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Adobe PHOTOSHOP CS2 - User Manual

Adobe PHOTOSHOP CS2
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Chapter 1:
Copyright
User Guide

Table of Contents

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Summary

Chapter 1: Getting started

Installation and registration

Details on how to install Adobe Photoshop CS2 and register your product for support and updates.

Chapter 2: Tutorials

Create an image using layers

Tutorial on creating multilayered images, applying layer masks, and adding text layers.

Print with color management

Tutorial on adjusting color management settings for predictable print results using Print With Preview.

Chapter 4: Adobe Bridge

To search for files and folders with Bridge

Methods for performing searches with multiple criteria and saving search criteria as collections.

Chapter 6: Adobe Version Cue

Using Adobe Version Cue

Overview of Version Cue features for managing projects, versions, and alternates.

To set Version Cue Workspace preferences

Guide to configuring Version Cue preferences, workspace settings, and folder locations.

Working with Version Cue projects

Details on creating, managing, and accessing Version Cue projects and files.

Using working copies

Explanation of how working copies function in Version Cue for collaborative editing and offline access.

Adding files and folders to a project

Methods for adding files and folders to Version Cue projects using various Adobe applications and Bridge.

Deleting files, folders, and projects

Process for deleting files, folders, and projects from Version Cue, including permanent deletion.

Editing and synchronizing offline files

Working with files offline and synchronizing them with the workspace when it becomes available.

The Version Cue Administration utility

Overview of advanced tasks for managing Version Cue projects and workspaces.

Backing up and restoring from Version Cue Administration

Creating and managing backups of Version Cue projects and workspaces.

To back up a Version Cue project

Steps for backing up project components like files, metadata, and user assignments.

Version Cue PDF reviews

Setting up and conducting web-based reviews of PDF documents within a Version Cue Workspace.

Chapter 7: Getting images into Photoshop and ImageReady

Getting images from digital cameras

Acquiring digital images from cameras using Adobe Bridge or WIA.

Chapter 8: Camera raw files

Camera raw files in Photoshop and Bridge

Overview of camera raw files and their benefits for maximum control over image adjustments.

The Camera Raw plug-in

Explanation of the Camera Raw plug-in's features, profiles, and adjustment capabilities.

Processing and opening camera raw files in Photoshop

How to open and process camera raw files directly in Photoshop or via Camera Raw.

To process camera raw files in Camera Raw

Instructions for processing camera raw files using the Camera Raw dialog box.

Tonal adjustment controls for camera raw files

Detailed explanation of Exposure, Shadows, Brightness, Contrast, and Saturation controls.

White balance and camera raw files

Understanding white balance controls for correcting color casts in camera raw files.

Camera Raw Workflow settings

Setting workflow options like color space, bit depth, and resolution for camera raw files.

Making tonal adjustments in Camera Raw

Using Exposure, Shadows, Brightness, Contrast, and Saturation sliders for tonal adjustments.

To save camera raw images in Camera Raw

Saving processed camera raw files in various formats like DNG, JPEG, TIFF, and Photoshop.

Camera Raw settings

Managing default and custom camera raw settings, including saving and resetting them.

Transforming images in Camera Raw

Rotating, cropping, and straightening images using Camera Raw tools.

Chapter 10: Color management

Understanding color management

Why colors don't always match across devices and the role of color spaces and profiles.

What is a color management system?

How a CMS interprets and translates color spaces between devices using color profiles.

Do you need color management?

Guidelines on when color management is necessary for consistent color across production processes.

Keeping colors consistent

Using Adobe's color management system to maintain consistent color appearance across applications.

Basic steps for producing consistent color

Steps for achieving consistent color, including consulting partners and calibrating monitors.

Calibrate and profile your monitor

Creating a monitor profile for accurate color decisions and consistent output.

Add color profiles to your system

Adding profiles for input and output devices for accurate color translation.

Set up color management in Adobe applications

Configuring default or custom color management settings in Adobe applications.

