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Overview of ATEM Production Studio Switchers and their capabilities.
Explanation of the Mix Effects (M/E) operational style in switchers.
Explanation of the older A/B direct switching method for video switchers.
Details on the ATEM Constellation 8K switcher's capabilities and features.
Overview of ATEM Production Studio 4K switcher's video and input capabilities.
Features of the ATEM 2 M/E Production Studio 4K switcher.
Features of the ATEM 4 M/E Broadcast Studio 4K switcher.
Steps to connect and view multi view output on a television or monitor.
Step-by-step guide for connecting an ATEM hardware control panel.
Lists the software components installed with ATEM Switchers software.
How to connect a computer to the ATEM switcher for control and media management.
Steps to manually adjust network settings for computer-switcher communication.
Procedure to set the video standard for the ATEM switcher.
Configuration of audio monitoring settings and talkback Mute for ATEM switchers.
How to configure video input labels and select sources on ATEM switchers.
Options for arranging and displaying sources in the ATEM multi view window.
Guide to connecting Blackmagic HyperDeck disk recorders to the ATEM switcher.
Connecting cameras and other video sources to ATEM switcher inputs.
Connecting audio sources via analog audio or MADI inputs.
Steps to modify network settings for the ATEM switcher using Blackmagic ATEM Setup.
Configuring network settings on ATEM hardware panels for switcher communication.
How to set the network location of the switcher on an ATEM advanced panel.
Adjusting network settings on ATEM advanced panels for connection to the network.
Checking and using the talkback features for communication with production teams.
Verifying and using the tally lights on cameras for on-air indication.
Steps to update the ATEM switcher's internal software via USB or Ethernet.
Steps to update the ATEM hardware panel's software via USB or Ethernet.
Advantages and considerations for updating ATEM equipment via Ethernet connection.
Description of the SDI output for main program video, including audio.
Description of the HDMI output for main program video, including audio.
Information on multi view outputs, their formats, and tally signals.
Details on dedicated HD-SDI program outputs for specific ATEM models.
Explanation of auxiliary SDI outputs for routing video sources and their flexibility.
Step-by-step instructions on how to perform basic transitions using the front panel inputs.
How to select different transition types like Mix, Dip, Wipe, and DVE via the LCD menus.
How to select sources not directly available on the front panel using LCD menus.
How to switch the control panel mode from Program/Preview to Cut Bus.
Adjusting audio levels for master output and individual inputs using the front panel knob.
How to use the DSK 1 MIX button to fade a downstream key on and off air.
Using the FTB button to fade the entire program output to black.
How to lock the front panel to prevent accidental changes to settings.
Navigating and using the LCD menus for switcher operations.
Utilizing the talkback feature for communication with production teams.
Using the call button to signal cameras for attention or to indicate an upcoming live broadcast.
Configuring general and mapping preferences, including language and network settings.
Assigning inputs and sources to buttons on software and hardware control panels.
Overview of the main control windows within the ATEM Software Control interface.
Utilizing keyboard shortcuts for efficient control of ATEM switcher functions.
Uploading and managing graphics and image sequences in the ATEM media pool.
Using the ATEM Software Control's audio mixer interface for mixing embedded and external audio.
Remotely controlling Blackmagic Design cameras using the ATEM Software Control's camera tab.
Adjusting video input selections and labels within the ATEM switcher settings.
Main interface for controlling the switcher, selecting sources, and managing transitions.
Understanding the Mix Effects blocks for source selection on program and preview buses.
How program bus buttons are used for hot-switching background sources.
How preview bus buttons select background sources for the next transition.
Performing immediate transitions by overriding selected transition styles.
Performing selected transitions automatically at a specified rate.
Manually controlling transitions using the fader bar as an alternative to the AUTO button.
Selecting from various transition types like mix, dip, wipe, DVE, and stinger.
Enabling preview transition mode to verify transitions before going live.
Selecting elements like background and keys for the next transition.
Understanding and controlling downstream keyers with TIE, ON AIR, and AUTO functions.
Configuring color matte generators for wipe transitions and dip through colors.
Arranging multiple sources in a Picture-in-Picture (PIP) layout using the SuperSource feature.
Configuring upstream keyers for luma, chroma, pattern, or DVE effects.
