Casio CZ-5000 - Key Relationships and Operation; Basic Procedure for Sound Synthesis

_Key
Relationship
and
Operation
—
To
get
an
idea
about
the
relationship
among
the
various
keys,
first
look
at
the
following
diagram:
LINE T
et
ee
DCOl.
pCwl_
CAE...
;
(Pitch)
:
‘
(Timbre)
|
'
(Volume)
|
ent
ne
Se
a
ae
; V AT i . WAVE ENV ; ‘KEY : * KEY ' =
Se
eee
eee
eects
ae
Sees
eee
se
eee
:
SELECT
sSanGa
gets,
Fev
wie
DCO?
<<
2.
DOW?
foenEO
OR
>
oe
in
'
(Pitch)
:
(Timbre):
*
(Volume)!
|
Ce
ak
|
ah:
=
[|
[|
mt
se
ma
|
|
r
;
1
WAVE
,
3
|
KEY
:
"KEY
hoy
ee
arom
EN
rosa
ENV
s
~
Si
Gg
ENN
LINE 2
Compare
this
diagram
with
the
one
on
page
16.
The
DEG
for
each
block
is
indicated
by
the
ENV
(envelope)
keys
for
DCO
1,
DCW
1,
etc.
Also,
OCTAVE
controls
both
DCO
1
and
DCO
2.
The
key
layout
more
or
less
corresponds
to
the
block
structure
shown
in
the
diagram
on
page
16.
There
are
16
keys
in
all.
With
the
exception
of
the
LINE
SELECT
key
on
the
extreme
right,
all
other
15
keys
cause
the
values
set
for
the
respective
blocks
to
be
displayed
on
the
LCD
when
pressed.
These
15
keys
are
called
parameter
keys.
CZ-5000
sound
synthesis
is
accomplished
by
displaying
the
values
for
the
blocks
you
want
to
alter
on
the
LCD
by
pressing
the
respective
key
and
then
altering
the
displayed
vaiues
with
the
CURSOR
keys
{
&@
and
()
),
and
the
VALUE
keys
(
Mand
B®).
Basic Procedure for Sound Synthesis
* Procedure for altering sample sounds.
Operation Exa
mple |
inPart? 9°:
Select the timbre you want to use as the basis for |
your
sound
from
among
the
sample
sounds
(preset
_ and memory voices). — -_
LCD,
; ) ae mee 2
: A agit ie ce : ; ce EES ah aR i aks
Press the respective parameter key to display the ae eer
values for the block you wish to change on the { (4)_ 7
On
Whe
The :
Soun
for tk