Preview colors using a soft proof

Using soft proof to preview how colors will look when printed or viewed on a specific device.

Use color management when printing and saving files

Maintaining consistent color appearance across devices by enabling color management.

Color-managing documents for online viewing

Managing colors for web viewing, recommending sRGB color space for consistency.

Proofing colors

Using soft-proofing to preview colors on-screen and comparing them with the original image.

To soft-proof colors

Steps to simulate output conditions using View > Proof Setup and View > Proof Colors.

Chapter 11: Making color and tonal adjustments

Color and tonal corrections

Overview of essential tools for enhancing, repairing, and correcting color and tonality in images.

Before making color and tonal adjustments

Key considerations before adjustments: monitor calibration, bit depth, and working on copies.

Correcting images in Photoshop

General workflow for correcting tonality and color: histogram, color balance, and tonal range adjustments.

Color adjustment commands

Description of various color adjustment commands like Auto Color, Levels, Curves, Photo Filter, and Color Balance.

Hue;Saturation command

Adjusting hue, saturation, and lightness of color components for fine-tuning colors.

Match Color command

Matching colors between images, layers, or selections, adjusting luminance, and neutralizing color casts.

Replace Color command

Replacing specified colors in an image with new color values, adjusting hue, saturation, and lightness.

Selective Color command

Modifying process colors in primary components to correct color casts or make adjustments.

Tonal adjustment methods

Ways to adjust image tonal range using Levels, Curves, Shadow/Highlight, and Posterize.

Understanding color adjustments

Overview of color adjustment tools and methods for altering image colors.

Making color adjustments

How color adjustment tools map pixel values to new ranges, offering varying levels of control.

Correcting color with the eyedroppers

Using eyedroppers in Levels or Curves to correct color casts by identifying neutral areas.

To color correct using the eyedroppers

Steps to identify neutral areas and use eyedroppers to correct color casts.

Targeting images for press

Setting highlight and shadow target values for accurate printing and prepress output.

Setting highlight and shadow target values

Assigning highlight and shadow values to preserve details within the output device's gamut.

Using Levels to preserve highlight and shadow details for printing

Using Output Levels sliders to compress image range and preserve highlight/shadow details for printing.

Making hue;saturation and color balance corrections

Adjusting hue, saturation, and lightness of color components for fine-tuning colors.

The Hue;Saturation command

Adjusting hue, saturation, and lightness of specific color components or the entire image.

To use the Hue;Saturation command

Steps to adjust hue, saturation, and lightness using sliders and the color wheel.

To use the Color Balance command

Adjusting the overall mixture of colors for generalized color correction.

Improving shadow and highlight detail

Correcting silhouetted images and subjects washed out by flash using Shadow/Highlight command.

The Shadow;Highlight command

Adjusting shadows and highlights independently to correct backlighting or flash exposure.

To adjust the shadows and highlights in an image

Using the Amount, Tonal Width, Radius, and Color Correction sliders for adjustments.

Matching, replacing, and mixing colors

Matching colors across images, layers, or selections using Match Color command.

The Match Color command

Matching colors by changing luminance, color range, and neutralizing color casts in RGB mode.

To remove a color cast with Auto Color

Automatically removing color casts by adjusting contrast and color using Auto Color command.

To set Auto Color Correction options

Controlling tonal and color corrections for Auto Color, Levels, and Contrast.

Chapter 12: Selecting

Making selections

Isolating image parts using selection tools and commands in the Select menu.

To set options for the Lasso, Polygonal Lasso, and Magnetic Lasso tools

Customizing lasso tool options for edge detection, contrast, frequency, and stylus pressure.

Softening and refining the edges of selections

Methods for softening selection edges using anti-aliasing and feathering.

Moving, copying, and pasting selections and layers

Working with selections and layers: moving, aligning, transforming, copying, and pasting.

Extracting selections

Using the Extract filter to isolate foreground objects and erase backgrounds.

The Extract filter

Overview of the Extract filter dialog box and its tools for image extraction.

