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ARP ODYSSEY - Guide Manual

ARP ODYSSEY
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GLOSSARY
BASIC
BUILDING
BLOCKS Attenuator:
on
the
Odyssey,
a
Jr
D slider
that
lets sjgnal
through
.
when
it's
up
and
cuts
it
off
Oscillator (VCO}:
generates
tone.
when
it's
down.
Filter (VCF}: changes
tone
color.
Audio range:
the
range
of
pitches
Amplifier (VCA}:
controls
volume.
that
your
ear
can hear.
Envelope Generator (ADSR and Harmonics:
overtones.
The
more
AR):
controls
attack
and
decay.
harmonics
are
present,
the
ONIC
Frequency:
pitch.
Timbre:
tone
color.
Amplitude:
volume
Envelope:
attack
and
decay
shape.
ODYSSE'r
..
E.
MS
ADSR
and AR:·
attack,
decay,
sustain release.
Y:={)
aFand
rele&:
more
brilliance
the
sound
will
have.
Hertz(Hz): an
electronic
term
meaning
"cycles
per
second."
The
human
ear
can
hear
pitches
from
20
tG
20,000
cycles
per
second,
or
20Hertz
to
20
kiloHertz.
(20Hz
-
20KHz)
.
Highpass filter (HPF): changes
timbre
by
cut.ting
off
low
harmonics
and
passing high
ones.
Internal clock:
adjustable
low
frequency
oscillator.
Lowpass filter (VCF} : changes
timbre
by
cutting
off
high
harmonics
and
passing
low.
ones.
Mixer:
combines
signals.
Noise: a
random
signal
that
sounds
like a
"hiss."
Odyssey:
the
ultimate
musical
trip.
Phase:
the
relationship
of
one
waveform
to
another.
sine waves sine waves
in
phase.
out
of
phase.
---~
---·
~er
~'--"-'
Phase-synchronization: using
one
oscillator
to
control
the
phase
of
another
oscillator
of
different
pitch.
Pitch bend:
control
of
the
frequency
of
a
note
while
it's being
played.
Portamento: a glissando,
or
sliding
between
notes.
Resonance:"wow"
control.
In
electronic
terms,
a
control
that
amplifies a
narrow
band
of
·
overtones.
Sample & hold:
produces
a series
of
steps,
which
can
control
pitch,
volume,
or
brilliance.
Triggers itself
automatically.
17
2
Sub-audio range (Low frequency):
pitches
that
are below
what
your
ear
can
hear
as a
tone.
Trigger:
an
electronic
impulse
put
out
by a
keyboard
or
low
frequency
oscillator
that
starts
the
envelope
generator.
Voltage control:
on
a
synthesizer,
it
means
substituting
an electrical
signal
for
manual
control
of
pitch,
brilliance,
volume,
and
attack
&
decay.
Waveform:
tone.
Different
shapes
of
waveforms have
different
timbre
:
Square:
n._ru-u
sounds
hollow,
reedy.
Pulse: fL....n_fL_j
sounds
thin,
nasal.
Sawtooth:
~
sounds
rich, full, brassy
Sine:
~
sounds
smooth,
round,
pure.
Ring modulator:
produces
a single
complex
output
signal
which
contains
all
the
sums
and
differences
of
the
two
inputs.
Learn
to
take
yourself
on
the
ultimate
musical
trip!
...
"I
j
dys
Electronic
Music
Synthesizer
uid--

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