Configuring parameters for each transition style, such as dip sources and wipe patterns.
Configuring downstream keyers with fill, key, clip, and mask settings.
Setting the fade to black transition rate and enabling audio follow video.
Playing back clips and stills stored in the media pool memory.
Connecting and controlling Blackmagic HyperDeck disk recorders.
Understanding tally lights in the audio mixer for sources on air or AFV selection.
Adjusting audio gain for each source using faders and monitoring levels.
Adjusting the left/right audio channel balance for each source.
Selecting how audio sources are sent to the program output using ON, AFV, and SOLO buttons.
Setting the master fader gain for SDI and HDMI program outputs.
Controlling monitoring audio levels and enabling solo monitoring.
Adjusting audio mix for headphones output, including talkback and sidetone.
Normalizing all inputs by adjusting input level knobs to optimize strength without clipping.
Controlling specific frequencies using a 6 band parametric equalizer for each input.
Using different band filter types (bell, shelf, notch, pass) to control specific frequency zones.
Enhancing audio using dynamics controls like expander, gate, compressor, and limiter.
Understanding common settings for expander/gate, compressor, and limiter.
Using expander and gate parameters to adjust volume differences and minimize noise.
Reducing peaks in audio signals to boost overall level without clipping.
Increasing overall signal level in combination with compression settings.
Preventing signal peaks from exceeding a set maximum level to avoid hard clipping.
Step 1: Optimizing audio mix by normalizing all inputs to maximum strength without clipping.
Step 2: Splitting mono inputs into two separate channels for stereo output.
Step 3: Clicking EQ indicators to make equalization changes to each input.
Step 4: Opening dynamics controls for each input to improve and refine audio.
Steps 5 & 6: Applying EQ and dynamics controls to the master output for final audio mix.
Dragging and dropping files from the browse window into the Media Pool slots.
Information on supported image and audio file formats for the ATEM media pool.
Configuring general switcher settings, including video standards and media pool clip lengths.
Selecting the operating video standard for the ATEM switcher to match video sources.
Selecting the video standard for ATEM switchers supporting Ultra HD multi view output.
Configuring down converter outputs for HD-SDI program outputs on ATEM Production Studio 4K models.
Toggling between 3G-SDI output standards (Level A/B) for compatibility.
Controlling audio monitoring settings for program or monitor audio via XLR outputs.
Muting SDI channels 15 and 16 to prevent feedback loops in specific ATEM outputs.
Muting audio from return program feeds on SDI outputs to avoid delays.
Changing the arrangement of multi view windows and applying safe area markers.
Selecting video inputs and changing custom labels for sources displayed on panels and multi view.
Configuring HyperDeck IP addresses, inputs, and auto roll features.
Configuring the RS-422 port for remote control and communication protocols.
Routing various inputs and internal sources to auxiliary SDI outputs for flexibility.
Selecting sources for auxiliary outputs using the system control menu.
Step-by-step guide to saving ATEM switcher configurations as XML files.
Loading previously saved ATEM switcher settings onto the switcher.
Saving the current switcher configuration as the default startup state.
Connecting Blackmagic cameras via SDI output to ATEM switcher inputs for control.
Connecting Blackmagic cameras via optical fiber using ATEM Studio Converters.
Overview of the ATEM Camera Control Panel's interface and controls.
Selecting cameras to control using the buttons at the top of the camera control page.
Viewing camera label, On Air indicator, and lock status on each camera controller.
Adjusting camera picture signal settings like lift, gamma, gain, and detail.
Using the color bars feature for visual identification and audio tone setup.
Adjusting image sharpness for live cameras.
Making color adjustments using DaVinci Resolve primary color corrector features.
Adjusting contrast for all YRGB channels simultaneously with master wheels.
Resetting color correction settings, copying, or pasting them across cameras.
Controlling camera iris and pedestal levels using the joystick and crosshairs.
Adjusting lens zoom in and out using the zoom control on the joystick.
Limiting iris range to prevent overexposed images by setting a coarse threshold.
Visual reference for lens aperture opening and closing, affected by coarse setting.
Automatically setting camera focus for active lenses supporting electronic focus adjustments.
Manually adjusting camera focus using the focus wheel control.