To extract an object from its background

Steps to extract an object by defining edges and foreground areas.

Using masks

Creating masks to show or hide image portions and protect areas from editing.

Chapter 13: Transforming and retouching

Changing the size of the work canvas

Using Canvas Size command to add or remove workspace around an image.

Rotating and flipping entire images

Using Rotate Canvas commands to rotate or flip an entire image.

Cropping images

Process of removing image portions using Crop tool or Crop command.

Using the Crop tool

Steps to crop an image using the Crop tool and its options.

Transforming perspective while cropping

Using the Crop tool's perspective transform option to correct keystone distortion.

To transform the perspective in an image

Steps to define and adjust perspective planes using the Crop tool.

Correcting image distortion

Fixing common lens flaws like distortion, vignetting, and chromatic aberration.

The Lens Correction filter

Overview of the Lens Correction filter for fixing barrel, pincushion distortion, vignetting, and chromatic aberration.

To correct image perspective and lens flaws

Using the Lens Correction filter to adjust grid, presets, and options.

Reducing image noise

Reducing image noise and JPEG artifacts using Reduce Noise and Despeckle filters.

Reducing noise in camera raw files

Using Luminance and Color Noise Reduction sliders in Camera Raw for noise reduction.

Sharpening images

Enhancing edge definition using sharpening techniques to improve clarity and focus.

To adjust sharpening in camera raw files

Adjusting the Sharpness slider in Camera Raw for edge definition.

To use the Smart Sharpen filter

Using Smart Sharpen filter for controls not available in Unsharp Mask, including shadow/highlight areas.

The Unsharp Mask filter

Sharpening images by increasing contrast along edges using threshold and radius.

To sharpen a photo using Unsharp Mask

Steps to sharpen photos using the Unsharp Mask filter, including previewing and adjusting settings.

Transforming objects

Applying transformations to selections, layers, paths, and shapes.

Applying transformations

Using Transform commands like Scale, Rotate, Skew, Distort, Perspective, and Warp.

To scale, rotate, skew, distort, apply perspective, or warp

Applying various transformations to selections and items using handles or numerical values.

The Free Transform command

Applying multiple transformations like rotate, scale, skew, distort, and perspective in one operation.

The Warp command

Manipulating image shapes using control points and Warp Style options.

To warp an item

Steps to warp an item using the Warp command or Free Transform mode.

Retouching and repairing images

Using tools like Clone Stamp, Healing Brush, and Spot Healing Brush for retouching.

The Clone Stamp tool

Sampling image areas and painting them over other areas to clone or remove defects.

To use the Clone Stamp tool

Steps to use the Clone Stamp tool, including brush options and alignment.

The Healing Brush tool

Correcting imperfections by painting with sampled pixels and matching texture, lighting, and shading.

To use the Healing Brush tool

Steps to use the Healing Brush tool, including brush options and blending modes.

The Spot Healing Brush tool

Quickly removing blemishes and imperfections by clicking or dragging.

To use the Spot Healing Brush tool

Steps to use the Spot Healing Brush tool for removing blemishes and smoothing imperfections.

The Patch tool

Repairing image areas with pixels from another area or pattern.

To use the Color Replacement tool

Replacing specific colors in an image by painting over a targeted color with a corrective color.

Chapter 14: Layers

Manipulating layer content

Moving, transforming, aligning, and distributing layer content.

Selecting layers

Methods for selecting one or more layers, including contiguous, noncontiguous, and all layers.

Moving, copying, and locking layers

Changing layer order, moving, copying, and locking layers.

To change the order of layers and groups

Rearranging layers and groups within the Layers palette.

Setting opacity and blending options

Specifying opacity and blending modes for layers and groups.

About blending modes

How layer pixels blend with underlying pixels to create special effects.

Layer effects and styles

Applying effects like shadows, glows, and strokes to layers to change appearance.

To apply a custom style to a layer

Applying custom styles to layers using the Styles palette or Layer Styles dialog box.

