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Fostex 812 - SENDING THE SIGNALS TO THEIR DESIGNATED TRACKS

Fostex 812
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■
Rack
5:
Here,
the
SD
signal
of
channel
8
is
sent
to
TRACK
5
via
GROUP
buss
5
in
:he
same
manner
as
TRACK
1.
Effect
Processing
Usually,
effect
processing
is
done
during
a
mix-down
and-or
a
ping-pong
recording
and
not
at
this
stage,
however,
we
wil
illustrate
one
example
where
a
oompressor/limiier
is
processed
onto
the
ELECTRIC
BASS
(EB)
signal
and
a
re/eroeration
onto
the
TCMS
(*3).
COMPRESSOn/LIMlTCR
-CD
Connect
a
compressor/limiter
to
the
INSEFT
jack
(37)
cf
charnel
9
(refer
to
INSERT
)gck
tor
procecures).
An
tB
signal,
Deing
modilied
by
tne
compressor/limiter,
will
now
be
recorded
to
TRACK
1.
REVERBERATOR-TOMS
(x
Several
methods
are
possible
but
here
we
will
use
the
EFFECT
SEND
1
(5).
Conrect
the
EFFECT
SEND
1
jack
(50)
with
the
input
cf
the
reverberator
and
the
output
o'
the
reverberator
with
the
EFFECT
RTN
1
jack
(40)
1.
Set
the
SEND
1
MASTER
LEVEL
knob
(21)
to
0
and
adjust
the
amounts
of
the
signals
to
be
sere
tc
the
reverberator
by
using
the
respective
EFFECT
SEND
1
of
channels
2-4.
2.
Send
the
outout
of
tie
reverberator
to
GROUP
busses
3
aid
4
(RTN
1
ASSIGN
SWITCHES
(28)-3*4.
RTN
1
PAN
(28)—center.
RTN
1
GAIN
(28)-0)
Now
the
reverberated
signals,
as
wel
as
the
original
sig¬
ner;
of
the
TOMS
will
be
recorded
to
TRACKS
3
and
4.
MONITORING
Through
the
use
of
the
EFFECT
SEND
2
(7),
Ihe
Model
612
is
capable
of
processing
an
ehec
on
the
monitor
signal
of
an
irooming
output
from
a
recorder.
This
feature
alows
for
a
more
flexible
monitoring
environment
wnere
one
can
dmulato
the
desired
total
offect
without
affect¬
ing
v/ith
the
signals
being
seni
to
the
recorder.
In
the
example,
we
will
use
a
reverberator
to
process
the
II.
OVER-DUBBING
What
does
'over-dubbing
”
mean?
O/er-dubbing
is
the
process
ol
recording
a
new
sound
source
to
a
new
sound
track
while
simultaneously
playing
back
the
rest
oi
the
tracks
wth
the
recording
head
(syn¬
chronous
play-back).
Look
at
Tigurc
2.
This
configuiation
is
intended
so
that
the
sound
signal
from
Ihe
ELECtRlC
GUITAR
(EG)
wifi
be
"ovor
dubbec"
to
TRACK
6.
TRACKS
1
-5
will
be
monitored
dur¬
ing
their
synchronous
play-tack
Also,
a
delay
effect
will
be
processed
on
the
EG
signal
and
also
sent
to
TRACK
6
The
procedures
fer
sending
ihe
EG
signal
to
TRACK
6.
montoring
the
recorder
outputs
for
TRACKS
1
-6
and
piccessng
a
reverberation
on
the
monitor
signal
are
all
the
same
as
in
the
BASIC
TRACK
RECORDING
section.
monitor
signal.
The
monitoring
netnods
for
the
outputs
to
TRACKS
I
-5
sv.ll
be
the
same
es
BASIC
SIGNAL
Flow
or
pago
11.
Sending
the
Signal
to
the
Reverberator
Firsl
select
AUX
with
the
SEND
2
SELECTOR
(6)
for
channels
1-5.
This
has
the
purpose
o'
sencing
the
incoming
TAPE
sgrals
(AUX
SELECTOR
(8|—TAPE)
to
the
EFFECT
SEND
2
buss
Alter
adjusting
the
respective
AUX
Gain
(9)
and
EF¬
FECT
SEND
2
LEVEL
knobs
(7),
tbs
signals
wll
be
sent
lo
the
SEND
2
busa
and.
alter
a
f
nd
adjustment
with
tho
SEND
2
MASTER
LEVEL
knob
(22).
routed
to
tne
reverberator.
Monitoring
the
Processed
Signal
We
wil
equally
route
the
reverberator
output
from
ihe
EF¬
FECT
RTN
2
jack
(41)
tc
GROUP
busses
7
and
8
by
using
the
EFFECT
RTN
2
SECTION
(29)
(RTN
ASSIGN
SWITCHES
(29)-*7-8.
RTN
PAN
(29)-cente-.
FTN
GAIN
(29>-0).
The
lev^is
ol
the
signals
can
new
be
adjusted
with
the
MASTER
TADERS
for
71
1
and
0/R
(17)
Then,
by
3electng
L
R
with
the
MONITOR
SELECTOR
(25).
it
is
now
possible
to
monito-
the
processed
TRACKS
1
-5
with
Ihe
use
of
neadphones
or
speakers
connected
with
the
MONITOR
OUT
jack
(47i
andfor
PHONES
jack
(34).
(Selecting
AUX
will
enable
moni¬
tor
of
the
original
signal.)
Note:
For
this
example,
do
net
select
GROUP
busses
olhe*
nan
7-
6
with
the
RTN
2
ASSIGN
SWITCHES
since
this
wil
create
an
infinite
loop
This
will
result
in
the
processed
signet
to
be
ecorded
to
TRACKS
1
-5
and
could
cause
howling
(feedback).
For
example,
if
the
channel
5
signal
is
Peng
sent
to
the
EFFECT
SEND
2
buss
and
5-6
is
selected
at
the
RTN
2
ASSIGN
SWITCHES
(29).
the
following
Icop
wil
be
created.
ch.5
EFFECT
SEND
2-Reverberator-GROUP
buss
5-
TRACK
5-Ch,5
AUX
GAIN
In
erder
to
prevent
creating
loeps
as
above,
it
is
also
possible
to
connect
the
reverberator
output
to
the
AUX
BUSS
IN
jack
(44)
and
monitoring
it
by
select
ng
AUX
of
the
MONITOR
SELECTOR
(25).
However,
m
this
case,
it
will
no!
be
possible
to
adjust
Ihe
master
level
of
the
processed
signal.
For
processing
the
delay
effect,
the
EG
signal
will
oe
sent
to
tie
processor
via
the
DIRECT
OUT
jack
(39)
and
'he
output
Iron
the
processor
will
be
sent
to
the
INPUT
jack
(36)
cf
channel
12
and
routed
to
GROUP
txiss
6
along
with
the
original
sound
signal
(ch.12
INPUT
SELECTOR
(3)-
NPUT,
ASSIGN
SWITCHES
(11)-5
€,
PAN
(I2)-EVEN).
In
doing
so.
the
volume
ba'oncoc
ol
tho
EG
signal
ard
is
prococsod
signal
can
oo
adjusted
individually
by
usinc
the
INPUT
FADFRS
(15)
o'"
channels
10
and
12
respectively.
Individual
equalizing
is
also
possible
Note:
The
EFFECT
SEND
2
knobs
(7j
ler
channels
10
and
12
should
be
set
to
-
a.
in
order
to
avod
the
signals
entering
Ihe
EFFECT
SEND
2
buss
and
distorting
the
reverberation
balances
while
monitoring

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