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Explains the Stroboconn's twelve windows for representing piano keys and visual patterns.
Details the tuning unit's role in visual pattern reading and frequency measurement.
Describes how to use the transposition indicator for different instrument keys.
Provides guidance on optimal positioning of the Stroboconn for accurate reading during piano tuning.
Discusses airborne and contact microphones and their ideal placement for piano tuning.
Outlines the preparatory steps and execution for tuning a piano using the Stroboconn.
Addresses specific patterns and techniques for tuning lower piano octaves.
Explains the principles and subjective nature of stretching piano octaves.
Highlights the Stroboconn's role in achieving accurate and quick piano temperament settings.
Compares the advantages of airborne versus contact microphones for piano tuning.
Advises against using the low-pass filter for piano tuning due to its impact on overtones.
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General