Layer style options

Detailed explanation of layer style options like Angle, Anti-alias, Blend Mode, Choke, Color, Contour.

Adjustment layers and fill layers

Applying color and tonal adjustments or fills non-destructively using adjustment and fill layers.

Adjustment layers and fill layers

Advantages of adjustment layers: nondestructive edits, reduced data loss, selective editing.

Creating adjustment layers or fill layers

Steps to create adjustment layers or fill layers using the Layers palette or menu.

Chapter 15: Using channels and spot colors

Adding spot colors

Creating spot channels for storing premixed inks used in printing.

Channel calculations

Combining channels within and between images using blending effects.

Blending layers and channels

Using Apply Image and Calculations commands to blend channel information.

Chapter 16: Drawing

Managing paths

Creating, saving, and editing work paths and vector masks.

Adjusting path components

Repositioning, copying, merging, and deleting path components.

Converting paths to selection borders

Converting paths into precise selection borders using the Direct Selection tool.

To convert a path to a selection border using the current settings

Converting paths to selection borders using Load Path as Selection or Channels palette.

Adding color to paths

Filling or stroking paths with color, patterns, or gradients.

Filling and stroking paths with color

Using Fill Path and Stroke Path commands to add color to paths.

Chapter 17: Painting

Painting

Using painting tools to change pixel colors, with options for brush strokes, dynamics, and blending.

To use the Brush tool or Pencil tool

Painting with the Brush tool for soft strokes and Pencil tool for hard edges.

Brush tool

Paints color with soft edges, using brush dynamics and blending properties.

The Art History Brush tool

Painting with stylized strokes using source data from history states or snapshots.

Selecting brush presets

Choosing and saving preset brushes for consistent characteristics.

To select a preset brush

Selecting preset brushes from the Brush Preset picker or Brushes palette.

Creating brushes and setting options

Using the Brushes palette to select and design custom brushes.

To create a brush and set painting options

Setting painting options like brush tip shape, blending mode, and opacity.

Adding brush dynamics

Setting options for dynamic elements like size, color, opacity, and scatter.

Brush shape dynamics

Controlling variance of brush marks for size, tilt, angle, roundness, and direction.

Brush scattering

Determining number and placement of marks in a stroke using Scatter and Control options.

Chapter 18: Applying filters for special effects

Filters

Changing image appearance using filters for artistic, cleanup, or distortion effects.

Applying filters

Methods for applying filters, including previewing effects and using the Filter Gallery.

The Filter Gallery

Applying filters cumulatively, rearranging them, and viewing thumbnail examples.

Applying and arranging filter effects

Applying filters in order, rearranging them, and saving time by experimenting on small image parts.

To apply filters from the Filter Gallery

Steps to apply filters cumulatively from the Filter Gallery dialog box.

Blending filter effects and setting options

Using the Fade command to change opacity and blending mode of filters.

To blend effects

Steps to apply filters, painting tools, or color adjustments and fade them.

Artistic filters

Achieving painterly and artistic effects with filters like Colored Pencil, Cutout, and Dry Brush.

Blur filters

Softening hard edges and reducing detail using Blur filters.

To use the Lens Blur filter

Applying Lens Blur for depth of field effects, using depth maps, and adjusting iris shapes.

Distort filters

Geometrically distorting images using filters like Diffuse Glow, Glass, and Ocean Ripple.

Noise filters

Adding or removing noise, or pixels with random color levels.

Pixelate filters

Sharpening selections by clumping pixels of similar color values into cells.

Sharpen filters

Focusing blurred images by increasing contrast of adjacent pixels.

Sketch filters

Adding texture for 3D effects or hand-drawn looks.

Chapter 19: Type

Creating type

Understanding typefaces, adding type to images, and creating type on a path.

Formatting characters

Controlling character appearance with font, size, color, leading, kerning, tracking, and alignment.

To select characters

Selecting one character, a range, or all characters in a type layer.

OpenType character features

Advantages of OpenType fonts, including alternate glyphs and layout features.

