69
3 Left channel audio, Right channel control
63 0 - 14 Input Hack Amount
Parameter Range Description
64 0 - 200 Glide, Oscillator 1; 101 – 199 = Fingered; 200 = osc midi off
65 0 - 1 Sync; 0 = off, 1 = on
66 30 - 250 Program tempo
67 0 - 12 Program Clock Divide (see Master Clock Divide for
selections)
68 0 - 200 Glide, Oscillator 2; 101 – 199 = Fingered; 200 = osc midi off
69 0 - 5 Oscillator Slop
70 0 - 12 Pitch Bend Range, in semitones
71 0 - 23 Key Mode
0 Low note priority
1 Low note priority with re-trigger
2 High note priority
3 High note priority with re-trigger
4 Last note hit priority
5 Last note hit priority with re-trigger
Add 0 for Poly, 6 for Mono, 12 for Unison 1, and 18 for Unison
2 to the above
Parameter Range Description
72 0 - 200 Glide, Oscillator 3; 101 – 199 = Fingered; 200 = osc midi off
73 0 - 100 FM, Oscillator 4 to Oscillator 3
74 0 - 4 Shape Mod Oscillator 3; 0 = Off, 1 = Sequence 1, etc.
75 0 - 100 Ring Mod, Oscillator 4 to Oscillator 3
76 0 - 200 Glide, Oscillator 4; 101 – 199 = Fingered; 200 = osc midi off
77 0 - 100 FM, Oscillator 3 to Oscillator 4
78 0 - 4 Shape Mod Oscillator 4; 0 = Off, 1 = Sequence 1, etc
79 0 - 100 Ring Mod, Oscillator 3 to Oscillator 4
Parameter Range Description
80 0 - 1 2/4 Pole Select; 0 = 2 Pole, 1 = 4 Pole
81 0 - 100 Filter Envelope Velocity
82 0 - 100 Filter Audio Modulation
83 0 - 100 Filter Split
84 0 – 199 Highpass Filter cutoff. 0-99 for filter on output; 100 – 199 for
levels 0-99 with filter on input
85 0 - 24 Modulation 1 Source (see Source Table on page 74)
86 0 - 198 Modulation 1 Amount; -99 to +99
87 0 - 68 Modulation 1 Destination (see destination table on page 72)
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