Casio CTK-650 - Part 2: Basic Operations; Powering On;Off and Volume; Selecting and Changing Tones; Touch Response Functionality

nee Basic operations _
This part of the manual provides you with the basic information you need to use
your keyboard.
To switch power on and off
1. Press the POWER button to switch power on. The indicator above the button is it while
power is on.
ya
solen
2. Adjust the volume,
you
Y
* Be sure to adjust the volume to a relatively low setting before playing
the keyboard.
3. Press the keyboard keys.
* Adjust the volume to the level you want while playing the keyboard
* Whenever you switch power on, the tone that was selected when you last
switched power off is still selected
4. To switch power off, press the POWER button again
peowent .
Milochange tones’ ”
1. Look at the tone list printed on the keyboard's console and find the one you want
* A total of 128 tones are available.
2. Press the TONE button. .
tone
*
The
number
for
the
fone
that
is
currently
selected
is
shown
on
the
L\ display.
3, Use the 10-key pad to Input the 3-digit number that identifies the tone you want to select.
+, ®* Use the numeric buttons to input a 3-digit number.
adinaraliarsd * You can also use the [+] and [-] buttons. Pressing [+] increases the
OOOO displayed tone number by 1, while [-] decreases it.
Oo Oo ; () * Be sure to always specify a 3-digit number.
* If you specify a number greater than 127, tone number 127 is selected
automatically.
* If you discover a mistake before you input the third digit, press the
LX TONE button to return to the previously set tone number.
® With tone number 031 (GT HARMONICS), the high octave from C'S to
C6 is identical to the high ectave from C*4 to C5.
Ten
E-16
sic sc mein oo aa renin rie ieschagigy ier es aN
1 manent te
a
Digital Sampling
Number
of
the
tones
that
are
available
with
this
keyboard
have
been
recorded
and
processed
using
a
technique
called
digital
sampling.
To
ensure
a
high
level
of
tonal
quality,
samples
are
taken
in
the
low,
mid,
and
high
ranges
and
then
combined
to
provide
you
with
sounds
that
are
amazingly
close
to
the
originals.
You
may
notice
very
slight
differences
in
volume
or
sound
quality
for
some
tones
when
you
play
them
at
different
positions
on
the
keyboard.
This
is
an
unavoidable
result
of
multi-
ple
sampling,
and
it
is not
a
sign
of
malfunction.
Polyphony
The
term
polyphony
refers
to
the
maximum
number
of
notes
you
can
play
at
the
same
time.
The
CTK-650
has
32-note
polyphony,
which
includes
the
notes
you
play
as
well
as
the
rhythms
and
auto-accompaniment
patterns
that
are
played
by
the
keyboard.
This
means
that
when
a
rhythm
or
auto-accompaniment
pattern
is
being
played
by
the
keyboard,
the
number
of
notes
(polyphony)
available
for
keyboard
play
is
reduced.
Also
note
that
some
of
the
tones
offer
only
16-note
polyphony.
Touch Response
Touch
Response
makes
it
possible
for
the
keyboard
to
match
the
power
of
the
note
produced
with
the
amount
of
pressure
you
use
to
press
the
keyboard
keys.
Note
that
beginners
or
those
with
insufficient
strength
in
their
fingers
can
use
the
proce-
dure
to
switch
Touch
Response
off.
To switch Touch Response on and off
Press the TOUCH RESPONSE button to switch Touch Response on and off.
*
When
Touch
Response
is
switched
off,
the
notes
produced
by
the
of keyboard are not affected by the keyboard pressure.
7 Touch Response is on when the TOUCH RESPONSE indicator is lit.
* Note that when you switch power on, the Touch Response on/off
setting is the one that was selected when you last switched power off.
* Touch Response is not applied to the accompaniment keyboard when
you are using auto-accompaniment (page E-22). It is, however, ap-
plied to the melody keyboard." nous :
The TOUCH RESPONSE button is automatically deactivated when-
ever a demonstration tune is playing. If Touch Response is switched
on when you start play of the demo tune, it remains on and cannot be
switched off during demo tune play. If it is switched off when you
start play of the demo tune, is remains off. ‘ -
* You can also adjust the Touch Response sensitivity using the proce-
dures described on page E-59.
°
*
EL?