Formatting paragraphs

Setting paragraph options like alignment, indention, and spacing using the Paragraph palette.

To format paragraphs

Selecting paragraphs and applying formatting options from the Paragraph palette.

About composition and composition methods

How type appearance depends on composition processes and methods like Every-line and Single-line Composer.

Asian type

Working with Chinese, Japanese, and Korean type, including double-byte characters.

About Asian type

Photoshop's support for Asian type and operating system language requirements.

Chapter 20: Designing web pages

Designing for the web

Overview of Photoshop and ImageReady tools for simplifying web design tasks.

Slices

Dividing page layouts into areas and specifying compression settings using the Slice tool.

Animations

Creating simple web animations using the Animation palette and exporting them.

Export and image optimization

Using Save For Web and Optimize palette for precise export and optimization settings.

Automating the workflow

Using Photoshop and ImageReady for automating repetitive tasks like batch image conversion.

Slicing web pages

Using slices to divide images for links, rollovers, and animations, and specifying compression.

Creating slices

Methods for creating slices: using Slice tool, guides, or selections.

To create a slice with the Slice tool

Steps to create slices using the Slice tool and setting style options.

Selecting and organizing slices

Selecting and organizing slices using the Slice Select tool and Web Content palette.

To select one or more slices

Selecting slices using the Slice Select tool, Shift-click, or dragging.

Converting slices to nested HTML tables

Converting slices into HTML tables for web output.

Slice output options

Setting options for slice output, including dialog box and palette displays.

Chapter 21: Rollovers and animations

Rollovers

Creating buttons or images that change appearance when viewer interacts with them.

About rollovers (ImageReady)

Definition of rollovers and how to create them using layer-based slices or image maps.

Rollover states

Managing rollover states (Normal, Over, Down, Click, Custom, Selected) in the Web Content palette.

Selecting, grouping, and linking layers

Selecting, grouping, and linking layers in the Layers palette or document window.

Animations

Creating animations as sequences of images displayed over time.

Creating an animation

Steps to create animations using Animation palette, Layers palette, and Web Content palette.

Tweening frames

Automatically adding or modifying frames by varying layer attributes.

To create frames using tweening

Applying tweening to layers for automatic frame creation.

Chapter 22: Preparing Graphics for the Web

Optimizing images

Compromising between image quality and file size for web display.

About optimization

Saving images for the web in GIF, JPEG, PNG-24, or WBMP formats.

Using the Save For Web dialog box

Selecting optimization options and previewing optimized artwork in the Save For Web dialog box.

To optimize an image for the web

Optimizing images for efficient download by setting file format and optimization options.

To optimize animation frames

Optimizing animation frames by cropping or removing redundant pixels.

Saving and exporting animations

Saving animations in various formats like GIF, QuickTime, and SWF.

Web graphics formats and options

Comparing web graphics formats like JPEG, GIF, PNG-8, and PNG-24.

Comparing web graphics formats

Choosing file formats based on image characteristics for web optimization.

Optimization options for JPEG format

JPEG quality, optimized settings, progressive display, blur, and ICC profile options.

Optimization options for PNG-24 format

Optimizing transparency and matte settings for PNG-24 images.

Optimization options for GIF and PNG-8 formats

Adjusting color table, lossy settings, color reduction, and dithering for GIF/PNG-8.

Using the color table

Customizing color tables for GIF and PNG-8 images in ImageReady and Save For Web.

Customizing the color table for GIF and PNG-8 images

Adding, deleting, shifting, and locking colors in the color table.

Chapter 23: Saving and exporting images

Saving images

Saving image files with varying options in Photoshop and ImageReady.

Saving files in other formats

Saving files in formats like Photoshop EPS, Photoshop DCS, Photoshop Raw, BMP, and Cineon.

To save a file in Photoshop EPS format

Saving files in EPS format, setting options like Preview and Encoding.

To save a file in Photoshop PDF format

Saving documents in Photoshop PDF format, including layers and spot colors.

