DOEPFER Dark Energy - Page 36

36
Dark EnerGy
DOEPFER
Example Sounds
6. Almost Sync
Thisexamplesounddoesagoodjobasabassor–inhigherranges–asapowerfulkeyboard/leadsound.
ThepulswidthofthesquarewaveismodulatedintheaudiorangebyLFO2.Resultisasound,thatslightly
remindsoftheclassic„oscillatorsync“effect.FilterandVCAarecontrolledintheusualwaybytheenvelo-
pewithapercussivesetting.Importandforthesoniccharacteristicsarethesettingsofalllterparameters,
LFO2frequencyandthemodulationdepthofthepulswidthPM.Ifyouusethetrianglewaveinsteadofsaw
asasecondVCOsignal,thesoundbecomesmuchsofter.
IfyouconnecttheCV4socketinthebacksidewiththeVCFFinput,youmayadditionallycontrollthelter
cutoffwiththemodwheelofyourMIDIkeyboard.
Tune
Res
ADSR
Range
Shape
Shape
Shape
Range
Range
LFO1 LFO2 LFO1
LFO2
up half low
high
highhigh
low
low
ADSR ADSR ADSR
ADSR
down full
medium
Attack
Decay
Sustain
Release
medium
medium
Frequ.
Frequ.
Inputs Outputs
GateVCA AVCF FVCO PWVCO F Ext.
Audio
LFO1 Envelope Audio
VCO VCF
Envelope
VCA
LFO1
LFO2
o o
o
o
o
o
o
o
Frequ. Amp
AMXFMFM
PW
PWM
LFM
Octave
Source Source Source
Source
Track
DARK ENERGY
DOEPFER
0
4
5
1
3
2
10
9
7
8
0
4
5
1
3
2
10
9
7
0
4
5
1
3
2
10
9
7
0
4
5
1
3
2
10
9
7
0
4
5
1
3
10
9
7
0
4
5
1
3
10
9
7
0
4
5
1
3
10
9
7
8
0
4
5
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
4
5
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
4
1
3
10
9
7
8
0
1
3
2
10
9
8
0
4
1
3
2
10
6
9
7
8
0
4
1
3
2
10
6
9
7
8
0
4
1
3
2
10
6
9
7
8
CV4