.

Using the Batch command (Photoshop)

Play an action on a folder of files and subfolders, processing multiple images with a single action.

Using droplets

Apply actions to images by dragging files onto a droplet icon for automated processing.

Creating a droplet from an action (Photoshop)

Create droplets from actions by selecting sets, actions, and setting play/destination options.

To create a droplet from an action (ImageReady)

Create droplets with Optimize palette settings for single images or batches.

Using droplets to process files

Use droplets by dragging files or folders onto the icon; control processing via Pause, Resume, Stop.

Editing droplets (ImageReady)

Edit droplet commands like actions; set batch options for background execution or display.

Using the Automate commands (Photoshop)

Simplify complex tasks with commands like Conditional Mode Change, Contact Sheet, Fit Image.

External automation

Use OLE Automation (Windows) or AppleScript (Mac OS) to start Photoshop and execute actions externally.

Adobe PHOTOSHOP 6.0 Specifications

General IconGeneral
Release DateSeptember 2000
Minimum RAM64 MB
Recommended RAM128 MB
Minimum ProcessorPentium-class processor
Minimum Hard Disk Space125 MB
Minimum Display Resolution800x600
Recommended Display Resolution1024x768
Software CategoryGraphics editing
Version6.0
Operating SystemWindows, Mac OS

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