Denon AVC-2800 - Multi-Source Recording;Playback; Surround Function

4-7 Multi-Source recording / playback
The
Muiti-Source
function
allows
you
to
record
a
source
other
than
the
source
currently
playing
or
to
output
its
signal
to
the
MULTI
SOURCE
output
terminal.
DISPLAY DISPLAY
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1. Select the source to be output to the recording or MULTI
SOURCE output terminal.
MULTI
Multi-source and multi-zone playback
By
connecting
another
pre-main
amplifier,
etc.,
to
the
MULT!
SOURCE
jacks,
you
can
listen
to
a
source
other
than
the
one
in
the
main
room
in
other
room.
To
connect
the
video
signal,
use
a
75
Q/ohms
cable
designed
specifically
for
video
signals.
Using
an
improper
cable
can
result
in
a
drop
in
sound
quality.
2.Turn on the “MULTI” indicator.
3.The selected source is indicated.
To cancell the multi-source mode and recording source
selection
Press the MULTI SOURCE button repeatedly until
“Source” appears on the display.
The VIDEO MONITOR output is automatically switched to
V.AUX/GAME, when the input source is AUDIO and
V.AUX/GAME is selected by Multi Source.
MULTI e) }
SOURCE
4-8 Using the surround function
This
unit
is
equipped
with
a
high
precision
D.S.P.
(Digital
Signal
Processor)
for
processing
signals
digitally
to
simulate
sound
fields.
Setect
the
surround
mode
according
to
the
playback
source
and
adjust
the
parameters
according
to
the
conditions
in
the
listening
room
to
achieve
a
realistic,
powerful
sound.
Types of surround modes and their characteristics
Pt
Dolby
Pro
Logic
Use
this
when
playing
program
sources
recorded
in
Dolby
Surround.
Wide
Screen
Use
this
to
enjoy
program
sources,
recorded
in
Dolby
Surround
with
the
atmosphere
of
a
movie
theater.
Live Surround
Use
this
to
enjoy
program
sources,
recorded
in
Dolby
Surround
with
the
atmosphere
of
alive
performance.
Super
Stadium
Use
this
to
enjoy
program
sources
such
as
football
or
baseball
games
with
the
atmosphere
of
a stadium.
Mono Movie
In this mode, a sense of expansion is added to monaural audio sources,
This
mode
is
best
suited
for
playing
old
movies
or
movie
tapes
recorded
in
monaural.
6
Rock
Arena
The
powerful
reverberations
of
this
mode
produce
a
sound
field
which
recreates
the
excitement
of
live
concerts.
This mode is effective for rock, popular music, etc.
7
Jazz
Club
This
mode
creates
the
sound
field
of
a
live
house
with
a
low
ceiling
and
hard
reverberations.
The result is that the artist seems to be performing right before your eyes.
8 Classic Concert
[2 Matrix
This
mode
creates
a
sound
field
simulating
a
large
concert
hall,
rich
in
reverberation.
This
mode
is
characterized
by
composed
acoustics,
and
is
perfect
for
playing
classical
music,
ete.
Use this to enjoy stereo music sources with rich reverberations.
eBefore using the surround function
Make the following adjustments before using the surround
function.
1.Set the Dolby Pro Logic mode.
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DOLBY
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PRO LOGIC
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2.Select the center mode.
Select the center mode according to the
center speaker.
aN y
MODE cl R
5. Adjust the center and rear levels to set
the volume of the speakers to the same
level.
3.Emit the test tone.
T.TONE
4.Select the auto sequence mode. 6. Turn the test tone off.
J
7. Adjust the delay time and seating posi-
tion as necessary. ‘oo ia 2
6, Oy
Center Mode
Set the center mode as described'below, according to the type
of center speaker being used.
T.TONE
PARAMETER
Center
Front left
Normal mode: This mode is suited for an arrangement in
which the center channel speaker is smaller than the left and
right speakers. Signals below 100 Hz which have almost no
effect on directional orientation are distributed to the left and
right channels, whereas the center channel output signals
greater than 100 Hz. As a result, the bass of the left and right
channels increases the apparent deepness of the sound.
Rear right
Wide mode: This mode is suited for an arrangement in which
the center channel speaker is of the same grade as the left and
right speakers. The entire sound band from low region to high
bas 40 is output to the center channel to provide an exciting sound
field for your enjoyment.
2 10.5 Phantom mode: Use this mode when center channel speaker
wy is not used. A directional emphasis circuit provides signal
2 9 reproduction which is electrically oriented to the center and
5 this provides an exciting sound field for your enjoyment.
x 75
a Delay Time
3 i The optimum delay time will differ depending on the listening
— 4s position. Referring to the chart at left, set the optimum delay
w time for your room's space and seating position. For example,
23 when the distance from the front speakers to the listening
= position is 6 m (20 feet) and that from the rear speakers to the
2 15 listening position is 4.5 m (15 feet), the optimum delay time
will be 20 ms.
0 The variable range of the delay time differs depending on the
0 5 10 15 20 2 30 35 40 (FEET) Mode. ,
Oo 15 3 45 6 75 9 105 12.0{m)
PREFERRED
ACCEPTABLE
[]NoT RECOMMENDED
DISTANCE FROM FRONT SPEAKERS
USABLE SPEAKER PLACEMENT RANGE WITH
[KXims] DELAY TIME