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General| Frequency Response | 45 Hz - 23 kHz (-6 dB) |
|---|---|
| Type | Active Studio Monitor |
| Configuration | 2-Way |
| Crossover Frequency | 3 kHz |
| Amplifier Power | 50 W (LF), 50 W (HF) |
| Driver Dimensions | 5 inch (woofer), 0.75 inch (tweeter) |
| Maximum SPL | 104 dB |
| Weight | 5.5 kg |
| Input Connectors | 1 x XLR Analog |
| Enclosure Type | Reflex |
Manages frequency distribution between drivers for optimal performance.
Controls sound directivity for consistent frequency response across listening positions.
Networked monitors with advanced calibration and control features.
Integrated stand for monitor positioning and vibration isolation.
Defines an audio monitor as a professional tool for accurate listening in audio processes.
A reference monitor reveals program truth without adding or masking content, requiring optimal room setup.
Guidance on choosing monitors based on listening distances and sound pressure levels.
Dividing the room into areas and positioning the listening spot for optimal acoustics.
Recommended monitor acoustical axis height is ear level, between 1.2-1.4m, avoiding half room height.
Illustrates how Iso-Pod tilting allows adjustment for optimal sound reflection management.
Managing sound reflections from walls, ceiling, and floor for optimal sound.
Guidelines to avoid cancellations caused by sound reflecting from the wall behind the monitor.
Recommendations for placing monitors and subwoofers to excite room modes and achieve flat response.
Specific advice for subwoofer placement in large studios to ensure flat frequency response.
Adjusting monitor settings to compensate for room acoustics and achieve flat frequency response.
Setting input sensitivity and level controls for consistent sound output across monitors.
Using absorption and diffusion materials to manage sound reflections and improve room acoustics.
Cut front corners at 30 degrees with high-mass materials or mineral wool fill.
Use a combination of absorption and diffusion on side wall surfaces to manage reflections.
Apply diffusive and absorbing elements on the back wall if the room is large enough.
Use absorption material or panel resonators in the back and ceiling to control low-frequency resonances.
Avoid distances too close to monitors, affecting driver summation and frequency response.
Use recommended distances considering SPL and room reverberation time for optimal performance.
Tables guiding the selection of monitors and subwoofers based on room volume and performance.
Divides the audible frequency spectrum into categories from subsonic bass to extremely high frequencies.
Illustrates how sound propagates omnidirectionally at low frequencies and directionally at higher frequencies.
The volume into which a monitor radiates sound, with level increases limited by walls.
Explains how wall reflections at specific distances create cancellations (comb filtering) in the frequency response.
Instructions on using the G Stencil for drawing correct monitor angles in room plans.
Information on downloading useful test signals from the Genelec website.
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