Stacking Voices
1. Patch a trigger sequence or clock to the ‘trig 1’ input, leave the ‘trig 2’ input
unpatched.
2. Monitor the audio from ‘out 1’.
3. Patch ‘out 2’ back to the ‘external in’ of the EQ section.
4. The voices now act as one, sharing the trigger input, tilt EQ, and audio
output.
5. Dial in a tonal sound to act as the ‘drum body’ and set ‘fold’ fully CW to act as
the noise element. Stacking voices works nicely for classic snare and tom like
sounds as well as other complex percussion.
Tips
1. Try slightly delaying a copy of the trigger source using a gate delay or
envelope’s ‘end of’ output. Patch the delayed copy to trigger voice 2 just after
voice 1 for clap like doubled sounds.
2. Patch ‘out 2’ through an attenuator prior to the ‘ext in’ for fine control over the
mix between voices.
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