Adobe PDF presets

Using predefined settings for creating consistent Photoshop PDF files.

File saving output options

Setting options for saving files: naming, compatibility, optimized files, and metadata.

Adobe PDF standards

Choosing Adobe PDF standards like None, PDF/X-1a, and PDF/X-3.

PDF document security options

Setting security options like passwords and permissions for PDF documents.

To save an Adobe PDF preset

Creating and saving custom PDF presets for reuse in Photoshop or any product in the Adobe Creative Suite.

To save a file in Photoshop PDF format

Saving documents in Photoshop PDF format, including layers and spot colors.

Chapter 24: Printing

Printing from Photoshop

Process of sending images to output devices like printers, plates, or presses.

Printing images

Photoshop commands for printing: Page Setup, Print With Preview, Print Online, Print One Copy.

Print With Preview

Accessing Photoshop’s printing, output, and color management options.

Printing with color management

Specifying how Adobe applications handle outgoing image data for consistent print colors.

To have your printer manage colors when printing

Letting printer driver handle color conversion when custom profiles are unavailable.

Printing images to a commercial printing press

Preparing images for offset lithography, digital printing, gravure, and commercial printing processes.

Preparing images for press

Workflow considerations for commercial printing, contacting prepress staff for requirements.

Specifying prepress options

Options for preparing images for output to imagesetters or platesetters.

Setting output options

Setting HTML file formatting, slice naming, and background image handling.

Slice content types

Specifying how slice data appears in a web browser: Image, No Image, or Table.

Image maps

Linking areas of an image to URLs using Image Map tools or layers.

To create an image map area using an image map tool (ImageReady)

Creating image map areas using Rectangle, Circle, or Polygon Image Map tools.

Chapter 25: Automating Tasks

Actions

Overview of actions as recorded sequences of commands for automating tasks.

To use the Actions palette

Using the Actions palette to record, play, edit, and delete actions.

Playing actions

Executing recorded commands on files, excluding specific commands, or playing single commands.

To play an action on a file

Steps to play an entire action or part of an action on a file.

Recording actions

Guidelines for recording actions, including recordable commands and tools.

To automate a task by recording an action

Steps to create a new action by recording commands and tools.

Processing a batch of files

Using Image Processor or Batch command to process multiple files.

About the Image Processor

Converting and processing multiple files, automating editing and saving.

To convert files with the Image Processor

Steps to convert files to JPEG, PSD, or TIFF format using Image Processor.

The Batch command

Running actions on folders of files, importing from cameras, or processing PDFs.

To batch-process files

Processing files in folders, applying actions, and specifying destination.

Scripting

Using scripting languages like JavaScript and AppleScript for automating tasks.

Creating data-driven graphics

Producing multiple image versions quickly using templates and data sets.

About data-driven graphics

Using variables to define changeable elements in templates for automated graphics generation.

Chapter 26: Keyboard Shortcuts

Customizing keyboard shortcuts

Viewing and editing keyboard shortcuts, creating custom sets for different workspaces.

To define new keyboard shortcuts

Steps to define new keyboard shortcuts for menu items, palettes, and tools.

Keys for using the Layers palette

Keyboard shortcuts for loading selections, grouping, ungrouping, and creating masks.

Keys for selecting and moving objects

Shortcuts for transforming, selecting, and moving objects.

Keys for editing paths

Shortcuts for selecting path components, deleting segments, and adjusting paths.

Keys for selecting tools

Keyboard shortcuts for selecting tools in the toolbox.

Adobe PHOTOSHOP CS2 Specifications

General IconGeneral
RAM320 MB
Hard Disk Space650 MB
Optical DriveCD-ROM drive
VersionCS2
Release DateApril 2005
Operating SystemWindows 2000/XP
ProcessorIntel Pentium III or 4 Processor
Display1024x768 resolution with 16-bit color
CategorySoftware
File Formats SupportedPSD, JPEG, GIF, PNG, TIFF
Graphics Card16-bit color video card

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