Adjusting camera gain for additional gain in low light conditions, noting potential noise increase.
Adjusting camera shutter speed to control motion blur and image brightness.
Adjusting camera white balance by holding the W/B button and using arrow buttons.
Adjusting camera picture signal settings like lift, gamma, gain, and detail.
Using the color bars feature for visual identification and audio tone setup.
Adjusting image sharpness for live cameras.
Adjusting contrast for all YRGB channels simultaneously with master wheels.
Resetting color correction settings, copying, or pasting them across cameras.
Making fine adjustments to gain/iris and pedestal/master black levels using joystick and ring wheel.
Displaying gain value (f-stop) and master black setting level.
Monitoring camera changes before switching to air using the CCU's preview button.
Defining the range between highest and lowest gain levels for finer joystick control.
Limiting maximum gain control by defining a coarse setting limit.
Locking gain and master black settings by pressing the 'iris/MB active' button.
Setting automatic exposure using the 'auto iris' button for quick adjustments.
Flashing tally light on selected camera using the 'call' button to signal operators.
Locking all controls on the CCU to prevent accidental adjustments using the 'panel active' button.
Adjusting lift, gamma, and gain color wheels using interactive color rings.
Adjusting YRGB channels' lift, gamma, and gain controls using master wheels.
Controlling the distance between darkest and lightest values in an image.
Increasing or decreasing the amount of color in the image.
Rotating all hues around the color wheel to adjust color distribution.
Blending RGB and YRGB corrector outputs using the Lum Mix control.
How camera control signals maintain synchronization with the camera.
Controlling the primary color corrector using a DaVinci Resolve Micro Panel.
Using the Micro Panel's trackballs and rings to adjust color correction settings.
Mapping hardware panel controls to software panel settings for adjustments.
Overview of the HyperDeck palette in ATEM Software Control for transport and recording.
Steps to connect HyperDecks to the ATEM switcher via SDI/HDMI and Ethernet.
Configuring HyperDeck connection settings, IP addresses, and inputs in ATEM Software Control.
Setting HyperDecks to automatically roll video when switched to program output.
Using the media players tab to select and control connected HyperDecks.
Understanding status indicators like Ready, Record, No Disk, and Local for HyperDecks.
Switching HyperDecks to preview/program output and cueing clips for playback.
Setting up and controlling HyperDecks via the system control and LCD soft buttons on ATEM Advanced Panels.
Selecting the switcher input to which a HyperDeck is connected.
Entering the HyperDeck's IP address to enable ATEM Advanced Panel control via Ethernet.
Toggling the HyperDeck's auto roll function from the HyperDeck settings menu.
Accessing HyperDeck controls via the 'media players' menu on ATEM Advanced Panels.
Features and operation of the ATEM 1 M/E Advanced Panel for controlling switchers.
Features and operation of the ATEM 2 M/E Advanced Panel.
Using program bus, preview bus, and source name displays for switching sources.
Understanding how source name displays represent switcher inputs and internal sources.
Hot-switching background sources to the program output using the program bus.
Selecting sources on the preview output for the next transition.
Using the SHIFT button for global shift operations and menu functions.
Assigning sources to auxiliary outputs and keyers, and loading macros.
Performing CUT and AUTO transitions with upstream keyers.
Performing immediate transitions by pressing the CUT button.
Performing automatic transitions at a predetermined rate using the AUTO button.
Manually controlling transitions using the fader bar and its indicator.
Selecting transition types like mix, wipe, dip, DVE, and stinger.
Enabling preview transition mode to verify transitions before air.
Selecting elements like background and keys for transition with next transition buttons.
Indicating upstream keyer status and immediately cutting keys on or off air.
Enabling the macro feature to change source select buttons to macro buttons.
Controlling downstream keyers using DSK TIE, DSK CUT, and DSK AUTO functions.
Selecting M/E panels for control and viewing corresponding settings.
Fading program output to black and controlling audio fade with FTB button.
Accessing panel settings, changing border softness, and wipe direction via system control.
Using the number pad for data entry and the joystick for positioning elements and camera control.
Controlling remote camera heads using the joystick via VISCA protocol.
Connecting ATEM Advanced Panels to remote camera heads via RS-422 port.
Configuring PTZ setup options, including VISCA control and baud rate.
Controlling PTZ camera heads via SDI by connecting program return feed.
Intuitive joystick control for camera pan, tilt, and zoom with adjustable sensitivity.
Assigning sources to buttons on ATEM software and hardware control panels.
Accessing button mapping and adjusting button brightness on ATEM Advanced Panels.
Performing basic cut transitions from the program bus or using the CUT button.
Performing cut transitions using the CUT button in the transition control block.
Performing automatic transitions between sources at a predetermined rate.
Performing gradual transitions by interpolating between two sources.
Adjusting the mix rate for gradual transitions between sources.
Performing gradual transitions through a third source, the dip source.
Defining dip transition rate and selecting the dip source.
Replacing sources using patterns to create wipe transitions.
Adjusting wipe transition parameters like rate, symmetry, position, and border.
Performing Digital Video Effects transitions to move images or squeeze pictures off screen.
Adjusting DVE transition parameters like rate, symmetry, position, and direction.
Configuring DVE key parameters including enable, pre-multiplied, clip, and gain.
Managing DVE channel usage between transitions and upstream keyers.
Performing graphic wipes and mixes using DVEs with graphic elements.
Defining graphic wipe parameters such as rate, direction, and fill/key source.
Manually executing transitions using the fader bar.
Verifying transitions on the preview output before performing them on air.
Saving and loading custom panel settings and macros as user profiles.
Steps to save preferred panel settings and macros to a user profile slot.
Loading a previously saved user profile to restore panel settings.
Removing or overwriting an existing user profile from the panel.
Overview of internal video sources like Black, Color Bars, and Color Generators.
Using media player sources to play stills and clips from the media pool.
Managing media players and clips using the ATEM Software Control media player palette.
Controlling media players and selecting clips/stills using ATEM advanced panel menus.
Performing basic cut transitions between sources on the program bus or via the CUT button.
How the program bus is used for hot-switching background sources during cut transitions.
Steps to perform a cut transition from the program bus using the software control panel.
Performing cut transitions using keyboard shortcuts in ATEM Software Control.
Performing cut transitions using the CUT button on an ATEM advanced panel.
Steps to perform an auto transition using ATEM Software Control.
Performing auto transitions using keyboard shortcuts in ATEM Software Control.
Steps to perform an auto transition using an ATEM advanced panel.
Performing gradual transitions by interpolating between two sources.
Adjusting the mix rate for gradual transitions between sources.
Performing gradual transitions through a third source, the dip source.
Defining dip transition rate and selecting the dip source.
Replacing sources using patterns to create wipe transitions.
Adjusting wipe transition parameters like rate, symmetry, position, and border.
Performing stinger transitions using clips from the media player for animated effects.
Configuring stinger transition parameters like source, clip duration, and trigger point.
Performing DVE transitions using the digital video effects processor.
Adjusting DVE transition parameters like rate, symmetry, position, and direction.
Configuring DVE key parameters including enable, pre-multiplied, clip, and gain.
Managing DVE channel usage between transitions and upstream keyers.
Performing graphic wipes and mixes using DVEs with graphic elements.
Defining graphic wipe parameters such as rate, direction, and fill/key source.
Manually executing transitions using the fader bar.
Verifying transitions on the preview output before performing them on air.
Explaining key requirements (fill and key signals) and types of keyers (upstream/downstream).
Using a single video source where black areas define transparency for background visibility.
Using fill and key signals to define regions of transparency for motion graphics.
Using fill and key signals pre-multiplied with alpha channel for smooth blending.
Setting up luma or linear keys on upstream keyers using common menus.
Adjusting parameters for upstream luma/linear keys, including mask, pre-mult, clip, and gain.
Setting up luma or linear keys on downstream keyers using software or advanced panels.
Using chroma keying to combine images by removing a specific color from one image.
Setting up chroma keys on upstream keyers using color types and sample chroma.
Adjusting chroma key parameters like hue, gain, and Y suppress.
Using a vectorscope to fine-tune chroma key parameters for optimal results.
Utilizing advanced chroma keying features for detailed adjustments and improved blending.
Steps to set up a chroma key on an ATEM Advanced Panel using sample chroma.
Fine-tuning keys using key adjustments controls like foreground, background, and key edge.
Correcting color spill and flare on foreground elements using chroma correction settings.
Using color adjustments to blend foreground with background for a convincing effect.
Visual explanation of how background, fill, and pattern combine for a pattern key.
Configuring pattern key settings such as position, size, and rotation.
Setting up pattern keys on upstream keyers using software or advanced panels.
Creating picture-in-picture boxes with borders using DVEs for scaling, rotation, and borders.
Configuring DVE key parameters like position, size, mask, light source, and border.
Setting up DVE keys on upstream keyers using software or advanced panels.
Adjusting DVE parameters such as X/Y size, rotation, and reset options.
Applying DVE border styles and adjusting border parameters like width, softness, and opacity.
Cropping harsh edges and artifacts using adjustable rectangular masks.
Enabling DVE effects to be applied to key types.
Taking upstream keyers on and off program output using next transition or ON buttons.
Using ON buttons to immediately turn upstream keys on or off the program output.
Selecting elements for transition using BKGD, KEY, and other next transition buttons.
Taking downstream keyers on and off program output using DSK CUT, DSK AUTO, or DSK TIE.
Adjusting downstream keyer parameters like clip, gain, rate, inverse, and pre-mult.
Information about the ATEM export plug-in for Adobe Photoshop CS5 or later.
Configuring the Photoshop export plug-in by setting the switcher's IP address.
Using Photoshop document resolutions that match ATEM switcher video standards.
Listing available sources that can be routed to auxiliary outputs.
Routing auxiliary outputs using the auxiliary settings in the ATEM hardware panel's system control menu.
Configuring SuperSource using the joystick on an ATEM panel or the ATEM Software Control GUI.
Viewing SuperSource on a monitor by assigning it to a multi view window or preview output.
Arranging and adjusting boxes within SuperSource layouts using presets, GUI fields, or panel joystick.
Using art as background or foreground sources in SuperSource, including Pre Multiplied settings.
Creating and adjusting borders for SuperSource boxes, noting limitations in Art Foreground mode.
Copying settings between SuperSource boxes using GUI or ATEM panel functions.
Selecting a SuperSource composite as a video input to put it on air.
Definition and purpose of macros for automating switcher tasks.
Opening and using the macros window in ATEM Software Control for creating and running macros.
Comprehensive recording of switcher actions, settings, and button presses for macro creation.
Step-by-step guide to recording a macro, including pauses and transitions, using ATEM Software Control.
Creating larger macros by compiling multiple smaller recorded macros.
Steps to compile small macros into a complex, large macro for reuse.
Interface for creating new macros, naming them, and writing descriptions.
Interface for recalling, running, stopping, and looping recorded macros.
Step-by-step guide to creating a macro using an ATEM Advanced Panel.
Connecting power to the ATEM Camera Control Panel using IEC or 12V DC input.
Connecting the ATEM Camera Control Panel to the ATEM switcher via Ethernet.
Manually setting the panel's IP address and entering the switcher's IP address for network identification.
Setting the panel's IP address automatically via DHCP or manually.
Understanding the layout and controls of the ATEM Camera Control Panel CCUs.
Accessing panel settings like network, auxiliary, master black, and brightness from the LCD home screen.
Organizing and swapping between banks of cameras assigned to CCUs for efficient control.
Navigating through camera control panel settings, including network and IP address configuration.
Assigning auxiliary outputs for camera control functionality.
Enabling or disabling master black control (pedestal) to lock pedestal settings.
Adjusting brightness of panel buttons, indicators, LEDs, and LCDs.
Overview of controls for each CCU, separated into general sections.
Storing and recalling camera parameters using scene files for quick setup.
Adjusting color balance for lift, gamma, and gain levels using red, green, and blue color balance knobs.
Controlling camera iris and master black (pedestal) using the joystick and ring wheel.
Making fine adjustments to gain/iris and pedestal/master black levels using joystick and ring wheel.
Displaying gain value (f-stop) and master black setting level.
Storing and recalling up to 5 scene file presets for each CCU.
Recalling stored scene files on all cameras simultaneously.
Adjusting camera ISO and gain settings using master gain buttons.
How settings gradually return to sync when adjusted externally.
How settings are always synchronized to their corresponding controls.
Displaying color bars on the camera for setup and verification.
Adjusting camera shutter speed to control motion blur and image brightness.
Adjusting color balance for white and black levels using red, green, blue knobs.
Adjusting gamma or mid tones using the black/flare button.
Displaying gain value (f-stop) and master black setting level.
Monitoring camera changes before switching to air using the CCU's preview button.
Defining the range between highest and lowest gain levels for finer joystick control.
Limiting maximum gain control by defining a coarse setting limit.
Locking gain and master black settings by pressing the 'iris/MB active' button.
Setting automatic exposure using the 'auto iris' button for quick adjustments.
Flashing tally light on selected camera using the 'call' button to signal operators.
Locking all controls on the CCU to prevent accidental adjustments using the 'panel active' button.
Connecting ATEM switchers to a GPI and Tally Interface for tally signal distribution.
Configuring network settings for GPI and Tally Interface communication with ATEM switchers.
Connecting external audio sources via XLR, TRS, or RCA inputs.
Utilizing embedded SDI and HDMI audio from cameras and media servers via the built-in audio mixer.
Receiving digital audio via MADI channels 1-64 for mixing into program output.
Sending sources via MADI Out 1 in 8K, HD, and Ultra HD modes.
Sending sources via MADI Out 2 in 8K, HD, and Ultra HD modes.
Connecting MIDI control surfaces via USB and verifying recognition as a MIDI device.
Understanding the MUTE button functionality in the ATEM audio mixer interface.
Referring to ATEM audio mixer levels for accurate decibel scales, as hardware scales may differ.
RJ45 pinout for the talkback connector on ATEM Constellation 8K.
RS-422 DE 9 and RJ12 connector pinout diagrams for PTZ control.
Details on the SDI Camera Control Protocol for camera control functionality.
Protocol assumptions regarding alignment, padding, and bit fields.
Encoding message groups into SMPTE 291M packets within the active region of VANC line 16.
Concatenating up to 32 messages into one blanking packet for transmission.
Structure of message packets, including header and optional data block.
Overview of defined commands for changing configuration, including categories, parameters, and data types.
Specifies the action to perform on a parameter, with defined values for assign and offset/toggle.
Represents a boolean array of length zero, with data fields as 8-bit values.
Detailed parameters for controlling camera lens functions like focus, aperture, and zoom.
Parameters for controlling video settings such as video mode, gain, white balance, exposure, and recording format.
Parameters for controlling audio settings like mic levels, headphone mix, and input types.
Parameters for controlling output settings, including frame guides style and opacity.
Parameters for display settings like brightness, zebra level, peaking, and focus assist.
Settings for controlling tally brightness and front/rear tally levels.
Parameters for adjusting lift, gamma, gain, contrast, hue, and saturation for color correction.
Describes the master-to-slave flow of tally information.
Protocol assumptions regarding data alignment and padding.
Encoding tally control packets within VANC line 15.
Structure of tally status packets, including bits for program, preview, and reserved data.
Guidance on accessing online support pages and checking the latest support material.
Locating manuals, software, and support notes on the Blackmagic Design support center.
Methods for contacting Blackmagic Design support via email or phone.
Verifying the installed version of ATEM software on your computer.
Checking for and installing the latest software updates from Blackmagic Design.
General| SDI Rates | 1.5G, 3G, 6G, 12G |
|---|---|
| Color Precision | 10-bit |
| Talkback | Yes |
| Tally | Yes |
| Internal Media | 2 x Media Players |
| Redundant Power Supply | Yes |
| Frame Synchronization | Yes |
| Video Standards | 720p50, 720p59.94, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p50, 1080p59.94, 1080i50, 1080i59.94, 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p50, 2160p59.94, 4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p50, 4320p59.94 |
| Audio Input | 1 x MADI |
| Audio Output | 2 x XLR, 1 x MADI |
| Control | Ethernet, RS-422 |
| Power Supply | 100-240V AC, 50-60Hz |
| Video Sampling | 4:2:2 |
| Color Space | Rec. 709, Rec. 2020 |
| Chroma Keyers | 4 |
| Maximum Resolution | 4320p60 |
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